Video Production: Disciplines and Techniques introduces students to the operations underlying multiple-camera video production. This textbook deals with a range of issues from how crew members interact with equipment to the manner in which crews interact with each other. More than just telling students "what to do," this textbook shows how to do a job and why.

Video Production: Disciplines and Techniques

Humor & Entertainment

Gross, Lynne Schafer S

Foust,James C.

Burrows,Thomas D.

Wood, Donald N.

Movies

McGraw-Hill Humanities/Social Sciences/Languages

This concise, student friendly text teaches the essentials of telecommunications.  It is directed to all students as consumers of media, as well as to students who plan to be media producers.    Telecommunications is divided into two main sections: Section I focuses on the various media forms (i.e. broadcast radio, cable television) and Section II focuses on the functions of media (i.e. programming, advertising). The chapters may be read in any sequence (the glossary can help readers with unfamiliar terms if later chapters are read first).

Telecommunications: Radio, Television, and Movies in the Digital Age

Engineering & Transportation

Gross, Lynne S.

Engineering

McGraw=Hill

This text introduces students to the operations underlying multiple-camera video production. Written in an accessible style that appeals to students, it covers the basics of television production with an emphasis on studio production. While the main focus is on equipment and techniques that students use, Video Production also covers more advanced equipment and techniques used in the professional world. The ninth edition adds information about preparing video material for the Web and for DVDs, updates on HDTV, further detail on graphics construction, and more.

Video Production: Disciplines and Techniques (NAI)

Video Production: Disciplines and Techniques with PowerWeb

Gross,Lynne Schafer

This popular book introduces readers to the operations underlying video production. It provides thorough coverage of the theory readers need to know, balancing complexity with practical how-to information about detailed subjects, and it does so in a concise, conversational style.   The authors have incorporated the major changes that have occurred in recent years; further increased the emphasis on digital, non-linear video production; updated and expanded information on mobile technologies; and added more than 25 new or updated figures.   The subtitle remains disciplines and techniques because focus of the book continues to be on the fact that students need those foundations in order to be successful in video production, no matter where they may end up. Its affordable, student-friendly price, companion website, and print book and ebook options add to this book's practical nature.

Fink, Edward J.

Television

Routledge

For decades, clear channel AM radio stations were the dominant electronic media in America. Their powerful signals stretched hundreds -- in some cases thousands -- of miles on exclusive frequencies, clear from the interference of other stations. Big Voices of the Air explores the behind the scenes battle that raged out of earshot of the clear channel stations' vast audiences. Concentrating on the years from 1928 to the 1960s, the book shows how the clear channel debate mirrored changes in the American broadcasting industry, including the cementing of the commercial broadcasting structure and the splintering of commercial interests. Big Voices of the Air examines, in detail, the efforts of clear channel stations to promote themselves among listeners, farm organizations, Congress, and the Federal Communications Commission in an attempt to preserve and enhance their position in American broadcasting.

Big Voices of the Air: The Battle over Clear Channel Radio

Radio

Iowa State Pr

Video Production

Arts & Photography

Cardenas, Jose A.

Beskid, Phil

Gordon Jr., Robert

Lohrey, James B.

Photography & Video

The revised twelfth edition of Video Production: Disciplines and Techniques introduces readers to the operations underlying video production. It provides thorough coverage of the theory and techniques readers need to know, balancing complexity with practical how-to information about detailed subjects in a concise, conversational style. The book has been updated to incorporate recent changes in the video production pipeline―emphasizing digital video, non-linear video production, streaming platforms, and mobile production―while maintaining the foundational, nuanced, teamwork-based approach that has made the book popular. Each chapter includes key takeaways, review questions, and on-set exercises, and a comprehensive glossary defines all the key production terms discussed. An accompanying eResource includes downloadable versions of the forms and paperwork used in the book, in addition to links to further online resources.

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