An extremely important reference work for Jasper Johns prints of the 1960s. Illustrated with documentary photos, numerous full-page plates & several full-page colourplates, plus illustrated catalgoue raissone of the exhibition at the Philadelphia Museum of Art.

JASPER JOHNS: Prints 1960-1970

Arts & Photography

Field, Richard S.

History & Criticism

Philadelphia Museum of Art

Guild edition, shelf wear to dust jacket. Shipped from the U.K. All orders received before 3pm sent that weekday.

Chagall

Compton, Susan

Thomas Eakins

Thomas Eakins' scenes of rowing, sailing, and boxing as well as his deeply moving portraits are renowned for their vibrant realism and dramatic intensity. This beautiful and insightful book, published in conjunction with a major exhibition on the life and career of Eakins - the first in twenty years - presents a fresh perspective on the artist and his remarkable accomplishments. Lavishly illustrated with more than 250 of Eakins's most significant paintings, watercolors, drawings, photographs, and sculpture, the book features essays by prominent scholars who place his art in the context of the history and culture of late nineteenth-century Philadelphia, where he lived.

Ike Taiga and Tokuyama Gyokuran: Japanese Masters of the Brush

Ike Taiga (1723–1776) and his wife Tokuyama Gyokuran (1727–1784) were preeminent artists in 18th-century Japan. This landmark book––the only comprehensive survey available in English—focuses on the lives and times of these artists and accompanies the first-ever exhibition devoted to their work in the United States. Considered by contemporaries to be an eccentric marvel, indifferent to worldly preoccupations, Taiga is best known as an exponent of the so-called Nanga school of Chinese literati painting. He was hugely prolific and experimental, working in an impressive range of styles, techniques, compositions, and subjects to produce over 1,000 calligraphies and paintings, and many large-scale fusuma (sliding doors) and screens. While not as well known as her husband, Gyokuran was a significant artist and a well-regarded poet of Japanese verse. Taiga wrote poetry in Chinese, and translated poems by both artists are featured prominently in this volume.

Felice Fischer

Kyoko Kinoshita

Perhaps the best-known artist of the international Surrealist movement, Salvador Dalí (1904–1989) transformed his dreams and personal obsessions into some of the most original and arresting images of the 20th century. While the Surrealist works from his early years are widely known and admired, Dalí’s controversial late works―often inspired by science and religion―have been given a different reception. In this important book, experts provide a revisionist account of the last five decades of the artist’s career.
The Dalí Renaissance explores a wide range of topics from this period, including the artist’s fascination with religion and popular culture, his "Nuclear Mysticism" lecture tour of the midwestern United States, and his influence on film, photography, design, and fashion. Based on an international symposium held at the Philadelphia Museum of Art, the volume also features an enlightening discussion between two of Dalí’s former companions, Ultra Violet and Amanda Lear, that provides a glimpse into his personal life and working methods.

The Dalí Renaissance: New Perspectives on His Life and Art after 1940

Winner of the Golden Lion for the Best National Participation at the 53rd International Art Exhibition—La Biennale di Venezia, the exhibition Bruce Nauman: Topological Gardens is celebrated in this photographic documentation of the thematic installation as presented at three sites in Venice: the U.S. Pavilion at the Giardini della Biennale, and two of the city’s most esteemed academic institutions, the Università Iuav di Venezia and the Università Ca’ Foscari. 
With a body of work that encompasses video, installation, drawing, sculpture, printmaking, photography, and neon, and that spans from the 1960s to the present day, Bruce Nauman (born 1941) is one of the most innovative artists of his generation. Through Michele Lamanna’s stunning series of photographs, commissioned by the Philadelphia Museum of Art, this publication captures the visitor’s experience of encountering Nauman’s work and coincides with the American premiere of the artist’s newest works—Days and Giorni—in Philadelphia.

Bruce Nauman: Topological Gardens: Installation Views

This striking publication examines two masterful armors for man and horse recently acquired by the Philadelphia Museum of Art. Among the earliest complete European examples in existence, these German works demonstrate the superior design and craftsmanship of princely armor in the early 16th century. The celebrated master Wilhelm von Worms the Elder (d. 1538) of Nuremberg made the luxurious, exquisitely decorated steel horse armor for Duke Ulrich of Württemberg (1487-1550). The man armor was crafted by Matthes Deutsch (last documented c. 1505) of Landshut, another distinguished armorer patronized by German princes; it is his latest and most sumptuous work. 
Princely Armor in the Age of Dürer discusses the function, design, decoration, and manufacture of these masterpieces and situates them within German art, culture, and politics, and within the development of European armor in the late Middle Ages and Renaissance.

Princely Armor in the Age of Dürer: A Renaissance Masterpiece in the Philadelphia Museum of Art

Terjanian, Pierre

The Art of German Stoneware, 1300-1900: From the Charles W. Nichols Collection and the Philadelphia Museum of Art

Beautiful and eminently useful, stonewares produced in the German-speaking lands from the Middle Ages onward were highly valued for their durability and suitability for a range of domestic and social uses. Widely traded throughout Europe, they were also among the first European ceramics to reach colonial North America. During the Renaissance the addition of brilliant salt glazes—s well as relief imagery that communicated with the user—raised the status of these wares. Later examples introduced abstract floral or geometric decorations and more unusual, original forms, which retained broad cultural significance.About ninety fine stoneware pieces from the Philadelphia Museum of Art and a promised private collection testify here to the success, artful decoration, and fascinating variety of this medium. Jack Hinton describes the developments in stoneware through these notable examples, and beautiful color images bring their details vividly to life.

Hinton, Jack

A trio of masterpieces by Gauguin, Cézanne, and Matisse are joined by works by other major artists in this exploration of the enduring vitality of the theme of Arcadia The notion of a golden age set in an earthly paradise has long kindled the human imagination. Virgil envisioned such a place of bucolic pleasures—erotic and unsullied, sometimes shadowed by blunted desires and doubts—in his Eclogues, set in the valley of Arcadia in ancient Greece. His poems defined for Western art and literature a theme that continues to this day. Their resonance as a foundation for European painters around 1900 is the subject of this beautifully illustrated catalogue, which focuses on three monumental paintings—Paul Gauguin's Where Do We Come From? What Are We? Where Are We Going? (1897-98), Paul Cézanne's The Large Bathers (1906), and Henri Matisse's Bathers by a River (1909-10, 1913, and 1916-17). Other masterpieces by Jean-Baptiste-Camille Corot, Nicolas Poussin, and Pierre Puvis de Chavannes establish the high value given to Arcadia in the history of French painting. These are joined by major works by Henri Edmond Cross, Robert Delaunay, André Derain, Pablo Picasso, Henri Rousseau, and Paul Signac, as well as paintings by Ernst Ludwig Kirchner, Franz Marc, and Natalia Goncharova to suggest the vitality of this subject outside the canonical French definitions. Distinguished scholars place these artists within the larger context of this inventive period in art history.

Gauguin, Cézanne, Matisse: Visions of Arcadia

A richly illustrated survey of the vast influence of Korea's longest-ruling Confucian dynasty, featuring some 200 masterworks from major collections Treasures from Korea is the first major publication outside of Korea to survey the artistic production of the world’s longest-ruling Confucian dynasty, which reigned on the Korean peninsula from 1392 to 1910. The Joseon dynasty left a substantial legacy for modern Korea, influencing contemporary etiquette, cultural norms, and societal attitudes. Beautifully illustrated with color images of some 200 masterworks from major Korean public and private collections, this important volume offers readers a detailed look at the fascinating art of the Joseon, from the exquisitely crafted pieces used by the court to scholarly implements, ritual items, and Buddhist arts. A variety of mediums, including prints, paintings, calligraphy, books, ceramics, sculptures, metal works, and costumes and textiles, are organized around five key themes: the king and his court, Joseon society, ancestral rites, Buddhism in a Confucian society, and Joseon in modern times.

Treasures from Korea: Arts and Culture of the Joseon Dynasty, 1392–1910

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Books by Philadelphia Museum of Art