Landscapes of Colorado features the efforts of artists who have used the state's natural beauty as inspirations for their paintings and photographs. Art curator Ann Daley selected the artists. Some lived in Colorado only briefly, while others have spent their entire careers in the state. Daley also provides an essay linking each artist to the impressive history of Colorado, where for over a century painters and photographers have been attracted to its magnificent views and its crisp, clear light. 
Art critic Michael Paglia provides a profile of each of the artists. In writing about them, he takes into account key experiences in their development, as well as analyzing their varying styles, the techniques they embrace, and places them in the broader context of landscape art. The artists found in Landscapes of Colorado display a wide range of aesthetic approaches from neotraditional to contemporary realist.
Landscapes of Colorado is an overview of the rich vein of contemporary art in Colorado.

Landscapes of Colorado: Mountains and Plains

Arts & Photography

Daley, Ann Scarlett

Paglia, Michael

History & Criticism

FrescoBooks / SF Design, llc

Abstract art has a stunning presence in New Mexico. As a premier international art hub, the state is renowned for its artistic diversity, creative excitement, and cosmopolitan ambiance. The most sophisticated art lovers and collectors come from all over the world to experience the galleries and museums that exhibit abstract art. 
Today's creativity is built on centuries of Pueblo Indian design and Territorial Spanish elegance. More than a hundred years ago, prominent artists from the East Coast discovered the area and brought their energies to the task of founding the storied art colonies of Taos and Santa Fe. The light and the striking landscape proved fertile ground for innovative ideas and bold experimentation, then and now. Abstract Art presents a thoughtful sampling of the range and sheer variety of abstract art being produced in New Mexico today. Over 200 full color images reflect the vigor and originality of artists whose work compares favorably with that being produced in major metropolitan art centers. Stuart Ashman's essay covers the development of modern art in the state. He also selected the artists to appear, such as Eugene Newmann, Janet Lippincott, Kevin Tolman, Sally Anderson, Richard Hogan, Alan Paine Radebaugh, and Pascal. These artists are presented individually in profiles by Suzanne Deats.

Abstract Art

Ashman, Stuart

Deats, Suzanne

Indian artists from all over the nation have deep ties to New Mexico. A great many live and work in the state. Countless others have attended and/or taught at the renowned Institute of American Indian Arts (AIA) in Santa Fe, NM. All have exhibited their work at Pueblo and Indian art exhibitions, in major galleries, or at the annual Indian market hosted by the Southwestern Association of Indian Arts (SWAIA) in Santa Fe.
Almost without exception, Native artists draw upon their heritage for inspiration, and usually for form and content as well. Some create their art using traditional mediums and designs; others explore modern, sometimes unorthodox subjects, styles, and mediums. The visions expressed in their art mirror the diverse experiences of indigenous peoples living in America today.
Ndn presents examples drawn from the panorama of Native American art. Charleen Touchette's lively essay brings a contemporary perspective to Indian art. She also selected the artists to be included in Ndn, some of whom are Allan Houser, R. C. Gorman, Arlo Namingha, Margarete Bagshaw-Tindel, Kevin Red Star, Anita Fields, and Joel McHorse. Each artist is presented individually in profiles by Suzanne Deats.

NDN Art: Contemporary Native American Art

Suzanne Deats

Charleen Touchette

Western Traditions is a new book on the art of the American West, an art that attracts not only great artists but passionate collectors, not only nostalgia buffs who revel in the history of the frontier but pragmatists who know that the life of the working cowboy is a solid reality in today's ranching industry. Featuring more than fifty celebrated painters and sculptors, Western Traditions paints a broad picture of this fine art category, showing where it has been, where it is now, and where it is going. Featuring such prominent artists as Glenna Goodacre, Gordon Snidow, Dave McGary, William Acheff, and Gary Niblett, this book belongs in every private and public art library, for it is an important reference as well as a rip-roaring good read.

Western Traditions: Contemporary Artists of the American West

Duty, Michael

The fourth title in the innovative New Mexico Artist Series, 3-D art/techné spotlights once again the extraordinary art and artistic life in New Mexico today. 3-D art/techné explores the work of more than thirty artists based in New Mexico who use traditional skills in non-traditional ways or who use non-traditional materials in traditional ways. Recognizing that many people who work this way produce three-dimensional work, the book will focus on those who produce free-standing objects and those who may work on the wall but project out from it as well. Ranging from metal, wood, stone, clay and fiber to assemblage and glass, these works of art pose post-modern questions about modernist considerations of form and function. Among those featured are Tom Waldron, Barbara Zusman, Gail Rieke, and Tracy Krumm.

3-D art/techné: Glass, Fiber, Wood, Clay, Metal, Stone, Assemblage (New Mexico Artist Series)

Brandauer, Aline

Carver, Jon

For twenty years, Gene and Rebecca Tobey worked together as husband and wife and artistic partners. They are best known for their creations of ceramic and bronze sculptures of abstracted animal forms. In their art, bear, buffalo, elk, and other majestic animals stand in dynamic, timeless attitudes. 
Their work is a sculptural statement about the dominant personality of the animal. Magic occurs as the sculptures' surfaces become canvases upon which the Tobeys have carved, drawn, painted, and scratched graffito drawings of other animals, human figures, scenes of starry night skies, mountain ranges, and symbols and geometric shapes, all on beautifully patinated surfaces. In the pages of Partners in Art, Rebecca Tobey shares her insights into their creative and collaborative process and shows the creations she and Gene forged during their two-decade partnership. In 2006 Gene Tobey passed away after battling leukemia. Rebecca Tobey lives in Santa Fe, New Mexico, and continues their legacy of creation and spirit.

Partners in Art: Gene and Rebecca Tobey

Rebecca Tobey

Colorado Abstract examines the establishment of abstraction in the art of Colorado during the late twentieth and early twenty-first centuries.
For this groundbreaking study, Michael Paglia and Mary Voelz Chandler begin with the first generation of artists active in the 1930s and conclude with the modernists of the 1970s and 80s. Paglia focuses on the history of abstraction in Colorado, and Chandler's essays document the artistic development and vision of more than fifty contemporary artists who are creating abstract paintings and sculptures today.

Colorado Abstract: Paintings and Sculpture

Chandler, Mary Voelz

In the history of art only a select number of artists distinguish themselves as originators of a personal idiom that reverberates beyond place and time. John Nieto is one of those originals. His eye-dazzling paintings rank him among the vanguard of contemporary American colorists.
Recognized worldwide for his signature blend of expressive colors, dynamic brushwork, and powerful compositions, Nieto is an American artist who speaks in a universal language. His personal story, told here for the first time, is a journey of discovery. His paintings combine reverence for his heritage with a sophisticated worldview. They are also autobiographical.
Nieto depicts Native peoples as icons of dignity and unity. His buffalo, bears, and coyotes are symbols of survival. Each is captured in pulsating saturated hues that affirm the vibrant spirituality inherent in all living things.

John Nieto: Forces of Color and Spirit

McGarry, Susan Hallsten

Inspired by nineteenth-century painters and photographers, Congress passed legislation preserving America's spectacular natural resources for the enjoyment of all. Today, artists continue to play a significant role in interpreting these iconic panoramas, intimate corners, and diverse wildlife within our national parks. In Art of the National Parks, seventy painters and sculptors offer distinctive visions of eight of the nation's most beloved wild lands: Acadia, Everglades, Grand Canyon, Grand Tetons, Rocky Mountain, Yellowstone, Yosemite, and Zion. Susan Hallsten McGarry, well-known author and curator, guides readers on a lively journey through the artists' styles, techniques, and philosophies. Art historian/author Jean Stern, director of the Irvine Museum, discusses the historic artists who put into motion our nation's conservation consciousness. And Terry Lawson Dunn, biologist and educator, highlights the national parks' ecological successes and challenges. With more than 450 artworks, this glorious, large-format book is a must for anyone who has hiked the trails, watched a sunset, marveled at buffalo herds, or yearned to experience our nation's mythic and transformative vistas. It is also an indispensible compendium of artists who are at the forefront of twenty-first-century American landscape and wildlife art.
Art of the National Parks is available in seven different book jackets depicting the art and beauty from each national park featured in the book. Featured parks include: Acadia, Grand Canyon, Yellowstone/Tetons, Zion, Everglades, Yosemite, and Rocky Mountain.

Art of the National Parks: Historic Connections, Contemporary Interpretations

Travel

STERN, Jean

Hallsten McGarry, Susan

Terry, Lawson Dunn

Food, Lodging & Transportation

Painting the Divine explores New World images of the Virgin Mary that portray some of the events in her life, as well as examples of apparitions unique to various locales in the Americas. Iconography seen in these artworks tells a story that mixes religion, culture, and geography in ways unique to their regions. In addition, it examines pieces produced by New Mexican artists who developed a unique hybrid style with Spanish colonists, though they were separated by large geographic distances. It also explores the ways that contemporary Hispanic artists have adapted and infused Marian imagery with their own historical perspectives, stylistic traditions, and cultural values.

Painting the Divine: Images of Mary in the New World

Díaz, Josef

Stratton-Pruitt, Suzanne

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