This collection of over 200 photographs by Bob Case, taken by Bob Case over 50 summers, depicts the abandoned mines, cabins and mining relics in and around the gold mining towns of Cripple Creek, Leadville, Central City, Victor, Fairplay, and many others. As the remnants of Colorado’s rich history of gold and silver mining vanish, Bob’s powerful photographs remain a beautiful and poignant record of the hard and enterprising lives of a tough and resourceful people.

The Lure of Gold: A Photographic Tour of Colorado Gold and Silver Mining Relics

Arts & Photography

Case, Mr. H. Robert

Photography & Video

Case Publishing

Tenko

Hajime Sawatari

TOP Collection: Tokyo Tokyo and TOKYO

Nobuyoshi, Araki

Daidō Moriyama

Keizo Kitajima

Luigi Ghirri

Thirteen Orphans

Tsutomu Yamagata

Artist duo Maurice Scheltens and Liesbeth Abbenes are considered among the most progressive still-life photographers in the Netherlands today. With the creative craftsmanship of artists, they produce images that draw viewers into a sense of wonder at the things we encounter in everyday life. At once fascinating and demanding, their meticulous examination brings overlooked details into sharp focus, in turn both flattening the pictured objects and bringing them to life. This publication coincides with a retrospective exhibition in Amsterdam covering eighteen years of colourful, minimal, and challenging work by Scheltens & Abbenes. With a text by Louise Schouwenberg.

Scheltens & Abbenes - Zeen

Scheltens&abbenes, L. Schouwenberg

Eiji Ohashi’s winterly landscapes with vending machines. “Roadside Lights Seasons: Winter” is a follow-up to Eiji Ohashi’s critically acclaimed photographic series of vending machines along roads throughout Japan. The volume focuses exclusively on scenes taken during winter, with volumes for spring, summer and fall to be released as well. “The vending machines placed all over the country are a symbolic image of today’s Japan, and their lonely, daily work is reminiscent of the modern lives of us humans. In this sense, my series is a conscious reflection of its era, but it is also an expression of my own personal aesthetic sensibilities,” says Ohashi. “I believe the sight of these vending machines shining brightly, all alone in the harshness of winter, evokes feelings of compassion and encouragement in us. These bright, glowing characters are mechanical machines, but they also appear strangely human, and the beautiful sceneries that surround them may even provide us a little hope.” －from Eiji Ohashi’s afterword (available in Japanese and English translation) With its large format and considerable weight, the photobook “Roadside Lights Seasons: Winter” gently recalls the weight and size of the vending machines in Ohashi’s photographs. The leporello-style bookbinding allows the book to spread out into an instantaneous mobile exhibition as well.

Roadside Lights Seasons: Winter

Eiji Ohashi

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Books by Case Publishing