First edition, first printing. Soft cover. Photographically illustrated stiff wrappers with a 8-3/4-inch photographically illustrated obi (bellyband) around the front cover; no dust jacket as issued; contained in a cardboard slipcase with printed red and white label. Photographs by Miyako Ishiuchi. Text (in English and Japanese) by Miwa Nishikawa. (The book includes an errata slip noting the correct spelling of Nishikawa's name, which is misspelled in the printing.) Includes an index of plates keyed with thumbnail illustrations. Designed by Triboro, Andrew Roth. Unpaginated, with 202 beautifully printed tritone plates. 9-1/4 x 11-1/4 inches. Published on the occasion of an exhibition at Andrew Roth Gallery, New York. This first edition was limited to 1000 copies.

Miyako Ishiuchi: Sweet Home Yokosuka, 1976-1980, Limited Edition

Ishiuchi, Miyako

Nishikawa, Miwa

PPP Editions in association with Andrew Roth

Hiroshima

Shueisha

<p>Accompanying the Japanese Pavilion's contribution for the Venice Biennale, Ishiuchi's personal and touching photographic essay Mother's' explores the concepts of memory and loss through a series of close-up portraits of her mother immediately prior to her death interspersed with photographs of some of her mother's personal possessions.</p>

Ishiuchi Miyako - Mother's 2000-2005: Traces of the Future

Arts & Photography

Photography & Video

Tankosha

Miyako Ishiuchi: Monochrome

Chikuma Shobo

Grainy, deeply resonating photographs depicting (mostly) abandoned and derelict interiors of a US military entertainment club and housing block in the Yokosuka / Yokohama area where Ishiuchi grew up.

Miyako Ishiuchi: Club & Courts, Yokosuka Yokohama

Sokyu-Sha

Ishiuchi Miyako: Endless Night 2001

Wise Shuppan

<p>INNOCENCE is a unique book of photographs, portraits of sorts that Miyako Ishiuchi took of scars on women's bodies. We never see the faces of her subjects, only the marks which remain on their bodies. These black-and-white photos have been processed to make the contrast quite neutral, leaving little difference between the subject's skin, which is lit only by natural light. For Ishiuchi, these scarred bodies represent a kind of purity. In a text which accompanies the book, and has been translated into English, Ishiuchi states: "just as self, individuality and the like when piled on the plate of time seem silly and inconsequential, so youth and age, beauty and ugliness on the surface of the body are pretty much just two sides of the same coin." INNOCENCE" is a carefully considered study of the female body, from a perspective which is not often represented.-Publisher's website. Ishiuchi, became the first Asian female photographer to win the Hasselblad Foundation Award, in 2014. The Foundation citation notes: "Ishiuchi's work is extremely coherent and developing in a determined and distinctive way; using the camera and all of its aesthetic potential to investigate the intersection of the political and the personal aspects of memory Ishiuchi has been both a pioneer and a role model for younger artists, not least as a woman working in the male-dominated field of Japanese photography,"</p>

Innocence

Akaaka Art Publishing

Belongings

Case Publishing

Frida by Ishiuchi

Editorial RM

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Books by Ishiuchi, Miyako