Collected essays on critqueing the belief in progress from a traditionalist point of view from which so-called progress oftens appears as regress.

Looking Back on Progress

Politics & Social Sciences

Lord Northbourne

Social Sciences

Angelico Press

A thoroughgoing critique of the modern world from the point of view of traditional metaphysics, pointing out the false assumptions at the root of many contemporary problems.

Religion in the Modern World: Including Correspondence with Thomas Merton

MERTON, THOMAS

Northbourne, Christopher James

Philosophy

Keys of Gnosis

"For a long time now, religion in the West has been polarized between a democratic kind of faith meant for simple believers, and divine mysteries so high that hardly anyone can claim to know much about them. The vital connecting link between them, that of metaphysical religion, is all but lost..." (From the Introduction.) There are many books that seek to answer the fundamental questions of life: Who am I? Does life have a purpose? How should I live? Dr Bolton's book brings to these universal questions an extraordinary degree of metaphysical insight. It contains in highly condensed form a veritable library of traditional wisdom, offering a systematic reconstruction of our understanding of the soul and its relation to archetypal reality. Its starting-point is the fact that increasing numbers of people seem to lack spiritual and material power over their own lives. Modern man feels like a victim. But true power, real freedom, is closer than we think. Our mistake lies in accepting a false view of the self, and neglecting the metaphysical dimension that gives access to eternity. Dr Bolton's book offers a crash-course in liberation. It can liberate us, specifically, from a common sense idea of reality which is profoundly false, and which holds us in unconscious slavery to time and appearances. The book defends the capacity of the human mind to obtain objective insight, despite the obfuscations of postmodernism, and represents a bold development of the Platonist tradition associated with St Augustine, Plotinus, and Proclus. "This book is like a diamond: a diamond placed not in a necklace, but at the business end of a drill. It is up to us to use the drill to penetrate reality. Writing the book was a great achievement. Reading it invites us to make the achievement our own." - Stratford Caldecott (G.K. Chesterton Institute for Faith & Culture)

Bolton, Robert

The author of this slender but profound book, a Cistercian monk, discovered as a young man the work of his fellow countryman René Guénon, whose writings introduced him to genuine metaphysical doctrine and to possibilities of spiritual realization. This discovery marked him indelibly, and he resolved to follow a monastic path in order to be free for the 'one thing needful'. The word Advaita, which designates Vedantic non-dualism, is Sanskrit for 'non-dual' or 'not two'; but the doctrine itself is by no means exclusively Hindu, being present in Buddhism, Islam, Taoism, and Judaism. In Christianity it has always been more implicit, though explicit with writers such as Dionysius the Areopagite, Eriugena, Eckhart, and even Dante. The great merit of this work by 'a Monk of the West' is that it shows that non-dualism is neither pantheism nor monism, and that there is no incompatibility between orthodox Christian doctrine and the strictest understanding of non-dualism in the Advaita Vedanta. The implication is that non-dualism can again find expression within a Christian ambiance. The cover design helps clarify this. In the background is the Omkara, the sacred monosyllable of Hinduism, considered the most funadamental of affirmations. In the foreground is the Christian symbol of the Chi-Rho, chrismon, or labarum, consisting of the first two letters-chi (X) and rho (P)-of the Greek Christos, XRISTOS. This figure is intrinsically three-dimensional but is usually projected onto a plane surface. The cruciform Greek letter chi (X) is placed horizontally within a circle; it measures the parameters of a given world. The rho intersects the chi at its center and is placed vertically to represent the axis mundi or world tree. The loop at the top of the rho represents the Supernal Sun at the summit of the world tree, from which all possibilities of creation proceed and to which they return. There can be no essential, but only an apparent, incompatibiity between the Universe and any of its constituent parts; all derive from a unique and common Principle. Similarly, there be be no essential conflict between the Chi-Rho representing a given world and the Omkara which represents all worlds, the entire Universe, notwithstanding the differing degrees of universality. Christianity and the Doctrine of Non-Dualism offers one approach to this doctrine and to the greatest possible spiritual / intellectual adventure that is implied.

Christianity and the Doctrine of Non-Dualism

Religion & Spirituality

A Monk of the West

Christian Books & Bibles

The Universal Meaning of the Kabbalah

Third Edition God, the Universe, and Man-their essential unity and fundamental attributes as seen through the eyes of Jewish esoteric tradition-is the subject of Leo Schaya's masterly study of the Kabbalah. Unlike most works on the subject, which focus on the history of the Kabbalah or the Kabbalah as literature (not to mention countless 'new age' rants), this penetrating text expounds the universal teachings of the Kabbalah on the relationships of all things to their supreme archetypes, the ten Sephiroth, or principial aspects of God. In addition to the Old Testament and the Talmud, Schaya draws on one of the classical sources of Jewish mysticism-the Zohar, or Book of Splendor-fromwhich he extracts an all-embracing synthesis of the numberless degrees of All-Reality, to which correspond the multiple states of human being, from earthly individuality to essential identity with the Absolute. This work, acclaimed by reviewers and scholars alike, fittingly concludes with an illuminating chapter on the Name of God, which saves 'all those who invoke him in truth.' Students of comparative religion will find an abundance of information here, for striking parallels both with the Hindu cosmological doctrines and the metaphysical insights of the Vedantic sages are among the surprises interlaced in this account of Judaic esoteric wisdom. In this, Schaya carries on the extraordinary work of three great 20th-century metaphysicians of the philosophia perennis: René Guénon, Frithjof Schuon, and Ananda K. Coomaraswamy. This book will be extremely useful to anyone who is, in the words of Maimonides, 'perplexed' by the Bible in the sense of having exercised his best thinking about it and who now stands 'broken' before its apparent contradictions and its overwhelming emotional authority. The Kabbalah, or esotericism, is the communication to man of what Schaya calls principial ideas, ideas that are to thought and actions what the sun is to its rays. Standing between metaphysical ideas and the symbolic language of the Zohar and the Old Testament, he allows each side to penetrate the other. -Jacob Needleman, author of Lost Christianity, A Sense of the Cosmos, etc. This book fills an urgent need. To rediscover the deepest meaning of the Old Testament is something that could haved a most tonic and enlightening effect on the whole of Christian thought today; no clearer interpreters are to be found than the masters of the Kabbalah. -Marco Pallis, author of The Way and the Mountain, A Buddhist Spectrum, etc. Leo Schaya was born in Switzerland in 1916. He received a traditional Jewish upbringing, but from an early age devoted himself to the study of the great metaphysical doctrines of East and West, particularly those of Neoplatonism, Sufism, and theAdvaita Vedanta. His works include, in addition to The Universal Meaning of the Kabbalah (first published in French in 1958 as L'Homme et l'Absolu selon la Kabbale), La Doctrine Soufique de l'Unité, La création en Dieu: à la lumière du judaïsme, du christianisme et l'islam, and Naissance à l'esprit, as well as numerous articles.

Schaya, Léo

Judaism

Our Father who art in heaven. . . . Two thousand years have elapsed since these words were first spoken from the Mount of the Beatitudes. Since that time countless sermons and commentaries have echoed these words, but never has the Lord's Prayer been likened to such an array of spiritual themes: the Commandments, the Divine Liturgy, the virtues, the Gospels, and then the Apocalypse and the Psalms are all taken in turn and formed into "verbal icons." This is an eminently practical book to be not so much quoted as lived, a modern quest for the heart of Scripture.  "In The Way to Our Heavenly Father, G. John Champoux has given us a great gift, a profound and wide-ranging meditation on the Lord's Prayer. It's hard to imagine anyone reading this book carefully--or even dipping into it casually--without coming across a passage that will magnify understanding, inspire hope, and deepen faith. A splendid achievement!" -- Philip Zaleski, editor of The Best American Spiritual Writing series and co-author of Prayer: A History  "There is more mystery and majesty here than can be taken in by mere reading. This is a book to linger over prayerfully, as it reveals how the depths of Jesus's outwardly simple prayer can be heard resounding through the millennia." -- Frederica Mathewes-Green, author of Facing East: A Pilgrim's Journey into the Mysteries of Orthodoxy

The Way to Our Heavenly Father: A Contemplative Telling of the Lord's Prayer

G. John Champoux

History

Conversing With Paradise

At a time when poetry has little regard for anything beyond the commonplace realities of everyday perception and sentiment, these studies propose a restoration of balance as between outer and inner worlds. For too long, in the wake of our attempt at a rational, scientific civilization, it has been readily assumed that the centre of gravity of reality and truth falls within the realm of the physical world. But for the poets discussed in these pages the opposite is the case. For them the centre of gravity of the Real and the True decidedly falls within the spiritual world, the 'other', 'hidden' domain which has immemorially been the source of enduring values and meanings. So, in the nature of things, it must remain. It is not a question of making a case for these poets as being inspired mystics or visionaries (though they are hardly without inspiration and vision). It is more a question of discerning to what extent they participate imaginatively in the realities of Spirit made comprehensible by the revealed traditions. We do not turn to poets for the formulation of doctrine and principle, but we might yet find in their work resonances of the True in the beauties of measured speech and how we are even now among intimations of the abiding good in the human condition. What these poets have in common is that they invoke an image of man as being only fully human insofar as he can attach himself to realities which transcend the human state as such. It is part of the contention of these pages that, if the imaginative vision of these poets belongs to an outmoded cultural phrase, if they are perceived to be trafficking in a knowledge that has been superseded, then it follows that most of the culture of the past must now the jettisoned as one would any obsolete junk. Spiritually, the reckoning is that decisive. Now that the ruins of a failed, secular culture are everywhere evident, the imaginative vision of these poets can renew and refresh our perception of the human vocation. -from the Preface

Conversing with Paradise

Literature & Fiction

Keeble, Brian

History & Criticism

Jean Hani’s The Black Virgin: A Marian Mystery differs from his previous writings through its sharper theological focus. In Hani’s view, the key to the enigma of the Black Virgin was given at Lourdes by Mary herself: in declaring herself The Immaculate Conception, she initiated us into the Marian Mystery in all its profundity. And it is precisely through an apprehension of the Mystery as a whole that the ultimate meaning of the Black Virgin can be grasped. Chapters include: The Black Icon—Regina Mundi—The Mother of God—“I am Black but Beautiful”—Woman “Through his research into hidden or lost meanings, Jean Hani has revealed and restored to our attention the most ‘initiatic’ dimensions of the Christian religion.” Jean Borella, author of The Secret of the Christian Way, and The Crisis of Religious Symbolism (forthcoming from Angelico Press)

The Black Virgin: A Marian Mystery

HANI, JEAN

That sacred art scarcely exists today is all too clear. We can perhaps speak of a “religious,” but certainly not a sacred art. True sacred art is not sentimental or psychological, but ontological and cosmological in nature. Sacred art cannot be the result of the feelings, fantasies, or even “thought” of the artist—as with most modern art—but rather the translation of a reality largely surpassing the limits of human individuality. Sacred art is precisely a supra-human art. The temple of former times was an “instrument” of recollection, joy, sacrifice, and exaltation. First through the harmonious combination of a thousand crafted symbols, then by offering itself as a receptacle to the symbols of the liturgy. For the temple and the liturgy together constitute a prodigious formula capable of preparing man to become aware of the descent of Grace, of the epiphany of the Spirit in corporeity. It is a matter of urgency, then, to recall what is true in sacred art, especially since in the cultural wasteland of our age signs of resistance to its anarchy and subversion manifest themselves, and a pressing call is felt to recover the traditional conceptions that must form the basis and condition of any restoration.
 “Through his research into hidden or lost meanings, Jean Hani has revealed and restored to our attention the most ‘initiatic’ dimensions of the Christian religion.” Jean Borella, author of The Secret of the Christian Way, and The Crisis of Religious Symbolism (forthcoming from Angelico Press)

The Symbolism of the Christian Temple

Divine Craftsmanship: Preliminaries to a Spirituality of Work

In what way can human beings attain that Harmony whereby they become mediators between Heaven and Earth? In the mysterious language of symbols we can rediscover the sense of vocation that reflects Divine Activity. For God is, in reality, the sole Artisan. All the traditional crafts strive to imitate within their limitations the work of God, Who unceasingly creates and maintains the world. And in the end it is this that constitutes the sole foundation of the dignity of work. That is why this book seeks to bring us to an interior knowledge of God as Divine Artisan.
 Chapters include: The Divine Scribe—Christ the Physician—The Warrior God— The Divine Potter—God the Weaver—God the Architect and Mason—The ‘Son of the Carpenter’—Pastor et Nauta— God the Fisherman and God the Hunter—The Celestial Gardener—The Master of the Harvest—The Master of the Vineyard—The Spirituality of Work and the Body Social.
 “Through his research into hidden or lost meanings, Jean Hani has revealed and restored to our attention the most ‘initiatic’ dimensions of the Christian religion.” Jean Borella, author of The Secret of the Christian Way, and The Crisis of Religious Symbolism (forthcoming from Angelico Press)

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