Speech/Acts brings together new and recent works by a generation of artists influenced by black experimental poetry. Recognizing language as a primary method of expressing and maintaining power, these artists use poetry as a tool to manipulate the conceptual and structural elements of language and the social contexts in which language is employed, appropriated and abstracted. Artists Jibade-Khalil Huffman, Steffani Jemison, Tony Lewis, Tiona Nekkia McClodden, Kameelah Janan Rasheed and Martine Syms all use experimental poetry in their work as a means to interrogate the power structures of language, rendering the experience of blackness more physically and affectively exact. In this volume, their work is presented alongside their poetic forerunners (seminal texts by Fred Moten and Harryette Mullen are reprinted), newly commissioned poetry by Morgan Parker and Simone White, and a new essay by curator Meg Onli.

Speech/Acts

Arts & Photography

Parker, Morgan

Moten, Fred

Mullen, Harryette

Onli, Meg

White, Simone

Collections, Catalogs & Exhibitions

Institute of Contemporary Art at University of Pennsylvania/Futurepoem

Poetry. African &amp; African American Studies. 2017 Whiting Award Winner for Poetry. "I get this pinwheel relationship to wisdom &amp; history when I read Simone White. I'm in her dream, but it's a remarkable solidly packed one informed by the quotidian rarity of for instance a prose disquisition on lotion and skin and haircare especially in winter. Like Dana Ward's, her work sends me searching. Like what part of speech is here. As I'm wondering Simone sometimes exits first, and I even feel that a real piece of her poem is adamantly not here and that is her privacy, her power &amp; her skill so what kind of quest is it, this beautiful complex &amp; alive work. Here's my best guess. OF BEING DISPERSED is an ur text of the fourth wave of feminism which we come to realize is ocean and women are now standing on it and amidst this clatter of voices Simone White walks."--Eileen Myles "In Simone White's poetry the action is always multiple, palpable, sounding as thought, coming forward through this highly sensitized plane, sudden and hovering, exchanging centers, afflicted and added to by company. The continuous listening company demands--company including imaginary self, receding boundaries, the horseman on the night's street, the live, the loved, the drunk, the words, the turnstile, the endless destructive projections people force--and the rendering of that listening into irreducible depths of tone, wit, and perception constitute much of what makes OF BEING DISPERSED a masterful book. Buzzing word-love marking time beat by beat, being the ground inside and out, makes up the rest."--Anselm Berrigan "Macaronic plenitude of language instantiates places and states of mind. If Edouard Glissant says that we write in the presence of all the world's languages, then we have in Simone White's OF BEING DISPERSED, an underground stream reaching the surface of the page--in lines acrobatic and limber, fluent in code switch, mood shift and modes of inquiry. I read White's volume as a poetic lens on the specificities of the diaspora and the 'dispersed,' written with baroque skepticism, feminist vision and attention to the complications of a Black yet to be storyed any/where."--Erica Hunt

Of Being Dispersed

Literature & Fiction

Poetry

Futurepoem Books

or, on being the other woman

In or, on being the other woman, Simone White considers the dynamics of contemporary black feminist life. Throughout this book-length poem, White writes through a hybrid of poetry, essay, personal narrative, and critical theory, attesting to the narrative complexities of writing and living as a black woman and artist. She considers black social life--from art and motherhood to trap music and love--as unspeakably troubling and reflects on the degree to which it strands and punishes black women. She also explores what constitutes sexual freedom and the rewards and dangers that come with it. White meditates on trap music and the ways artists such as Future and Meek Mill and the sonic waves of the drum machine convey desire and the black experience. Charting the pressures of ordinary black womanhood, White pushes the limits of language, showing how those limits can be the basis for new modes of expression.

Duke University Press

In or, on being the other woman, Simone White considers the dynamics of contemporary black feminist life. Throughout this book-length poem, White writes through a hybrid of poetry, essay, personal narrative, and critical theory, attesting to the narrative complexities of writing and living as a black woman and artist. She considers black social life—from art and motherhood to trap music and love—as unspeakably troubling and reflects on the degree to which it strands and punishes black women. She also explores what constitutes sexual freedom and the rewards and dangers that come with it. White meditates on trap music and the ways artists such as Future and Meek Mill and the sonic waves of the drum machine convey desire and the black experience. Charting the pressures of ordinary black womanhood, White pushes the limits of language, showing how those limits can be the basis for new modes of expression.

Poetry. African American Studies. Is all black desire corrupt? If American aspiration is linked to the desire to have whiteness, be male and make money, what, now, can a decent person want? Family, death, power, Poetry and blackness--each is implicated in a general failure of perfection and subjected to furious lyric rethinking in Simone White's work; a poetry of ideas where "the whole limbic system [becomes] an event," "decorous" and profane, precise and bewildered.

House Envy of All the World (Heretical Texts)

Factory School

Poetry. African American Studies. Is all black desire corrupt? If American aspiration is linked to the desire to have whiteness, be male and make money, what, now, can a decent person want? Family, death, power, Poetry and blackness--each is implicated in a general failure of perfection and subjected to furious lyric rethinking in Simone White's work; a poetry of ideas where "the whole limbic system [becomes] an event," "decorous" and profane, precise and bewildered.

House Envy of All the World

Tiona Nekkia McClodden: MASK / CONCEAL / CARRY (4) (Clarion)

McClodden, Tiona Nekkia

Dillon, Rhea

History & Criticism

David Zwirner Books/52 Walker

The authors offer many insights into the regulatory, operational and institutional opportunities and challenges for OLAF, the European Commission's Anti-Fraud Office. Since OLAF was set up in 1999, significant changes in its functional environment have taken place including in EU criminal law and especially in mutual assistance and substantive criminal law; the reconstruction of Eurojust and Europol through recent Regulations and Memoranda of Cooperation; and the entry into force of the Lisbon Treaty.The authors advance the view that OLAF's current legal framework must address these issues adequately.The approach they take is multi-disciplinary. OLAF is examined here through the prisms of EU politics and national, European and (to some extent) comparative law, focusing not only on the identification of current problems in regulation and procedure but also on its positioning within the context of European integration. Operational issues are then extensively discussed, making this a book for practitioners as well as policy makers and academics.The book addresses the theoretical and practical aspects of anti-fraud actions within both criminal and civil aspects of public law. Although OLAF works within an incomplete EU legal framework and with varying cooperation by national authorities, its staff have devised mechanisms that address some of these issues. Nevertheless, rules covering procedural and operational issues will need to be safeguarded within future legislation.

OLAF at the Crossroads: Action against EU Fraud (Studies in International and Comparative Criminal Law)

Xanthaki, Helen

Stefanou, Constantin

Foreign & International Law

Hart Publishing

Poetry. Literary Nonfiction. A meandering and dead-serious meditation challenging the centrality of Black Music to black poetry and black critical theory, Dear Angel of Death proposes disinvestment in the idea of the Music as the highest form of what blackness "is." This long essay includes many forms: philosophical divergence on the problem of folds for black life, a close reading of Nathaniel Mackey's neverending novel From a Broken Bottle Traces of Perfume Still Emanate, and an impassioned defense-cum-dismissal of contemporary hip hop's convergence with capitalism.

Dear Angel of Death

Ugly Duckling Presse

This book offers a comprehensive and up-to-date understanding of legal and political progress toward the protection of the financial interests of the European Community. Historically, progress has been uneven due to the sectoral approach adopted. On the expenditure side of the EC budget, the most regulated area remains the EAGGF-Guarantee Section Fund. 
By contrast, procurement fraud of the Structural Funds, sometimes involving corruption of officials, is rife in many Member States. On the income side, control of VAT rests mainly with the Member States. The near collapse of the transit system has made collection of duties more difficult, stimulating proposals for computerization of the transit system and improvements in Customs strategies. All Member States have experienced difficulties in recovering EC funds through irregularities: a case study is offered, comparing British and Danish approaches to recovery. 
The author also describes and evaluates more far-reaching developments and prospects. An EC penal-administrative space has been created which some penalists regard as a fore-runner to a European Criminal Legal Space. Acknowledging both the attractions and difficulties inherent in such a project, the author focuses attention back to existing First Pillar competencies for EC fraud. For example in relation to VAT and excise regimes, the organisation of Customs, and recovery of funds, deeper integration would reduce criminal opportunities. The book concludes with a review of the Amsterdam Treaty from this perspective. 
This book is designed for professionals, teachers, students, and researchers, especially those whose interest in EC institutions and law overlaps in the investigation of so-called `white collar crime'. However, the book should also be of interest to all those concerned with the integrity and development of the European Union in general.

Protection Financial International (European Monographs, 15)

Springer

See the best price to sell, buy, or rent books by White, Simone. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by White, Simone

See the best price to sell, buy, or rent books by White, Simone. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Speech/Acts

Of Being Dispersed

or, on being the other woman

or, on being the other woman

House Envy of All the World (Heretical Texts)

House Envy of All the World

Tiona Nekkia McClodden: MASK / CONCEAL / CARRY (4) (Clarion)

OLAF at the Crossroads: Action against EU Fraud (Studies in International and Comparative Criminal Law)

Dear Angel of Death

Protection Financial International (European Monographs, 15)