The Roman de la Rose was a major bestseller--largely due to its robust treatment of "natural" sexuality. This study concentrates on the ways in which Jean de Meun, in imitation of Ovid, assumed the mock-magisterium (or mastership) of love. Alastair J. Minnis considers allegorical versus literalistic expression in the poem, Jean's provocative use of plain and sometimes obscene language, the challenge of its homosocial and perhaps even homoerotic constructions, and the problematic translation of literary authority from Latin into the vulgar tongue.

Magister amoris: The Roman de la Rose and Vernacular Hermeneutics

Literature & Fiction

Minnis, Alastair

History & Criticism

Oxford University Press

As literary scholars have long insisted, an interdisciplinary approach is vital if modern readers are to make sense of works of medieval literature. In particular, rather than reading the works of medieval authors as addressing us across the centuries about some timeless or ahistorical 'human condition', critics from a wide range of theoretical approaches have in recent years shown how the work of poets such as Chaucer constituted engagements with the power relations and social inequalities of their time. Yet, perhaps surprisingly, medieval historians have played little part in this 'historical turn' in the study of medieval literature. The aim of this volume is to allow historians who are experts in the fields of economic, social, political, religious, and intellectual history the chance to interpret one of the most famous works of Middle English literature, Geoffrey Chaucer's 'General Prologue' to the Canterbury Tales, in its contemporary context. Rather than resorting to traditional historical attempts to see Chaucer's descriptions of the Canterbury pilgrims as immediate reflections of historical reality or as portraits of real life people whom Chaucer knew, the contributors to this volume have sought to show what interpretive frameworks were available to Chaucer in order to make sense of reality and how he adapted his literary and ideological inheritance so as to engage with the controversies and conflicts of his own day. Beginning with a survey of recent debates about the social meaning of Chaucer's work, the volume then discusses each of the Canterbury pilgrims in turn. Historians on Chaucer should be of interest to all scholars and students of medieval culture whether they are specialists in literature or history.

Historians on Chaucer: The 'General Prologue' to the Canterbury Tales

British & Irish

In Translations of Authority in Medieval English Literature, leading critic Alastair Minnis presents the fruits of a long-term engagement with the ways in which crucial ideological issues were deployed in vernacular texts. The concept of the vernacular is seen as possessing a value far beyond the category of language - as encompassing popular beliefs and practices which could either confirm or contest those authorized by church and state institutions. Minnis addresses the crisis for vernacular translation precipitated by the Lollard heresy; the minimal engagement with Nominalism in late fourteenth-century poetry; Langland's views on indulgences; the heretical theology of Walter Brut; Margery Kempe's self-promoting biblical exegesis; and Chaucer's tales of suspicious saints and risible relics. These discussions disclose different aspects of 'vernacularity', enabling a fuller understanding of its complexity and potency.

Translations of Authority in Medieval English Literature: Valuing the Vernacular

Cambridge University Press

It has often been held that scholasticism destroyed the literary theory that was emerging during the twelfth-century Renaissance, and hence discussion of late medieval literary works has tended to derive its critical vocabulary from modern, not medieval, theory. In Medieval Theory of Authorship, now reissued with a new preface by the author, Alastair Minnis asks, "Is it not better to search again for a conceptual equipment which is at once historically valid and theoretically illuminating?"
Minnis has found such writings in the glosses and commentaries on the authoritative Latin writers studied in schools and universities between 1100 and 1400. The prologues to these commentaries provide valuable insight into the medieval theory of authorship. Of special significance is scriptural exegesis, for medieval scholars found the Bible the most difficult text to describe appropriately and accurately.

Medieval Theory of Authorship: Scholastic Literary Attitudes in the Later Middle Ages (The Middle Ages Series)

University of Pennsylvania Press

From Eden to Eternity: Creations of Paradise in the Later Middle Ages (The Middle Ages Series)

An impressively learned and beautifully illustrated review of medieval ideas about Paradise Did Adam and Eve need to eat in Eden in order to live? If so, did human beings urinate and defecate in paradise? And since people had no need for clothing, transportation, or food, what purpose did animals serve? Would carnivorous animals have preyed on other creatures? These were but a few of the questions that plagued medieval scholars for whom the idea of Eden proved an endless source of contemplation. As theologians attempted to reconcile their own experiences with the realities of the prelapsarian paradise, they crafted complex answers that included explanations of God's interaction with creation, the existence of death, and man's dominion over nature. In From Eden to Eternity, Alastair Minnis examines accounts of the origins of the human body and soul to illustrate the ways in which the schoolmen thought their way back to Eden to discover fundamental truths about humanity. He demonstrates how theologians sought certainty in matters of orthodox Christian thought and also engaged in speculation about matters that, they freely admitted, were not susceptible to firm proof. Moreover, From Eden to Eternity argues that the preoccupation with paradise belonged not only to the schools but to society as a whole, and it traces how lay writers and artists also attempted to interpret the origins of human society. Eden transcended human understanding, yet it afforded an extraordinary amount of creative space to late medieval theologians, painters, and poets as they tried to understand the place that God had deemed worthy of the creature made in His image.

Arts & Photography

Can an outrageously immoral man or a scandalous woman teach morality or lead people to virtue? Does personal fallibility devalue one's words and deeds? Is it possible to separate the private from the public, to segregate individual failing from official function? Chaucer addressed these perennial issues through two problematic authority figures, the Pardoner and the Wife of Bath. The Pardoner dares to assume official roles to which he has no legal claim and for which he is quite unsuited. We are faced with the shocking consequences of the belief, standard for the time, that immorality is not necessarily a bar to effective ministry. Even more subversively, the Wife of Bath, who represents one of the most despised stereotypes in medieval literature, the sexually rapacious widow, dispenses wisdom of the highest order.
This innovative book places these "fallible authors" within the full intellectual context that gave them meaning. Alastair Minnis magisterially examines the impact of Aristotelian thought on preaching theory, the controversial practice of granting indulgences, religious and medical categorizations of deviant bodies, theological attempts to rationalize sex within marriage, Wycliffite doctrine that made authority dependent on individual grace and raised the specter of Donatism, and heretical speculation concerning the possibility of female teachers. Chaucer's Pardoner and Wife of Bath are revealed as interconnected aspects of a single radical experiment wherein the relationship between objective authority and subjective fallibility is confronted as never before.

Fallible Authors: Chaucer's Pardoner and Wife of Bath (The Middle Ages Series)

Did Adam and Eve need to eat in Eden in order to live? If so, did human beings urinate and defecate in paradise? And since people had no need for clothing, transportation, or food, what purpose did animals serve? Would carnivorous animals have preyed on other creatures? These were but a few of the questions that plagued medieval scholars for whom the idea of Eden proved an endless source of contemplation. As theologians attempted to reconcile their own experiences with the realities of the prelapsarian paradise, they crafted complex answers that included explanations of God's interaction with creation, the existence of death, and man's dominion over nature.
In From Eden to Eternity, Alastair Minnis examines accounts of the origins of the human body and soul to illustrate the ways in which the schoolmen thought their way back to Eden to discover fundamental truths about humanity. He demonstrates how theologians sought certainty in matters of orthodox Christian thought and also engaged in speculation about matters that, they freely admitted, were not susceptible to firm proof. Moreover, From Eden to Eternity argues that the preoccupation with paradise belonged not only to the schools but to society as a whole, and it traces how lay writers and artists also attempted to interpret the origins of human society. Eden transcended human understanding, yet it afforded an extraordinary amount of creative space to late medieval theologians, painters, and poets as they tried to understand the place that God had deemed worthy of the creature made in His image.

Christian and Pagan Antiquity

Rowman & Littlefield (Non NBN)

Hellish Imaginations from Augustine to Dante: An Essay in Metaphor and Materiality (Medium Ævum Monographs, New)

Politics & Social Sciences

Philosophy

Medium Aevum Monographs / SSMLL

See the best price to sell, buy, or rent books by Minnis, Alastair. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Minnis, Alastair

See the best price to sell, buy, or rent books by Minnis, Alastair. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Magister amoris: The Roman de la Rose and Vernacular Hermeneutics

Historians on Chaucer: The 'General Prologue' to the Canterbury Tales

Historians on Chaucer: The 'General Prologue' to the Canterbury Tales

Translations of Authority in Medieval English Literature: Valuing the Vernacular

Medieval Theory of Authorship: Scholastic Literary Attitudes in the Later Middle Ages (The Middle Ages Series)

From Eden to Eternity: Creations of Paradise in the Later Middle Ages (The Middle Ages Series)

Fallible Authors: Chaucer's Pardoner and Wife of Bath (The Middle Ages Series)

From Eden to Eternity: Creations of Paradise in the Later Middle Ages (The Middle Ages Series)

Christian and Pagan Antiquity

Hellish Imaginations from Augustine to Dante: An Essay in Metaphor and Materiality (Medium Ævum Monographs, New)