Unprecedented in scope and illustrated with more than 700 original drawings, plans, diagrams, and contemporary and archival photographs, Mies by Detlef Mertins is the most definitive monograph ever published on the modern master of architecture Mies van der Rohe. Mertins’ rich and highly readable text traces the aesthetic and intellectual context for all Mies’ work, with in–depth discussions of his most important projects. Featuring some of the twentieth century’s most iconic buildings, such as the Barcelona Pavilion in Spain, the Crown Hall at IIT, and the Seagram Building in New York, Mies paints a fascinating portrait of the famed architect whose contribution to the modern urban landscape cannot be overlooked.

Mies

Mertins, Detlef

Biographies & Memoirs

Phaidon Press

The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers--among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, László Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stölzl--in an extraordinary conversation on the nature of art in the industrial age. Aiming to rethink the form of modern life, the Bauhaus became the site of a dazzling array of experiments in the visual arts that have profoundly shaped the world today. Bauhaus 1919-1933: Workshops for Modernity, published to accompany a major multimedia exhibition, is The Museum of Modern Art's first comprehensive treatment of the subject since its famous Bauhaus exhibition of 1938, and offers a new generational perspective on the twentieth century's most influential experiment in artistic education. Organized in collaboration with the three major Bauhaus collections in Germany (the Bauhaus-Archiv Berlin, the Stiftung Bauhaus Dessau and the Klassic Stiftung Weimar), Bauhaus 1919-1933 examines the extraordinarily broad spectrum of the school's products, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater and costume design, painting and sculpture. Many of the objects discussed and illustrated here have rarely if ever been seen or published outside Germany. Featuring approximately 400 color plates, richly complemented by documentary images, Bauhaus 1919-1933 includes two overarching essays by the exhibition's curators, Barry Bergdoll and Leah Dickerman, that present new perspectives on the Bauhaus. Shorter essays by more than 20 leading scholars apply contemporary viewpoints to 30 key Bauhaus objects, and an illustrated narrative chronology provides a dynamic glimpse of the Bauhaus' lived history.

Bauhaus 1919-1933: Workshops for Modernity

FOSTER, HAL

MEHRING, Christine

Lupton, Ellen

Kinchin, Juliet

Huyssen, Andreas

Potts, Alex

Dickerman, Leah

Bergdoll, Barry

Nisbet, Peter

Buchloh, Benjamin

Jennings, Michael

De Michelis, Marco

Doherty, Brigid

Haxthausen, Charles

Paret, Monty

Schwarz, Frederic

Smith, T’ai

Reference

The Museum of Modern Art, New York

The first woman to be awarded the distinguished Pritzker Architecture Prize, in 2004, Zaha Hadid is internationally known for projects that have literally "shifted the geometry of buildings." The Iraqi-born, London-based architect has collaborated with the Guggenheim on several projects leading up to this comprehensive retrospective, including the design for the museum's exhibition The Great Utopia in 1992. Each of Hadid's dynamic and innovative works builds on over 30 years of experimentation and research in the interrelated fields of urbanism, architecture and design. True to Hadid's interdisciplinary approach to architecture, all mediums will be covered here.

Zaha Hadid

Schumacher, Patrik

Guggenheim Museum

The Presence of Mies is an interdisciplinary collection of essays?that reconsiders the work of Ludwig Mies van der Rohe, putting forth new ways of thinking about his work and new possibilities for extending its influence into contemporary architecture and cultural theory.??The work of Ludwig Mies van der Rohe, one of this century's?most important architects, has alternately been revered and reviled.?
?The diverse outlook of the contributors produces a stimulating array of perspectives that consider the multiple resonances of Mies's work in relation to technology, image culture, philosophy, art, and education. Editor Detlef Mertins and president and director of the Canadian Centre for Architecture, Phyllis Lambert, reconsider aspects of Mies's research and practice. Fritz Neumeyer, whose book on Mies's writings The Artless Word is a point of reference for many Mies scholars, and Sanford Kwinter both address architecture's relationship to technology; Dan Hoffman and Ben Nicholson discuss the pedagogical ambitions and work of their design studios, at the Cranbrook Academy of Art and the Illinois Institute of Technology, respectively, where they have extended and transformed aspects of Mies's architecture and teaching. Rosalind Krauss and Ignasi de Solá-Morales Rubió stake out opposed interpretations of Minimalism and Mies. Rebecca Comay and George Baird both test-drive Mies through the philosophies of Martin Heidegger and Hannah Arendt. Brian Boigon and Beatriz Colomina address Mies in relation to "the culture of images," while K. Michael Hays proposes new interpretations of Mies's abstraction. The Presence of Mies also includes over 120 black and white illustrations of the master's buildings.?
?These essays result from a symposium organized by the University of?Toronto School of Architecture and Landscape Architecture marking the 25th Anniversary of a monolithic Miesian edifice, The Toronto-Dominion Centre, designed by Mies van der Rohe in 1963 (called by Philip Johnson "the biggest Mies in the world").?

The Presence of Mies

Arts & Photography

Architecture

Princeton Architectural Press

The Presence of Mies is an interdisciplinary collection of essays?that reconsiders the work of Ludwig Mies van der Rohe, putting forth new ways of thinking about his work and new possibilities for extending its influence into contemporary architecture and cultural theory.??The work of Ludwig Mies van der Rohe, one of this century's?most important architects, has alternately been revered and reviled.??The diverse outlook of the contributors produces a stimulating array of perspectives that consider the multiple resonances of Mies's work in relation to technology, image culture, philosophy, art, and education. Editor Detlef Mertins and president and director of the Canadian Centre for Architecture, Phyllis Lambert, reconsider aspects of Mies's research and practice. Fritz Neumeyer, whose book on Mies's writings The Artless Word is a point of reference for many Mies scholars, and Sanford Kwinter both address architecture's relationship to technology; Dan Hoffman and Ben Nicholson discuss the pedagogical ambitions and work of their design studios, at the Cranbrook Academy of Art and the Illinois Institute of Technology, respectively, where they have extended and transformed aspects of Mies's architecture and teaching. Rosalind Krauss and Ignasi de Solá-Morales Rubió stake out opposed interpretations of Minimalism and Mies. Rebecca Comay and George Baird both test-drive Mies through the philosophies of Martin Heidegger and Hannah Arendt. Brian Boigon and Beatriz Colomina address Mies in relation to "the culture of images," while K. Michael Hays proposes new interpretations of Mies's abstraction. The Presence of Mies also includes over 120 black and white illustrations of the master's buildings.??These essays result from a symposium organized by the University of?Toronto School of Architecture and Landscape Architecture marking the 25th Anniversary of a monolithic Miesian edifice, The Toronto-Dominion Centre, designed by Mies van der Rohe in 1963 (called by Philip Johnson "the biggest Mies in the world").?

Baird, George

Mies Van Der Rohe, Ludwig

Princeton Architectural Pr

Ludwig Mies van der Rohe, one of this century's most important and influential architects, has alternately been revered and reviled. The Presence of Mies is a collection of essays that take a fresh look at the work of this controversial architect. By bringing together a group of authors from a variety of disciplines, unexpected perspectives have been brought to bear on Mies, opening up new ways of thinking about his work.The essays discuss Mies's buildings, writings, and teaching in relation to technology, image culture, philosophy, art, and education. Contributors include George Baird, Brian Boigon, Beatriz Colomina, K. Michael Hays, Dan Hoffman, Rosalind Krauss, Sanford Kwinter, Phyllis Lambert, Detlef Mertins, Fritz Neumeyer, and Ben Nicholson.The Presence of Mies is a beautifully presented book with excellent photos of Mies's architectural monuments and numerous clear reproductions of his drawings and designs. -- Dirk de Schutter, Archis

The Presence of Mies: (Windows)

The classic and most definitive monograph ever published on iconic architect Mies van der Rohe - now back in print
This is the most readable, beautiful, and comprehensive book ever published on one of the twentieth century's most influential architects. Known for the beauty and purity of his work, Ludwig Mies van der Rohe built remarkable houses, skyscrapers, museums, and multibuilding campuses. The clarity of his architecture belies the diversity of Mies's interests, which included philosophy and science as well as design, and Mertin's rigorous and accessible text gives the reader a clear description of all of the most important buildings as well as the intellectual contexts for their design.

The classic and definitive monograph on iconic architect Mies van der Rohe This is the most readable, comprehensive, and beautiful book ever published on one of the twentieth century's most influential architects, now available with a stunning new cover. Known for the beauty and purity of his work, Ludwig Mies van der Rohe built remarkable houses, skyscrapers, museums, and multibuilding campuses. Accompanied by more than 700 drawings, photographs, plans, and diagrams, Mertins' rich and highly readable text traces the aesthetic and intellectual context for all of Mies van der Rohe's work, with in-depth discussions of his most important buildings and projects. The clarity of Mies's architecture belies the diversity of his interests, which included philosophy and science as well as design, and Mertin's rigorous and accessible text gives the reader a clear description of all the most important of Mies's buildings as well as the intellectual contexts for their design. Includes such buildings as: the Barcelona Pavilion in Spain; the Tugendhat House in Brno, Czech Republic; S. R. Crown Hall at the Illinois Institute of Technology in Chicago, USA; and the New National Gallery in Berlin, Germany.

For almost 20 years, Detlef Mertins has been a critical voice in renewing our understanding of architectural modernity. Architect, historian, professor, his essays have often taken up familiar themes in order to redress inaccuracies and release energies that we were unaware of. These essays elaborate on such key modernist tropes as transparency, glass architecture, organicism, life and event, sameness and difference. Previously published in a variety of different venues, from journals to anthologies – including such noted books as Lars Spuybroek's NOX: Machining Architecture and FOA's Phylogenesis – they are now assembled for the first time in this volume.

Modernity Unbound: Architecture Words 7

AA Publications

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