Holy Bible on Cassette: King James Version : New Testament/Wbc-27

Religion & Spirituality

Johnston, Steven

Christian Books & Bibles

World Pub.

Rousseau's work has long been fundamental to democratic thought. Steven Johnston here addresses some of the more paradoxical and problematic aspects of his ambiguous legacy. Johnston argues that the philosopher's real and imagined polities foster forms of violence--even cruelty--at odds with his republican ideals. How could an author committed to freedom and equality authorize new forms of domination? How could Rousseau's considerable theoretical successes simultaneously produce profound and persistent infelicities? Arguing that Rousseau's political prescriptions deliver something other than what they promise, Johnston offers answers to these difficult questions. Johnston draws on selected texts in Rousseau's corpus--including the underappreciated tracts on Poland and Corsica--to interpret Rousseau first and foremost as an anatomist and architect of order. Encountering Tragedy contests Rousseau's munificent ontological presumptions, probes the necessary and disturbing fictions of the Founding, and delineates the constitutive role of enmity in his virtuous republic.

Encountering Tragedy : Rousseau and the Project of Democratic Order

Politics & Social Sciences

Philosophy

Cornell University Press

The Truth about Patriotism

The Truth about Patriotism is a bracing repudiation of the claim that patriotism is essential—or even beneficial—to democracy. Contending that even at its best patriotism subverts the democracy it purports to value, Steven Johnston turns to patriotism’s defenders to show how they must jettison much of democracy to champion patriotism. Closely examined, patriotism itself effectively demonstrates the impossibility of love of country. Patriotism, Johnston argues, tends toward narcissistic self-regard, blind to its violent ways of being in the world and its dependence on death. Thus we would be better off without it.Drawing largely from aspects of American political and popular culture, this wide-ranging book presents a wealth of examples to disclose patriotism’s self-defeating character. They include Richard Rorty’s and John Schaar’s enmity-driven love of country, Socrates’s angry judicial suicide, the violent obsessions of High Noon and Saving Private Ryan, the triumphalist self-display of the World War II Memorial, Oliver Stone’s and Don DeLillo’s spectacular representations of the assassination of President Kennedy, George W. Bush’s symbolic sacrifice of more Americans in commemoration of September 2001, and yet other memorials to and apologies for patriotism. Ultimately, Johnston calls for a vision of democracy that uses the tragic possibilities inherent in politics as a spur to a life-affirming civic ethos of reciprocal generosity.

Politics & Government

Duke University Press Books

The Truth about Patriotism is a bracing repudiation of the claim that patriotism is essential—or even beneficial—to democracy. Contending that even at its best patriotism subverts the democracy it purports to value, Steven Johnston turns to patriotism’s defenders to show how they must jettison much of democracy to champion patriotism. Closely examined, patriotism itself effectively demonstrates the impossibility of love of country. Patriotism, Johnston argues, tends toward narcissistic self-regard, blind to its violent ways of being in the world and its dependence on death. Thus we would be better off without it.Drawing largely from aspects of American political and popular culture, this wide-ranging book presents a wealth of examples to disclose patriotism’s self-defeating character. They include Richard Rorty’s and John Schaar’s enmity-driven love of country, Socrates’s angry judicial suicide, the violent obsessions of High Noon and Saving Private Ryan, the triumphalist self-display of the World War II Memorial, Oliver Stone’s and Don DeLillo’s spectacular representations of the assassination of President Kennedy, George W. Bush’s symbolic sacrifice of more Americans in commemoration of September 2001, and yet other memorials to and apologies for patriotism. Ultimately, Johnston calls for a vision of democracy that uses the tragic possibilities inherent in politics as a spur to a life-affirming civic ethos of reciprocal generosity.

Duke University Press

Violence and tragedy riddle democracy - not due to fatal shortcomings or unnecessary failures, but because of its very design and success. To articulate this troubling claim, Steven Johnston explores the cruelty of democratic founding, the brutal use democracies make of citizens and animals during wartime, the ambiguous consequences of legislative action expressive of majority rule, and militant practices of citizenship required to deal with democracy's enemies. Democracy must take responsibility for its success: to rule in denial of violence merely replicates it. Johnston thus calls for the development of a tragic democratic politics and proposes institutional and civic responses to democracy's reign, including the reinvention of tragic festivals and holidays, a new breed of public memorials, and mandatory congressional reparations sessions. Theorizing the violent puzzle of democracy, Johnston addresses classic and contemporary political theory, films, little known monuments, the subversive music of Bruce Springsteen, and the potential of democratic violence by the people themselves.

American Dionysia: Violence, Tragedy, and Democratic Politics

Cambridge University Press

The judgment that Abraham Lincoln is the finest president in the history of the United States borders on self-evident. This status tends to disable the very possibility of a more critical understanding or appreciation, one that does not work, explicitly or implicitly, within the taken-for-granted frame of his greatness.Still, America is not blind to or ignorant of Lincoln’s shortcomings. Rather it is in part because of these shortcomings that Lincoln is revered. Thus, if the country needs to legitimize a problematic course of action, it is Lincoln to whom it turns. Lincoln, America reminds itself, suspended habeas corpus; jailed political opponents; suppressed speech; held racist views; and pursued racist policies. The Lincoln that America “idealizes” is a thoroughly ambiguous figure. Simultaneously, the country tends to downplay or conveniently overlook the underside of Lincoln, part of a larger political pattern in which it proclaims its exceptionalism while indulging the very worst as it conducts its political affairs. It is time to take Lincoln’s ambiguity seriously, which might put America in position to recognize that one reason it routinely falls short of its democratic principles and commitments is that it may not, just like Lincoln, fully believe in them.In Lincoln: The Ambiguous Icon, Steven Johnston explores Lincoln’s complicated political thought and practice, reinterpreting the Gettysburg Address, the Second Inaugural, and some of the many manifestations of Lincoln in film, monuments, and memorials that conceal—but also reveal—the terrible ambiguity of this marginally understood American figure.

Lincoln: The Ambiguous Icon (Modernity and Political Thought)

History

Americas

Rowman & Littlefield Publishers

The judgment that Abraham Lincoln is the finest president in the history of the United States borders on self-evident. This status tends to disable the very possibility of a more critical understanding or appreciation, one that does not work, explicitly or implicitly, within the taken-for-granted frame of his greatness. Still, America is not blind to or ignorant of Lincoln's shortcomings. Rather it is in part because of these shortcomings that Lincoln is revered. Thus, if the country needs to legitimize a problematic course of action, it is Lincoln to whom it turns. Lincoln, America reminds itself, suspended habeas corpus; jailed political opponents; suppressed speech; held racist views; and pursued racist policies. The Lincoln that America "idealizes" is a thoroughly ambiguous figure. Simultaneously, the country tends to downplay or conveniently overlook the underside of Lincoln, part of a larger political pattern in which it proclaims its exceptionalism while indulging the very worst as it conducts its political affairs. It is time to take Lincoln's ambiguity seriously, which might put America in position to recognize that one reason it routinely falls short of its democratic principles and commitments is that it may not, just like Lincoln, fully believe in them. In Lincoln: The Ambiguous Icon, Steven Johnston explores Lincoln's complicated political thought and practice, reinterpreting the Gettysburg Address, the Second Inaugural, and some of the many manifestations of Lincoln in film, monuments, and memorials that conceal-but also reveal-the terrible ambiguity of this marginally understood American figure.

The Great American Muscle Car - Adult Coloring Book

Arts & Photography

Painting

Independently published

Abandoned America: Then & Now: A Fun & Fascinating Look Revisiting America's Abandoned Places of the Past

History & Criticism

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Books by Johnston, Steven