Fauré: Pavane, N 100a, Op. 50 (Full Score)

Arts & Photography

Gabriel, Faure

Music

Bärenreiter

Fauré: Après un Rêve (arr. for double bass)

McTier Music

Fauré: Pavane, Op. 50 (arr. for piano)

Edition Peters

(String Solo). Contents: La Bandoline (Couperin) * Two Old Dances (Marais) * La Milanese (d'Hervelois) * Chants Russes (Lalo) * Melodie (Massenet) * Allegro Appassionata (Saint-Saens) * Elegy (Faure) * Papillon (Faure) * Apres un Reve (Faure) * Reverie (Debssy) * Menuet (Debussy).

Cello Music by French Composers from Couperin to Debussy for Violoncello and Piano

JULES MASSENET

François Couperin

Marin Marais

Louis de Caix d'Hervelois

Édouard Lalo

Claude, Debussy

Camille, Saint-Saëns

G.Schirmer, Inc

Born in 1845, Gabriel Fauré is considered to be one of the greatest French composers of the nineteenth century. His family was not musical, being butchers , smiths and military officers, but they encouraged young Fauré to develop his musical skills. He had excellent training from his teacher, Camille Saint-Saëns, who remained his lifelong friend. Dolly is a collection of six pieces written over a period of three years (1894-1897). They were composed in honor of Hélene nicknamed "Dolly," who was the daughter of Fauré's dear friend, the singer Emma Bardac. (Emma later became Debussy's second wife.) The opening Berceuse (Lullaby) suggests a moment of childhood peace and tranquility, perhaps Dolly rocking her doll to sleep. The second piece, Mi-a-ou is livelie; its title has been interpreted in two different ways. Emile Vuillermoz sees in it "the capricious bounds of the favorite family cat, its quick turns, its zigzag starts, its sudden cajolery, after which...it at last rests in the lap of its little mistress." On the other hand, Marguerite Long, on the basis of her friendship with Fauré, asserts that the title is the nickname for Dolly's brother, Raoul. The Le jardin de Dolly (Dolly's Garden) represents a quiet stroll through a lovely flower garden. The mood is smimilar to that of Berceuse but the melody is less predictable with sudden turns toward chromaticism. Kitty-Valse is a sort of companion piece to Mi-a-ou, but its rhythm is more straightforward, and we find many unexpected turns in harmony, Its strong accents contrast with delicate, swirling scale patterns. Marguerite Long tells us that "Kitty" is a corruption of "Ketty'" the name of the family dog! Tendresse (Tenderness) is the most touching piece of the set. It suggests a conversation between am other and daughter. In the middle section the two melodc voices are shared by the primo and secondo players in a canon form with bass accompaniment. The seconds half of the first theme features whole-tone effects. In total contrast to this gentle piece, the final piece is Le pas Espagnol (Spanish Dance), which Long says was inspired by a bronze equestrian statue that stood on the mantlepiece in Madame Bardac's house and was admired by young Dolly. Vuillermoz believes it depictsDolly pretending to be a Spanish dancer, wrapped in her mother's shawl.

WP609 - Dolly Suite Opus 56 for One Piano, Four Hands - Faure

Humor & Entertainment

Kjos Music Company

A splendid collection of pieces by Romantic French composer, Gabriel Faure that demonstrates his wonderful gift for imaginitive and beautiful melodies.   Ten terrific arrangements, by Trevor Wye for two Flutes and Piano accompaniment. There is a wide range of music here with some of Faure's best-loved pieces, including Pavane, Sicilienne and Cantique De Jean Racine arranged for two flutes and piano.

A FAURE FLUTE ALBUM FLUTE/PICCOLO PIANO

TREVOR WYE

Music Sales America

Wanderings in Italy

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

History

Europe

BiblioLife

A new, digitally-enhanced reprint of Jean Roger-Ducasse's vocal score of the final version of this masterpiece, first issued in 1900 by Hamelle. Instrumentation page, measure numbers. An accurate, practical edition produced with the performer's needs in mind. Compatible with public domain full score and orchestra parts available from Dover, Luck's and Kalmus. 1. Introit et Kyrie 2. Offertoire 3. Sanctus 4. Pie Jesu 5. Agnus Dei 6. Libera Me 7. In Paradisum

Requiem, Op. 48: Vocal Score (Latin Edition)

Serenissima Music

OEUVRES COMPLETES POUR PIANO SEUL NOCTURNES PIANO

SCHOTT

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