This is a practical study of modern baton technique. There is a foreword by George Szell. This is a wealth of information about conducting with musical examples throughout the book. Contents: (main headings only) ? Introduction ? The non espressivo pattern (4 beat) ? Staccato patterns (4 beat) ? The expressivo-legato patterns (4 beat) ? Starting on other counts ? The 3 beat ? Sudden changes of dynamics & articulation ? Crescendo & decrescendo ? Facing the orchestra ? The 2 beat ? The 1 beat ? The marcato pattern ? Start after the count ? The 6 beat ? Subdivision ? Rests ? Ritardando & accelerando ? The tenuto pattern ? Holds (I) ? Holds (II) ? Accents & syncopation ? Phrasing ? Different uses for basic patterns ? Achieving complete physical control ? On preparation in general ? Number of beats in a measure (I) ? Number of beats in a measure (II) ? 5 time & 7 time ? Changes of rhythm & tempo ? Free style ? Application of baton technique ? Appendix: Discussion of complete works or movements ? List of diagrams ? Index of music

Grammar of Conducting: Comprehensive Guide to Baton Technique and Interpretation

Arts & Photography

Rudolf, Max

Music

G.Schirmer, Inc

Worlds of Music is a unique introduction to ethnomusicology, the ideal text with which to experience and understand the meanings of music in the lives of diverse human communities. Writing about cultures they have studied at first hand, the authors describe and analyze the indigenous musics of Africa, North and South America, Eastern Europe, India, Indonesia, and Japan. They also show how ethnomusicologists "get inside" a culture to document its music. Free from excessive jargon and assuming no formal musical background, Worlds of Music conveys the excitement of ethnomusicology by focusing in depth on the music of a small number of representative groups; looks at music both on its own terms and as a human activity in diverse historical, social, and cultural contexts; features fascinating biographies and oral histories of musicians in diverse cultures; includes many original photographs, drawings, and transcriptions of musical examples; and encourages active student involvement by showing how a beginner may document, play, and even build the instruments used in the music of another culture.

Worlds of Music: An Introduction to the Music of the World's Peoples

Fujie, Linda

For those who Desire a Better Understanding of Music and an Increase in Power of Expression - Either in Performance Or Creative Work

Applied Harmony (Book 1 - Diatonic)

WEDGE, GEORGE A.

Virtuoso Pianist in 60 Exercises - Book 2: Schirmer Library of Classics Volume 1072 Piano Technique

TOM ANG

Photography & Video

Brahms: Ein deutsches Requiem, Op. 45 - A German Requiem (Vocal Score – English)

UNKNOWN

Washington State University professor of English and Humanities Dr. Michael Delahoyde offers a compelling new edition of Shakespeare’s romantic political tragedy Anthony and Cleopatra, which not only properly adds the “h” back to Anthony — Shakespeare’s clear intention — but also restores the play to the context in which it was written: the Elizabethan court milieu. A must for lovers of Shakespeare and anyone who cannot resist an intriguing literary whodunnit.

Antony And Cleopatra

Literature & Fiction

Shakespeare., William

Dramas & Plays

(String Solo). The Red Violin Caprices (duration: ca. 10 min.) are derived from John Corigliano's music for The Red Violin , which received the 1999 Academy Award for Best Original Score. The Caprices were composed especially for Joshua Bell. "These Caprices, composed in conjunction with the score for Francois Girard's film The Red Violin , take a spacious, troubadour-inspired theme and vary it both linearly and stylistically. These variations intentionally evoke Baroque, Gypsy, and arch-Romantic idioms as they examine the same materials (a dark, seven-chord chaconne as well as that principal theme) from differing aural viewpoints. The Caprices were created and ordered to reflect the structure of the film, in which Bussotti, a fictional 18th-century violin maker, crafts his greatest violin for his soon-to-be-born son. When tragedy claims wife and child, the grief-stricken Bussotti, in a gesture both ardent and macabre, infuses the blood of his beloved into the varnish of the instrument. Their fates thus joined, the violin travels across three centuries through Vienna, London, Shanghai and Montreal, passing through the hands of a doomed child prodigy, a flamboyant virtuoso, a haunted Maoist commissar, and at last a willful Canadian expert, whose own plans for the violin finally complete the circle of parent and child united in art." John Corigliano

The Red Violin Caprices: for Solo Violin

(Vocal Collection). 50 songs by 14 composers. Songs date from before World War I to about the 1950's. All songs in the original key. Contents: Bacon: Five Poems of Emily Dickinson Beach: The Lotos Isles * Springtime * Wind O' the Westland Carpenter: Slumber Song * Serenade * Rest * Morning Fair Charles: The White Swan * Message * Beauty * Frustration Duke: Little Elegy * February Twilight * Loveliest of Trees Griffes: Waikiki * Symphony in Yellow * In a Myrtle Shade Hageman: Praise * Under the Willow * Do not go, my love * Nature's Holiday Lekberg: Four Poems of Edna St. Vincent Millay (The Road to Avrille; Sweet Sounds, Oh Beautiful Music; I Drank at Every Vine; The Spring and the Fall) Moore: Three Sonnets of John Donne (Thou Hast Made Me, Batter My Heart, Death Be Not Proud) Niles: The Blue Madonna * Careless Love * Reward * Calm Is the Night Read: The Moon * The Unknown God * Nocturne Rochberg: Four Songs of Solomon (Rise up my love, Come my beloved, Set me as a seal, Behold thou art fair) Still: The Breath of a Rose * Grief * Winter's Approach Thomson: The Tiger * Love Song * Preiosilla.

Romantic American Art Songs: High Voice

(Vocal Score). From the composer of the classic  Amahl and the Night Visitors  comes this delightful musical fable about an immense 9-year-old new kid in town, Poponel Skosvodmonit. Perfect for school or family audiences.

The Boy Who Grew Too Fast: A One-Act Opera for Young People

Humor & Entertainment

(Vocal Score). The classic Dr. Seuss story of the girl-bird who learns to like herself just as she is, presented in a delightfully lively musical style combining jazz, pop and classical influences. Perfect for young and family audiences, and a great companion piece to Kapilow's previously published Green Eggs and Ham . Also available: Green Eggs and Ham 50482453 Vocal Score $14.95

Dr. Suess's Gertrude McFuzz: Vocal Score

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