Decorating the Indiana hall at the 1933 Century of Progress Exposition in Chicago was a bold and colorful sequence of paintings by American muralist Thomas Hart Benton depicting the social, economic, and cultural history of the Hoosier state from mound building to the 1930s. In this dramatic 250-foot mural, which has been on display at the Bloomington campus of Indiana University since 1940, Benton sought to create art that spoke to a mainstream audience in a realist style.
This book features a full-color gatefold which represents the flow of the murals along with a portfolio of color reproductions of the 22 existing panels. Accompanying essays trace the history of the murals' creation and their installation at Indiana University, the visual narrative that Benton invented, the artist's method as seen in a series of preparatory drawings, and a detailed account of the conservation of the murals.

Thomas Hart Benton and the Indiana Murals (Distributed for the Indiana University Art Museum)

Arts & Photography

Brewer, Nanette Esseck

Foster, Kathleen A.

Contompasis, Margaret

History & Criticism

Indiana University Press

More than fifty years ago, a treasury of studio material―including oil sketches, sculptures, drawings, photographs, and manuscripts―was rescued from the empty house of Thomas Eakins by a devoted student, Charles Bregler. Deemed worthless then, the "rubbish" Bregler reverently saved has only recently become recognized as an important source of information about the life and working habits of one of Americas greatest artists. This book is both a catalogue of the Bregler collection and a reassessment of Eakins’s career as read through the newly discovered materials. Kathleen A. Foster builds on the strengths of the collection to characterize the training, teaching, and studio practices of a nineteenth-century academic realist. Tracing Eakins’s artistic education, she looks to sources in both Philadelphia and Paris that shaped his seemingly uncontrived American style. Foster analyzes Eakins’s habits as a draftsman, unlocking his famous perspective drawings to reveal his idiosyncratic practices. She examines his innovation as a watercolorist and photographer and describes his distinctive academic procedures in oil paint and clay. Foster then investigates a series of Eakins’s best known projects, from the early sporting paintings to the late portraits, to explain the sequence of his method, the development of his imagery, and the meaning that emerges from the interaction of subject and technique. Published in association with the Pennsylvania Academy of the Fine Arts, Philadelphia

Thomas Eakins Rediscovered: Charles Bregler`s Thomas Eakins Collection at the Pennsylvania Academy of the Fine Arts

Individual Artists

Yale University Press

The Life Line, a thrilling scene of rescue on stormy seas, firmly established Winslow Homer (1836–1910) as one of the leading American painters of his day, and one of the foremost maritime artists of all time. Combining a close analysis of Homer's masterpiece with an engaging look at the history of images of disaster and rescue in art and popular culture, Shipwreck! explores the making and meaning of an iconic American work of art.
Kathleen A. Foster locates The Life Line within the tradition of shipwreck paintings from the 17th century onward, as well as in relation to Homer's earlier work, which also featured themes of disaster, suspense, and salvation. This intriguing book presents new research that tracks Homer's delicate management of the figures' erotic embrace, and traces how the artist was influenced by popular contemporary images of drowning, rescue, and mourning as well as the development of new life-saving technologies.

Shipwreck! Winslow Homer and "The Life Line" (Philadelphia Museum of Art)

The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as “the American medium.” This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement – Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others – are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor’s central place in American art and culture.

American Watercolor in the Age of Homer and Sargent

From 1816 to 1817, British naval captain Joshua Rowley Watson visited friends in Philadelphia and toured the northeastern United States. During that time he filled two sketchbooks and a diary with impressions of travels that took him to Washington, Boston, and the wilds of the Hudson River valley. Watson's record proves to be a charming and graceful observation of the American scene. With a style reminiscent of eighteenth-century British topographical draftsmen, Watson's watercolors joined the flow of British art in America that ultimately formed and inspired the Hudson River school.Kathleen Foster has now gathered this previously unpublished material into a handsome volume that presents a fresh view of American art, architecture, landscape, and society in the Jeffersonian era. Her book comprises an extended essay on Watson's life and travels, a discussion of his artistic style, a guide to the diary, and the complete diary itself. Of the more than 140 drawings and waterc

Captain Watson's Travels in America: The Sketchbooks and Diary of Joshua Rowley Watson, 1771-1818

Watson, Joshua Rowley

University of Pennsylvania Press

Thomas Eakins

Thomas Eakins (1844-1916) is one of the most fascinating and important personalities in the history of American art. His memorable and much-loved scenes of rowing, sailing, and boxing as well as his deeply moving portraits are renowned for their vibrant realism and dramatic intensity. This beautiful and insightful book, published in conjunction with a major exhibition on the life and career of Eakins - the first in twenty years - presents a fresh perspective on the artist and his remarkable accomplishments. Lavishly illustrated with more than 250 of Eakins's most significant paintings, watercolours, drawings, and sculpture, the book features essays by prominent scholars who place his art in the context of the history and culture of late nineteenth-century Philadelphia, where he lived. The contributors also discuss how Eakins applied his French academic training to subjects that were distinctly American and part of his own immediate and complex experience. Eakins's own photographs, which he used as part of his unique creative process, are also examined for the first time in the full context of his life's work. The exhibition Thomas Eakins will be on view at the Philadelphia Museum of Art from 4th October, 2001 to 6th January, 2002; the Musee d'Orsay, Paris, from 3rd February to 12th May, 2002; and The Metropolitan Museum of Art, New York, from 10th June to 15th Spetember, 2002.

Philadelphia Museum Of Art

Eakins, Thomas

Musee, D'Orsay

Metropolitan Museum Of Art (new York, N.y.)

Sewell, Darrel

Philadelphia Museum of Art

Thomas Chambers: American Marine and Landscape Painter, 1808-1869

Exhibition catalogue for October 14, 2000-January 7, 2001 exhibition. 96p. Artists in the Academy's collection include Thomas Anshutz, Violet Oakley, Thomas Eakins, John Marin, Winslow Homer, John Sargeant, Arthur Dove, Charles Demuth, Robert Motherwell and others.

American Watercolors: At the Pennsylvania Academy of the Fine Arts

Binstock, Jonathan P.

Pennsylvania Academy of the Fine

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