The lucidly written, sobering account of how the press fared in covering the tragedy and how news organizations might improve on their disasters coverage in the future. --Quill
On a bitter December night in 1988, Pan Am Flight 103, the Maid of the Seas, flying from Frankfurt to New York, exploded over Lockerbie, Scotland, killing 270 people. Among the victims were citizens from over 21 countries, 11 villagers, and 35 Syracuse University students returning home from studying abroad. The bombing set in motion a drama of epic proportions, played out on television screens and newspaper pages around the world. Scenes from the tragedy etched themselves on the public consciousness: a screaming mother at Kennedy Airport, collapsing upon learning of the fate of her child; flames engulfing the modest homes of Lockerbie; weeping Syracuse University students in mourning at a basketball game; the mangled cockpit of the jumbo jet resting in an idyllic Scottish meadow. Behind these scenes, another drama unfolded: Hundreds of journalists swarmed to the traumatized village. In New York, scores of reporters, photographers, and cameramen rushed to the airport to record the reactions of bereaved family members. All over the country, people watched the names of the dead scrolling across their televisions, many praying for those presumed to be on board. The disaster also engulfed institutions, many unprepared to mediate between the public's need for informations and the need for privacy by those most affected. In engrossing detail, THE MEDIA AND DISASTERS chronicles the story behind the headlines, illustrating how the media and the people it encounter in pursuit of the news experienced and affected the journalistic process. The book addresses, in narrative fashion, the universal themes common to most tragedies, emphasizing the increasingly powerful role of the media and its agents in representing such catastrophes to the world. Joan Deppa and her coauthors, all of whom witnessed the effects of this media coverage at Syracuse University, focus on reactions to the disaster--individual and collective. Journalists, police, government officials, rescue workers, and witnesses all had to make important ethical decisions immediately, under conditions of great stress: 
--how should families of the victims be informed? --What could journalists do to get the story without adding to the distress of grieving families and friends? --should the terrible human carnage of such a disaster be conveyed--in words, in photographs, on television?
One particularly telling debate on these issues pits editors of the New York Daily Newsagainst those of Newsday. The destruction of Flight 103 forever altered the media landscape. It marked a watershed moment in media history, a turning point in the global coverage of disasters. Just as the Gulf War was piped directly into living rooms two years later, disasters were now live events. THE MEDIA AND DISASTERS is must reading for anyone interested in journalism, communications, the evolution of the media, and institutional responses to disaster.

The Media and Disasters: Pan Am 103

Politics & Social Sciences

Deppa, Joan

Russell, Maria

Hayes, Dona

Flocke, Elizabeth

Social Sciences

NYU Press

The lucidly written, sobering account of how the press fared in covering the tragedy and how news organizations might improve on their disasters coverage in the future.--QuillOn a bitter December night in 1988, Pan Am Flight 103, the Maid of the Seas, flying from Frankfurt to New York, exploded over Lockerbie, Scotland, killing 270 people. Among the victims were citizens from over 21 countries, 11 villagers, and 35 Syracuse University students returning home from studying abroad. The bombing set in motion a drama of epic proportions, played out on television screens and newspaper pages around the world.Scenes from the tragedy etched themselves on the public consciousness: a screaming mother at Kennedy Airport, collapsing upon learning of the fate of her child; flames engulfing the modest homes of Lockerbie; weeping Syracuse University students in mourning at a basketball game; the mangled cockpit of the jumbo jet resting in an idyllic Scottish meadow. Behind these scenes, another drama unfolded: Hundreds of journalists swarmed to the traumatized village. In New York, scores of reporters, photographers, and cameramen rushed to the airport to record the reactions of bereaved family members. All over the country, people watched the names of the dead scrolling across their televisions, many praying for those presumed to be on board. The disaster also engulfed institutions, many unprepared to mediate between the public's need for informations and the need for privacy by those most affected. In engrossing detail, THE MEDIA AND DISASTERS chronicles the story behind the headlines, illustrating how the media and the people it encounter in pursuit of the news experienced and affected the journalistic process. The book addresses, in narrative fashion, the universal themes common to most tragedies, emphasizing the increasingly powerful role of the media and its agents in representing such catastrophes to the world.Joan Deppa and her coauthors, all of whom witnessed the effects of this media coverage at Syracuse University, focus on reactions to the disaster--individual and collective. Journalists, police, government officials, rescue workers, and witnesses all had to make important ethical decisions immediately, under conditions of great stress: --how should families of the victims be informed?--What could journalists do to get the story without adding to the distress of grieving families and friends?--should the terrible human carnage of such a disaster be conveyed--in words, in photographs, on television?One particularly telling debate on these issues pits editors of the New York Daily Newsagainst those of Newsday.The destruction of Flight 103 forever altered the media landscape. It marked a watershed moment in media history, a turning point in the global coverage of disasters. Just as the Gulf War was piped directly into living rooms two years later, disasters were now live events. THE MEDIA AND DISASTERS is must reading for anyone interested in journalism, communications, the evolution of the media, and institutional responses to disaster.

First published in 1993, The Media and Disasters looks behind the key scenes in the drama unfolding in the aftermath of the Pan Am 103 explosion: Lockerbie, visited by an estimated 1000 journalists in the month following the disaster; New York's Kennedy Airport, where families learned in the presence of the media that their loved ones had perished; Syracuse University, plunged into mourning the loss of 35 students from the school's study abroad programme; and homes on both sides of the Atlantic, grief-stricken as news reached relatives of the passengers and crew. The authors, professors of communication at Syracuse University with years of media experience, began looking at the effects of such coverage because of what they experienced when the media came to cover the grieving on their campus. What they learned in the U.S. and the U.K. will interest those concerned about media coverage of crisis events, as well as those who communicate about them: journalists, survivors, public information officers, public relations practitioners, emergency support personnel, business and political leaders.

The Media and Disasters (Routledge Revivals)

Lynne Flocke, Elizabeth

Routledge

This is an examination of the way in which the media dealt with the Lockerbie air disaster. It looks at how institutions - some prepared and some unprepared - met the public's need for information and the survivors' need for privacy. The book aims to draw out the lessons learned from this story.

Media and Disaster: Pan Am 103

Flocke, Elizabeth Lynne

David Fulton Pub

Seasons of Love

Romance

Collections & Anthologies

Rushmore Press LLC

See the best price to sell, buy, or rent books by Deppa, Joan. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Deppa, Joan