Recounts the life of the English poet who died during World War I, looks at the group of his friends and fellow poets known as the Neo-Pagans, and discusses the influence of homosexuality on his life

The Neo-Pagans: Rupert Brooke and the Ordeal of Youth

Delany, Paul

Biographies & Memoirs

Free Pr

The essays in Hypermedia and Literary Studies discuss the theoretical and practical opportunities and challenges posed by the convergence of hypermedia systems and traditional written texts.Consider a work from Shakespeare. Imagine, as you read it, being able to call up instantly the Elizabethan usage of a particular word, variant texts for any part of the work, critical commentary, historically relevant facts, or oral interpretations by different sets of actors. This is the sort of richly interconnected, immediately accessible literary universe that can be created by hypertext (electronically linked texts) and hypermedia (the extension of linkages to visual and aural material). The essays in Hypermedia and Literary Studies discuss the theoretical and practical opportunities and challenges posed by the convergence of hypermedia systems and traditional written texts. They range from the theory and design of literary hypermedia to reports of actual hypermedia projects from secondary school to university and from educational and scholarly to creative applications in poetry and fiction.ContentsHypertext, Hypermedia, and Literary Studies • Theory • Reading and Writing the Electronic Book • From Electronic Books to Electronic Libraries: Revisiting "Reading and Writing the Electronic Book." • The Rhetoric of Hypermedia: Some Rules for Authors • Topographic Writing: Hypertext and the Electronic Writing Space • Reading from the Map: Metonymy and Metaphor in the Fiction of "Forking Paths." • Poem Descending a Staircase: Hypertext and the Simultaneity of Experience • Reading Hypertext: Order and Coherence in a New Medium • Threnody: Psychoanalytic Digressions on the Subject of Hypertexts • Applications • Biblical Studies and Hypertext • Ancient Materials, Modern Media: Shaping the Study of Classics with Hypertext • Linking Together Books: Adapting Published Material into Intermedia Documents • The Shakespeare Project • The Emblematic Hyperbook • HyperCard Stacks for Fielding's Joseph Andrews: Issues of Design and Content • Hypertext for the PC: The Rubén Dario Project • Hypermedia in Schools

Hypermedia and Literary Studies

Computers & Technology

Landow, George P.

Computer Science

Mit Pr

Reference

George Orwell was asked to write a biography of George Gissing, having hailed him as "perhaps the best novelist England has produced." He had to refuse, and instead of a book like this one, Orwell wrote a novel, 1984. His closeness to Gissing can help draw the map of English literature from 1880 to 1950. Orwell was born in the year that Gissing died, 1903. Both of them lived 46 years and died of lung disease. It is likely that Orwell borrowed the first name of his pseudonym from Gissing. Orwell, though, chose to live among the poor to begin a lifelong commitment to leftist politics. Gissing became poor by bad luck and bad judgement; he came to believe that political solutions were unlikely to abolish human misery, and declared that the great subject of his novels was the situation of educated people with "not enough money." Paul Delany has read Gissing's 22 novels, and his other works, with a fine biographer's eye. Gissing was a neurotic writer, and everything in his later life was determined by the twin disasters of his imprisonment and his marriage to Nell Harrison. Prison he concealed altogether. It could be argued that Victorian society rested on hypocrisy, requiring everyone to lie about their desires. But the major figures in Gissing's novels are almost always bad liars. In his own case a mistake in youth created daily misery that he could never shake off. Yet Gissing the novelist gives us better than anyone the flavor of London in the 1880s and 1890s: a compound of wet streets, fog, coal-smoke, narrow horizons, and an imagination equal to it all. In Paul Delany he has found the perfect biographer.

George Gissing: A Life

Arts & Literature

Orion Publishing

George Orwell was asked to write a biography of George Gissing, having hailed him as "perhaps the best novelist England has produced." He had to refuse, and instead of a book like this one, Orwell wrote a novel, 1984. His closeness to Gissing can help draw the map of English literature from 1880 to 1950. Orwell was born in the year that Gissing died, 1903. Both of them lived 46 years and died of lung disease. It is likely that Orwell borrowed the first name of his pseudonym from Gissing. Orwell, though, chose to live among the poor to begin a lifelong commitment to leftist politics. Gissing became poor by bad luck and bad judgement; he came to believe that political solutions were unlikely to abolish human misery, and declared that the great subject of his novels was the situation of educated people with "not enough money." Paul Delany has read Gissing's 22 novels, and his other works, with a fine biographer's eye. Gissing was a neurotic writer, and everything in his later life was determined by the twin disasters of his imprisonment and his marriage to Nell Harrison. Prison he concealed altogether. It could be argued that Victorian society rested on hypocrisy, requiring everyone to lie about their desires. But the major figures in Gissing's novels are almost always bad liars. In his own case a mistake in youth created daily misery that he could never shake off. Yet Gissing the novelist gives us better than anyone the flavor of London in the 1880s and 1890s: a compound of wet streets, fog, coal-smoke, narrow horizons, and an imagination equal to it all. In Paul Delany he has found the perfect biographer.

Phoenix

Rupert Brooke (b. 1887) died on April 23, 1915, two days before the start of the Battle of Gallipoli, and three weeks after his poem "The Soldier" was read from the pulpit of St Paul's Cathedral on Easter Sunday. Thus began the myth of a man whose poetry crystallizes the sentiments that drove so many to enlist and assured those who remained in England that their beloved sons had been absolved of their sins and made perfect by going to war. In Fatal Glamour, Paul Delany details the person behind the myth to show that Brooke was a conflicted, but magnetic figure. Strikingly beautiful and able to fascinate almost everyone who saw him - from Winston Churchill to Henry James - Brooke was sexually ambivalent and emotionally erratic. He had a series of turbulent affairs with women, but also a hidden gay life. He was attracted by the Fabian Society?s socialist idealism and Neo-Pagan innocence, but could be by turns nasty, misogynistic, and anti-Semitic. Brooke?s emotional troubles were acutely personal and also acutely typical of Edwardian young men formed by the public school system. Delany finds a thread of consistency in the character of someone who was so well able to move others, but so unable to know or to accept himself. A revealing biography of a singular personality, Fatal Glamour also uses Brooke?s life to shed light on why the First World War began and how it unfolded.

Fatal Glamour: The Life of Rupert Brooke

McGill-Queen's University Press

Bill Brandt, the greatest of British photographers, who visually defined the English identity in the mid-twentieth century, was an enigma. Indeed, despite his assertions to the contrary, he was not in fact English at all. His life, like much of his work, was an elaborate construction. England was his adopted homeland and the English were his chosen subject. The England in which Brandt arrived in the Thirties was deeply polarized. He photographed both upstairs and downstairs, and recorded the industrial north as well as the society rounds of the affluent south. Although much of his work was for the new illustrated magazines, it was frequently influenced by surrealism and an eye for the slightly strange. The subjects of his portraits include the greatest creative figures of his age, and his English landscapes were sublime. His radical treatment of the female body forms a landmark in the history of the photography. Paul Delany ambitiously traces the details of Brandt’s life and reveals how the biographical facts and the fantasies that accompanied them deeply affected Brandt’s work. The biography is richly illustrated with duotone reproductions of his masterpieces and a number of unpublished private photographs.

Bill Brandt: A Life

Stanford University Press

British Autobiography in the Seventeenth Century (Routledge Library Editions: Autobiography)

Originally published in 1969. In the seventeenth century neither the literary genre nor the term ‘autobiography’ existed but we see in seventeenth-century literature many kinds of autobiographical writings, to which their authors gave such titles as ‘Journal of the Life of Me, Confessions, etc. This work is a study of nearly two hundred of these, published and unpublished, which together represent a very varied group of writings. The book begins with an examination of the rise of autobiography as a genre during the Renaissance. It discusses seventeenth-century autobiographical writings under two main headings – ‘religious’, where the autobiographies are grouped according to the denomination of their writer, and ‘secular’, where a wide variety of writings is examined, including accounts of travel and of military and political life, as well as more personal accounts. Autobiographies by women are treated separately, and the author shows that they in general have a deeper revelation of sentiments and more subtle self-analyses than is found in comparable works by men. Sources and influences are recorded and also the essential historical details of each work. This book gives a critical analysis of the autobiographies as literary works and suggests relationships between them and the culture and society of their time.  Review of the original publication: "…a contribution to cultural history which is of quite exceptional merit. Its subject is of great intrinsic interest and manifest importance and Professor Delany has treated it with exemplary thoroughness, lucidity, and intelligence." Lionel Trilling

Routledge

Originally published in 1969. In the seventeenth century neither the literary genre nor the term ‘autobiography’ existed but we see in seventeenth-century literature many kinds of autobiographical writings, to which their authors gave such titles as ‘Journal of the Life of Me, Confessions, etc. This work is a study of nearly two hundred of these, published and unpublished, which together represent a very varied group of writings. The book begins with an examination of the rise of autobiography as a genre during the Renaissance. It discusses seventeenth-century autobiographical writings under two main headings – ‘religious’, where the autobiographies are grouped according to the denomination of their writer, and ‘secular’, where a wide variety of writings is examined, including accounts of travel and of military and political life, as well as more personal accounts. Autobiographies by women are treated separately, and the author shows that they in general have a deeper revelation of sentiments and more subtle self-analyses than is found in comparable works by men. Sources and influences are recorded and also the essential historical details of each work. This book gives a critical analysis of the autobiographies as literary works and suggests relationships between them and the culture and society of their time. Review of the original publication: "…a contribution to cultural history which is of quite exceptional merit. Its subject is of great intrinsic interest and manifest importance and Professor Delany has treated it with exemplary thoroughness, lucidity, and intelligence." Lionel Trilling

See the best price to sell, buy, or rent books by Delany, Paul. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Delany, Paul

See the best price to sell, buy, or rent books by Delany, Paul. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Neo-Pagans: Rupert Brooke and the Ordeal of Youth

Hypermedia and Literary Studies

Hypermedia and Literary Studies

George Gissing: A Life

George Gissing: A Life

Fatal Glamour: The Life of Rupert Brooke

Bill Brandt: A Life

British Autobiography in the Seventeenth Century (Routledge Library Editions: Autobiography)

British Autobiography in the Seventeenth Century (Routledge Library Editions: Autobiography)