Victorian Thinkers contains studies of four of the most influential critics of 19th-century British culture. Each was heralded a prophet in his own lifetime, and yet each was also regarded as misguided, and even mad, by his contemporaries. Their interests in art and culture led them to develop views on society and economics. Carlyle was a writer of extraordinary stature, radical in thought and style; Ruskin, who began his career as a critic of painting and architecture, developed his views to produce critiques of economics and social welfare; Arnold was a poet and literary critic, a definer of "culture" who later turned to social issues; and Morris, renowned for his work as artist and designer, championed a revolutionary socialism which would honour the civilizing effects of the arts. A.L. Le Quesne is also the author of "After Kilvert". George Landow has also written "The Aesthetic and Critical Theories of John Ruskin" and "Victorian Types, Victorian Shadows: Biblical Typology in Victorian Literature, Art and Thought". Stephan Collini is also the author of "Liberalism and Sociology", "That Noble Science of Politics" (with Donald Winch and John Burrow) and "Public Moralists: Political Thought and Intellectual Thought and Intellectual Life in Britain 1850-1930". Peter Stansky is also the author of "Redesigning the World: William Morris, the 1880s, and the Arts and Crafts".

Victorian Thinkers: Carlyle, Ruskin, Arnold, Morris (Past Masters)

Literature & Fiction

Collini, Stefan

Landow, George P.

Stansky, Peter

Le Quesne, A. L.

History & Criticism

Oxford University Press

Ruskin, the great Victorian critics of art and society, had an enormous influence on his age and our own. A highly successful propagandist for the arts, he did much both to popularize high art and to bring it to the masses. A brilliant theorist and practical critics of realism, he also produced the finest nineteenth-century discussions of fantasy, the grotesque, and pictorial symbolism.  Most who have written about this outstanding Victorian polymath have approached him either as literary critics or as art historians. In this book, which was first published in 1985, George P. Landow provides a more balanced view and offers a strikingly new approach which reveals that Ruskin wrote throughout his career as an interpreter, an exegete. His interpretations covered many fields of human experience and endeavour, not only paintings, poems, and buildings but also contemporary social issues, such as the discontent of the working classes.

Ruskin (Past Masters)

1985, British hardcover edition (this is a unique title in the publisher's Past Masters series; these titles were published simultaneously in paper and hardcover edition; this is the hardcover), Oxford University Press, Oxford, U.K. 99 pages. Written by a university professor who, "... provides a balanced view and offers a strikingly new approach which reveals that Ruskin wrote throughout his career as an interpreter and exegete."

Politics & Social Sciences

Anthropology

The essays in Hypermedia and Literary Studies discuss the theoretical and practical opportunities and challenges posed by the convergence of hypermedia systems and traditional written texts.Consider a work from Shakespeare. Imagine, as you read it, being able to call up instantly the Elizabethan usage of a particular word, variant texts for any part of the work, critical commentary, historically relevant facts, or oral interpretations by different sets of actors. This is the sort of richly interconnected, immediately accessible literary universe that can be created by hypertext (electronically linked texts) and hypermedia (the extension of linkages to visual and aural material). The essays in Hypermedia and Literary Studies discuss the theoretical and practical opportunities and challenges posed by the convergence of hypermedia systems and traditional written texts. They range from the theory and design of literary hypermedia to reports of actual hypermedia projects from secondary school to university and from educational and scholarly to creative applications in poetry and fiction.ContentsHypertext, Hypermedia, and Literary Studies • Theory • Reading and Writing the Electronic Book • From Electronic Books to Electronic Libraries: Revisiting "Reading and Writing the Electronic Book." • The Rhetoric of Hypermedia: Some Rules for Authors • Topographic Writing: Hypertext and the Electronic Writing Space • Reading from the Map: Metonymy and Metaphor in the Fiction of "Forking Paths." • Poem Descending a Staircase: Hypertext and the Simultaneity of Experience • Reading Hypertext: Order and Coherence in a New Medium • Threnody: Psychoanalytic Digressions on the Subject of Hypertexts • Applications • Biblical Studies and Hypertext • Ancient Materials, Modern Media: Shaping the Study of Classics with Hypertext • Linking Together Books: Adapting Published Material into Intermedia Documents • The Shakespeare Project • The Emblematic Hyperbook • HyperCard Stacks for Fielding's Joseph Andrews: Issues of Design and Content • Hypertext for the PC: The Rubén Dario Project • Hypermedia in Schools

Hypermedia and Literary Studies

Computers & Technology

Delany, Paul

Computer Science

Mit Pr

This book explores the larger realm of the knowledge infrastructure where texts are received, reconstructed, and sent over global networks.The sixteen essays collected in The Digital Word continue Landow and Delany's exploration of the new fluid, digitized text begun in Hypermedia and Literary Studies (1991), which focused on the linking of text, graphics, or sound into structures typically bound within a single computer or local-area network. This book explores the larger realm of the knowledge infrastructure where texts are received, reconstructed, and sent over global networks. It covers text management, textual resources and communication, and working with texts.In their introductory essay, Landow and Delany address the impact of such developments as the dematerialization of text (which exists only as a piece of code) and the manipulability of text-based computing (searches, editing, comparison, and analysis), which shifts the balance of power from text to reader. Digital texts; the law, sources, distribution, and management of texts; and the need for new procedures that will make explorations of the boundless universe of text more effective are touched on as well.Current examinations of text management include the FreeText Project and personal information retrieval, a taxonomy of text-management software, and markup systems (including a clear, authoritative discussion of Standard Generalized Markup Languages). Essays in the next section take up such disparate aspects of textual resources and communications as corpus-based linguistics, networked library services, personal docuverses for the individual scholar, and the new forms of scholarly communications created by electronic mail and electronic conferencing. A concluding section on working with texts surveys what has been variously called computer criticism, computer-aided criticism, and electronic text analysis in relation to textual editing, literary interpretation, and our practice of reading and writing in an electronic age.

The Digital Word: Text-Based Computing in the Humanities

In this study, first published in 1979, Landow contends that Hunt’s version of Pre-Raphaelitism concerned itself primarily with an elaborate system of painterly symbolism rather than with a photographic realism as has been usually supposed. Like Ruskin, Hunt believed that a symbolism based on scriptural typology – the method of finding anticipations of Christ in Hebrew history – could produce an ideal art that would solve the problems of Victorian painting. According to Hunt, this elaborate symbolism could simultaneously avoid the dangers of materialism inherent in a realistic style, the dead conventionalism of academic art, and the sentimentality of much contemporary painting.  George Landow examines Hunt’s work in the context of this argument and, drawing on much unknown or previously inaccessible material, shows how he used texts, frames, and symbols to create a complex art of mediation that became increasingly visionary as the artist grew older. This book is ideal for students of art history.

William Holman Hunt and typological symbolism (Studies in British art)

Arts & Photography

Published for the Paul Mellon Centre for Studies in British Art by Yale University Press

This book traces the sources and development of Ruskin's aesthetic and critical theories. In his attempt to skirt the danger of excessive emotion and association in art, Ruskin's struggle with the sublime but not the picturesque, is, along with the pathetic fallacy, examined. These concepts, too, are considered in light of Ruskin's continuing religious and intellectual development. Finally, Ruskin's loss of faith is analyzed in relation to the problem of allegory in art. Ruskin argued for an unchanging standard of beauty, though the psychological nature of the artist is related to his art medium.Originally published in 1971.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Aesthetic and Critical Theory of John Ruskin (Princeton Legacy Library)

British & Irish

Princeton University Press

Images of crisis: Literary iconology, 1750 to the present

Routledge& Kegan Paul

See the best price to sell, buy, or rent books by Landow, George P.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Landow, George P.

See the best price to sell, buy, or rent books by Landow, George P.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Victorian Thinkers: Carlyle, Ruskin, Arnold, Morris (Past Masters)

Ruskin (Past Masters)

Ruskin (Past Masters)

Hypermedia and Literary Studies

The Digital Word: Text-Based Computing in the Humanities

William Holman Hunt and typological symbolism (Studies in British art)

Aesthetic and Critical Theory of John Ruskin (Princeton Legacy Library)

Aesthetic and Critical Theory of John Ruskin (Princeton Legacy Library)

Aesthetic and Critical Theory of John Ruskin (Princeton Legacy Library)

Images of crisis: Literary iconology, 1750 to the present