You're only the greatest person ever invented and he's some boy who's probs never had a conversation with a side of the sun before - 
but like Let's Be Modest About It\nTosh and Lou. 22 scenes.\nOther friends have come, got boyfriends and gone. 
So what? Tosh and Lou have each other. 
They'll never be like the other girls. They won't sit in a narrative someone else thought up. 
This is love. This is enough. This is enough.\nScenes with girls by Miriam Battye premiered at the Royal Court Theatre, London, in January 2020.

Scenes with Girls

Literature & Fiction

Battye, Miriam

Dramas & Plays

Faber&Faber

About the Author\nMiriam Battye is a writer from Manchester.? She was the first Sister Pictures Writer in Residence in 2018 and has various original ideas in development for television. Theatre includes: Trip the Light Fantastic (Bristol Old Vic); All Your Gold (Theatre Royal, Plymouth); Electricity (NYT/Arcola); Balance (Royal Exchange, Manchester); Pancake Day (Bunker/PLAY).\nJustine Themen (Director) is a theatre director and change-maker. She is currently Deputy Artistic Director of the Belgrade Theatre and Co-Artistic Director for its City of Culture 2021 programme. During her time at the Belgrade, she has built a small participatory programme into a broad-reaching ethos across the work of the building. The programme provides access to arts activity to some of the city's least arts-engaged communities, shapes talent development opportunities that strongly promote diversity across the sector and creates new work for the theatre's stages. Her co-created work includes Rise (Belgrade Young Company), Walk for Your Life (Belgrade Black Youth Theatre), Hussan and Harry (Belgrade Youth Theatre with Coventry Refugee Centre); and The First Time I Saw Snow (Belgrade Theatre). Directing work focuses on new work from female writers of colour - Red Snapper (Liz Mytton), Under the Umbrella (Amy Ng), both Belgrade Theatre. She played a key role in Coventry winning its bid to become UK City of Culture 2021, and is Co-Director of its Signature Event. She is also a Clore Fellow (2012-13). Prior to working at the Belgrade, she worked for 6 years in Senegal & Suriname co-creating theatre (Hia Maun, Stiching Botopasi) & documentaries (Abigail, VPRO) and using the Arts as a tool in Development & Cultural Diplomacy.\nClaire Procter (Co-Director) is the Belgrade Theatre's Creative Producer for Education. She has over 20 years of experience working with children and young people, both as a class teacher and theatre practitioner. Prior to joining the Belgrade, Claire worked for renowned Theatre-in-Education (TiE) company, Big Brum. She has written and co-created a number of original plays for and with young people, including The Impossible Language of the Time (Belgrade Youth Theatre/ Chris O'Connell), Room to Grow (Belgrade TiE) and On the Line (Belgrade Youth Theatre/ Jennifer Farmer). Her work to integrate TIE methodology into the making of the Belgrade's youth theatre work has been central to the development of the Theatre's participatory practise.\nLiz Mytton (Wordsmith) is a playwright and poet based in the North West. She took part in the Critical Mass writing programme at the Belgrade Theatre in 2014, which led to the production of her first full-length play,?Red Snapper, a runner up for the 2016 Alfred Fagon Audience Award. In 2018 as a Bristol Old Vic Open Session writer, Liz wrote Across the River, about Marcus Garvey and the KKK, which featured in Bristol Ferment Fortnight. Liz has also developed a piece of work exploring hate crime,?Southside Stories, which premiered at the Tobacco Factory in February 2019, and recently her own musical project, Shame Shanties, which uses seas shanties to explore women's mental health. Liz regularly works as a writer and lyricist with Talking Birds Theatre Company in Coventry, most recently on a commission for the Shakespeare Birthplace Trust. She has worked with the Belgrade's Young Company on two occasions in the role of wordsmith – firstly on Rise in 2017, and again in 2020 on Like There's No Tomorrow.\nThe Belgrade Young Company was established to give young people showing particular talent/ ability from across the Belgrade's participatory programme an opportunity to grow their skills and abilities in a semi-professional context. Past work has included Frank Wedekind's youth classic, Spring Awakening, rarely performed by young people of the same age as the characters; a physical production of The Tempest with Frantic Assembly; and Rise, co-created with a company of 10 young women aged 13 to 23 about

National Theatre Connections 2021: Two Plays for Young People (Modern Plays)

Belgrade Theatre

Teen & Young Adult

Methuen Drama

National Theatre Connections 2021: 11 Plays for Young People (Modern Plays)

Thompson, Chris

Belgrade Young Company

Adebayo, Mojisola

Carr, Alison

Donnelly, John

Franzmann, Vivienne

Naylor, Hattie

Muir, Andrew

Poet, Frances

Semerciyan, Silva

It is the scale and range of creative collaboration inherent in theatre that sits at the very heart of National Theatre Connections. National Theatre Connections 2022 draws together ten new plays for young people to perform, from some of the UK's most exciting playwrights. These are plays for a generation of theatre-makers who want to ask questions, challenge assertions and test the boundaries, and for those who love to invent and imagine a world of possibilities. The plays offer young performers an engaging and diverse range of material to perform, read or study. This 2022 anthology represents the full set of ten plays offered by the National Theatre 2022 Festival, as well as comprehensive workshop notes that give insights and inspiration for building characters, running rehearsals and staging a production.

National Theatre Connections 2022: 10 Plays for Young Performers (Plays for Young People)

Smith, Stef

Hims, Katie

Wright, Abbey

Mula, Shireen

Regan, Matt

Goldman, Lisa

Menon, Ayeesha

Judge, David

Crouch, Tim

Kennedy, Fionnuala

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