Dandy Dick Paper Pinero

Engineering & Transportation

Thompson, Chris

Engineering

Granada Publishing

Irving B. Ellis (1902-1977) was an archetypal Pictorialist photographer. A physician by training and a photographer by avocation, he was a dedicated and much-awarded maker of pictures. Active as a photographer during the decades just before and after the Second World War, Ellis experienced the burgeoning growth of amateur photography clubs, the expansion of corporate photography businesses and the establishment of photographic collections in major art museums across the country. This volume, based on an extensive photographic and documentary archive, places Ellis' work within the context of the Pictorialist movement in an effort to gain a better understanding of the complex undercurrents that helped to define this era of American photographic history. Susan Danly contributes essays on the development of Ellis' photographic style and the use of his photographs in advertising, and Chris Thompson contributes an interview with photographer Judy Ellis Glickman, Ellis' daughter and the subject of much of his work.

For The Love of It: The Photography of Irving Bennett Ellis

Arts & Photography

Danly, Susan

Glickman, Judy

Individual Artists

Ellis Press

Felt: Fluxus, Joseph Beuys, and the Dalai Lama

Felt provides a nonlinear look at the engagement of the postwar avant-garde with Eastern spirituality, a context in which the German artist Joseph Beuys appears as an uneasy shaman. Centered on a highly publicized yet famously inconclusive 1982 meeting between Beuys and the Dalai Lama, arranged by the Dutch artist Louwrien Wijers, Chris Thompson explores the interconnections among Beuys, the Fluxus movement, and Eastern philosophy and spiritual practice. Building from the resonance of felt, the fabric, in both Tibetan culture and in Beuys’s art, Thompson takes as his point of departure Deleuze and Guattari’s discussion in A Thousand Plateaus of felt as smooth space that is “in principle infinite, open, and unlimited in every direction,” its structure determined by chance as opposed to the planned, woven nature of most fabrics. Felt is thus seen as an alternative to the model of the network: felt’s anarchic form is not reducible to the regularity of the net, grid, or mesh, and the more it is pulled, tweaked, torn, and agitated, the greater its structural integrity.Felt thus invents its methodology from the material that represents its object of inquiry and from this advances a reading of the avant-garde. At the same time, Thompson demonstrates that it is sometimes the failures of thought, the disappointing meetings, even the untimely deaths that open portals through which life flows into art and allows new conjunctions of life, art, and thought. Thompson explores both the well-known engagement of Fluxus artists with Eastern spirituality and the more elusive nature of Beuys’s own late interest in Tibetan culture, arriving at a sense of how such noncausal interactions—interhuman intrigue—create culture and shape contemporary art history.

History & Criticism

Univ. of Minnesota Press

Felt provides a nonlinear look at the engagement of the postwar avant-garde with Eastern spirituality, a context in which the German artist Joseph Beuys appears as an uneasy shaman. Centered on a highly publicized yet famously inconclusive 1982 meeting between Beuys and the Dalai Lama, arranged by the Dutch artist Louwrien Wijers, Chris Thompson explores the interconnections among Beuys, the Fluxus movement, and Eastern philosophy and spiritual practice. Building from the resonance of felt, the fabric, in both Tibetan culture and in Beuys’s art, Thompson takes as his point of departure Deleuze and Guattari’s discussion in A Thousand Plateaus of felt as smooth space that is “in principle infinite, open, and unlimited in every direction,” its structure determined by chance as opposed to the planned, woven nature of most fabrics. Felt is thus seen as an alternative to the model of the network: felt’s anarchic form is not reducible to the regularity of the net, grid, or mesh, and the more it is pulled, tweaked, torn, and agitated, the greater its structural integrity. Felt thus invents its methodology from the material that represents its object of inquiry and from this advances a reading of the avant-garde. At the same time, Thompson demonstrates that it is sometimes the failures of thought, the disappointing meetings, even the untimely deaths that open portals through which life flows into art and allows new conjunctions of life, art, and thought. Thompson explores both the well-known engagement of Fluxus artists with Eastern spirituality and the more elusive nature of Beuys’s own late interest in Tibetan culture, arriving at a sense of how such noncausal interactions—interhuman intrigue—create culture and shape contemporary art history.

High Speed Rail: A Bibliography for U.S. Decision-Makers (Cpl Bibliography)

Bawden, Tim

Lyons, Dave

Reference

Council of Planning Librarians

Basic marine diesel repair that provides you information, without bogging you down with unneeded information.

The Care and Repair of Small Marine Diesels

Sports & Outdoors

Water Sports

McGraw-Hill Trade

Crafts, Hobbies & Home

Crafts & Hobbies

Intl Marine Pub

Essentials of Wado-Ryu Karate

Individual Sports

Paul H. Crompton Ltd

Fighting Spirit: Karate - My Way of Life

Kirby Publishing

J.J. and his family move to their grandfather's farm, and the first thing he hopes he'll get is his very own tractor. But first he has to get the family involved.

A Tractor of His Own

Children's Books

Antique Power Inc

See the best price to sell, buy, or rent books by Thompson, Chris. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Thompson, Chris