“Enclosed in this beautiful package, please find: an agile mind, a perfect style, a canny and undeceivable heart, and a welcome, enduring presence in the reader’s life.” --Michael Chabon A portrait of a keen social observer at the center of the last 50 years of cultural life, captured through a vivid selection of O’Brien’s own writings on music to fashion to downtown art and, just as importantly and unexpectedly, the political temperature of America. Glenn O’Brien collaborated with visual artists, writers, fashion houses, and musicians throughout his almost 50-year career. Intelligence for Dummies gathers Glenn O’Brien’s essays, aphorisms and tweets, to create a portrait of the artist as cultural bellwether, complimented by artwork and photographs from his collaborators. A full color, hardcover edition, Intelligence for Dummies is a deeply personal aperçu into Patti Smith and Jean Michel Basquiat’s New York, and the culture of money that ensued. It also reveals O’Brien’s incisive and prescient understanding of America’s political culture, and of our current president.

Intelligence for Dummies: Essays and Other Collected Writings

Arts & Photography

O´Brien, Glenn

Individual Artists

ZE Books

Stay brings together nearly thirty years of work (poetry, memoir, essays, interviews, plays, film), in a mixed-media retrospective that shows nothing is created in isolation. Threads in the artist’s life are presented alongside many of the artistic collaborations that have led to―or come out of―his own work, including a selection of images from an ongoing daily collage practice, which Flynn considers a type of meditation. Like Flynn’s life, Stay is populated by examples of his collaborations with artists he has worked with since the 1980s: Amy Arbus, John Baldessari, Guy Barash, William Blake, Robert De Niro (performance), Marilyn Minter (photograph), Josh Neufeld (comic art), Catherine Opie (photograph), Sarah Sentilles (drone alert sutras), Bill Shuck (installation), Paul Weitz (film). A full color, hardcover edition, Stay is a wide-ranging and personal journey through the public and private spaces of an artist at the peak of his powers.

Stay: threads, conversations, collaborations (ZE Series, 2)

Flynn, Nick

"Bradshaw was a famously charming man, and his lounge-lizard urbanity fully suffuses his prose. This new anthology is a necessary book for all men and women of letters." --Martin Amis A collection of magazine writer Jon Bradshaw's essential writings,The Ocean is Closed rediscovers a memorable talent, and offers us a shadow reality to the established literary canon of the mid-century. With droll wit and keen intelligence, Bradshaw's cinematic prose brings the '70s to vibrant life--from the lurid pick-up scenes at hotspots like Maxwell's Plum in New York, and the Beverly Hills Hotel in L.A., to full-bodied portraits of literary figures such as W.H. Auden and Tom Stoppard; affectionate profiles of hustlers and con men such as Bobby Riggs and MinnesotaFats, to chilling reportage about street gangs in the Bronx, terrorism in Germany, and mercenary freedom fighters in India. Jon Bradshaw, a man of tremendous personal charm, good humor and rugged beauty, was a literary concoction of his own devising: the magazine writer as world-weary traveler and man about town. Adored by British royalty, magazine editors, movie executives, and professional mercenaries, alike, Bradshaw first made a splash in London during the Swinging Sixties. Pals with the likes of Anna Wintour, Timothy Leary, Gore Vidal, and Martin Amis, his career flourished at a time when magazines wereat the center of the cultural conversation, delivering stories that were talked about for weeks. For twenty years, he cut a distinct figure in this world, before his untimely death. A forgotten master of longform magazine writing, Bradshaw is ripe for rediscovery as one of the sharpest chroniclers of his age.

The Ocean Is Closed: Journalistic Adventures and Investigations (ZE Series, 3)

Biographies & Memoirs

BRADSHAW, JON

Arts & Literature

"What is in the bag behind the Devil's chair? Knowledge of some kind? Surely something a little girl did not know should be left alone. I've been criticized-- and sometimes admired--for what some readers see as my affinity with cruelty, both in my depictions of it and my supposed infliction of it on characters." InThe Devil's Treasure--aptly subtitledA Book of Stories and Dreams--the iconic author Mary Gaitskill has created a chimerical hybrid of fiction, memoir, essay, criticism, and visual art that transcends categorization. This collage of four novels (one a work in progress), interspersed with and thematically linked by a single short story, then woven together with the author's commentary, is a kind of director's cut revealing the personal and societal forces that inform each individual piece of work, an ongoing, passionate exploration of core human emotions and experience, the ideally, sometimes quixotically high and grossly, confusedly low. With the stylistic daring and preternatural acuity that has made her one of America's most original writers, Gaitskill has created a layered vision of modern life that simultaneously blends the huge prehistoric creatures that swim at the bottom of our collective ocean with a family that picnics on the beach while a podcast natters about politics and a perhaps dangerously curious child explores the lappingwaves.

The Devil's Treasure (ZE Series, 4)

Literature & Fiction

GAITSKILL, Mary

United States

LOG (March 22, 2019–May 17, 2020), produced daily over a period of fourteen months, is a collection of drawings, quotations, collages, photographs, casual commentaries, notes on news and weather events, and original texts by Roni Horn. Known for conceptually oriented work in diverse media, Horn continues her exploration of identity and difference in LOG.\nThe collection, with its 406 drawings, ranges from the humorous and strange to the sublime and disturbed. Lodged in this context is the complexity of daily, lived experience.\nThe dates LOG records encompass the mundane scroll of life, the global pandemic’s early days, a political system in breakdown, local bird and animal life, and radical changes in weather. It also includes more formal texts and drawings, some becoming leitmotifs threaded throughout the work.\nLOG transforms personal experience into an emotionally profound and unusual visual engagement. First exhibited in New York City in early 2021, this is a beguiling and immersive body of work that invites repeated viewing.

Log: March 22, 2019 - May 17, 2020

Horn, Roni

Vogue's Best Books of Summer 2021 "Everyone had a clearer vision of my body than I did. It didn't feel as if my body was really mine..." At age fourteen, Jonathan Wells weighs just sixty-seven pounds, triggering a scrutinizing persecution of his body that will follow him into adulthood. Upstate New York in the 1970s: A boy in preparatory day school suffers a harrowing attack by a teacher offended by his failure to put on weight. For the first time in his young life, Jonathan Wells is forced to question his right to take up space in the world. Jonathan's father, reading his weight as a clear and deeply concerning deficit of masculinity, creates a workout regimen meant to bulk him up. When that doesn't help, he has Jonathan seen by a slew of specialists, all claiming heis in perfect health, and yet the problem cannot be denied: the boy is simply too skinny. Jonathan's complicated relationship with his charming but elusive mother does not help matters. As the eldest son, he is privy to the struggles of a fraying marriage in which he, unwittingly, plays a divisive role. As a result, Jonathan is sent to boarding school in Switzerland, where he manages to establish an identity of his own among the child exiles and outcasts that make up the student body. And yet, his father's obsession follows him to Europe, threatening to destroy the space hehas painstakingly won for himself. The critically acclaimed poet and author of the collectionDebris, Jonathan Wells gives us a candid, powerful, and quietly humorous memoir about the universal exploration of adolescence and self-image, the frailty of masculinity, and all the places we seek comfort in a world that tries to define us.

The Skinny

Wells, Jonathan

Review\n“These photographs, this story, they are hard to deal with, yet one goes back to the pages, because we have the freedom to turn away from the tragedy, but the family and friends of Tyler Kobe Nichols do not. Their tributes are eloquent, as is the testimony in their faces. This is not black-on-black crime, this is the American way of death, as Ostrander’s haunting work so powerfully tells us.” —Darryl Pinckney, Author of High Cotton and Black Deutschland\n“This engrossing book reminds us how often such stories are ignored or overlooked. A loss so inexplicable might be forgotten by all but those who knew Tyler Kobe Nichols without these images and testimonies. The empty living rooms, barber’s chairs and neighborhood corners are filled with his presence. He is alive in the lives he touched. He is alive in us. I keep thinking about the condolence card from his mother’s co-workers. We people who did not know him have a chance to know him here. Our sympathies become commemorations; our prayers become praise songs. We are given the gift of witness.” —Terrance Hayes, Poet\n“How can we do justice to a gentle, openhearted 21-year old who was violently, randomly murdered? How can the particulars of his life and character outlast the horror of his death? Photographs often seize on extremities: the ugly evidence of the crime, the uncontainable grief of friends and family. What Spencer Ostrander gives us instead is a quiet space where each mourner thinks and remembers, confronts and yields to loss, hour by hour and day by day. Here is the evidence of things seen, known, and loved: Tyler’s playground basketball hoop; Tyler’s face tattooed on the arms of family and friends; the red barbershop chair where he got his last haircut; the memorial candles glowing softly; a cousin touching a picture frame as if his hand could bestow life on Tyler’s image. Death imposes solitude on every mourner—we each bear the burden of loss alone. And yet, as we turn the pages of this quietly powerful book, we also feel the collective sorrow of this family. Their closeness. Their valor in accepting the burdens and range of grief. Ostrander does not let us presume. He lets us honor their mourning with empathic respect.” —Margo Jefferson, Pulitzer Prize for Criticism and author of Negroland\n“On the eve of Christmas Eve...” Paul Auster writes, “Tyler Kobe Nichols collapsed onto the sidewalk with three knife wounds in the front of his torso and one in the back.” 
His death soon followed. With it, the twenty-one-year-old joined the ranks of young people killed by senseless violence in America. Tyler’s death warranted just two paragraphs in the New York Daily News. And yet with each death, a new story begins that is rarely if ever told; one that centers around the fallout from traumatic loss. This story, as Tyler’s mother Sherma Chambers keenly observes, is generational, with no clear end in sight. 
Long Live King Kobe began with a mistake. Photographer Spencer Ostrander had arrived at the funeral for Tyler believing he was a victim of gun violence, and hoping to include him in an ongoing project Ostrander had created to document the lives of gun victims. Instead, he met Sherma Chambers, and a week later a collaboration, which soon included Paul Auster, had begun--one in which a pair of strangers would join a family in their sorrow. 
Thanks to the generosity of the entire Nichols/Chambers family, Long Live King Kobe invites us to join them in their intimate grief in the weeks that followed Tyler’s death. The family’s response to his murder, including their creation of a foundation dedicated to counteracting street violence with love, is one that presents their tragedy as a means for our society to grow. 
Long Live King Kobe offers a privileged journey into the power of community for all who have felt outrage, confusion, sadness, and deep despair at the epidemic of violence in our country. It also provides reason to hope. The Long Live King Kobe

Long Live King Kobe: Following the Murder of Tyler Kobe Nichols

AUSTER, PAUL.

Parenting & Relationships

"One of the most original, amazing stories I've ever read" (Mary Gaitskill), iconic rock-and-roll musician Adele Bertei's memoir Twist is her harrowing and electric story of transforming trauma through art, pluck, and imagination, as told through the inimitable voice of her young alter ego, Maddie Twist.&nbsp; From iconoclastic writer and musician Adele Bertei comes a wholly original hero's journey that wages war on the cliché of the "misery memoir." Set in a 1960s and '70s American neighborhood rife with poverty and violence, fatherless Irish mothers and Italian mobsters, and women crucified into madness by misogyny, Bertei speaks through her electrically alive avatar Maddie Twist to flip the victim script. Through her unshakable belief in imagination, poetry, music, and community, she transforms trauma into survival. The immediacy of Maddie's voice is a revelation, providing insight into long-enduring systemic problems without the scrim of adult analysis. In an age of lies and obfuscation, Twist is a sharp yet tender arrow to the heart of naked truth.&nbsp; Bertei reveals what it's like to be a queer teen at a time when discovery could be fatal. Maddie peers deeply into the American psyche, refusing to consent to the systems of harm. Along the way we encounter an unforgettable schizophrenic mother, Catholic saints, West Side Story and Oliver!, poet killers, the abyss of rape, girl-gangsters and faux-pimps, teenage lesbian sex, racial tensions and misconceived divides, a drag family known as the Holy Maudlins, Vietnam vets in dark and light, cabaret, true family, rock and roll. And the ultimate saving grace: love.&nbsp; A compelling personal history of queer culture from a working-class view and a glimpse into worlds yet unseen, Twist is good medicine: for readers who've experienced similar traumas, for teens caught in the foster care system, for the formerly incarcerated looking for hope, for writers grappling with how to tell their own stories. Most of all, it's for everyone seeking transportive experiences in art and on the page.

Twist: An American Girl

Bertei, Adele

Foreword by the Honorable Ras J. Baraka, 40th Mayor of Newark, NJ. July 1967. After the arrest, beating, and imprisonment of cab driver John Smith by local police, the city of Newark--already a tinderbox, became a hotbed of protest and retaliation. Over five long days, 26 people were killed by police gunfire and hundreds more were injured, thousands arrested, and millions of dollars in property damage was caused. The scars on the city remained for decades.&nbsp; Bud Lee, a 26-year-old novice photographer for Life magazine, was shooting a portrait of a Wall Street stockbroker when a call came in requesting he leave immediately to cover the civic uprising in Newark, which had already been raging for two days. Lee and Life magazine reporter Dale Wittner arrived in the city late on 14th July. What they found was a majority Black population--already living in deprivation under a thoroughly corrupt local government, and a vicious, authoritarian police force--struggling to maintain some semblance of normalcy under extraordinary circumstances: stores burnt and looted; a city under siege by trigger-happy city and state police; and the young, inexperienced, and exhausted National Guardsmen, sent to patrol it day and night.&nbsp; The War Is Here documents the several days Bud Lee spent in Newark. These photographs, most of which have never been published, capture life in a city transformed into an urban war zone and killing ground, something Lee would witness first-hand on seeing two policemen shoot a man named Billy Furr in the back, murdering him in cold blood. This, Lee captured in a dramatic sequence of images that ran in Life.&nbsp; The same bullets also hit and wounded a 12-year-old boy named Joey Bass Jr., who had been playing at a nearby intersection. Lee's stark, emotional image of Bass, lying bleeding and contorted in pain on dirty concrete, ran on the July 28, 1967 cover of Life, sparking a national conversation on race and police violence, and becoming the defining image of the 'long, hot summer' of '67--a summer of fire and fury, protest and rage across the country. Over half a century later, Bud Lee's raw, desolate, and empathetic photographs of the people of Newark, at a turning point in the city's history, continue to resonate: a testament to their resilience and fortitude.

The War Is Here: Newark 1967

Photography & Video

From acclaimed poet and memoirist Jonathan Wells comes a raucous and aching New York novel about family derangement, Boomer laments and youthful revolt, rock and roll, and the sacrifices we make for what we love.&nbsp; Benjamin and Dita Stern are seasoned New Yorkers whose life in the pre-war, Upper East Side building Benjamin's grandfather built has settled into stasis--two children no longer at home, professional lives never fully realized. Then Benjamin's brash younger brother Spence, founder and CEO of the hearing aid company Belphonics, asks him to collaborate on a new product line inspired by the brothers' rock-and-roll youth at CBGB--the club where, Spence believes, his hearing was permanently damaged. If the idea works, it might salvage Benjamin and Dita's tenuous financial position. Yet they both know that getting involved in Spence's schemes comes at a high price.&nbsp; That same evening, with the Sterns' daughter Alessandra over for dinner, Benjamin's news is upstaged by the startling appearance of their son, Giorgio, whose violent adolescent behavior resulted in his being sent away for most of high school. Now seventeen, he is adrift and still a very troubled young man. As Benjamin and Dita reckon with their parental choices, Giorgio takes the reins of his own story, and we learn not only that his name is not, in fact, Giorgio, but also the extent to which all the Sterns share some measure of responsibility for his plight.&nbsp; A funny and deeply felt debut novel from poet and memoirist Jonathan Wells, The Sterns Are Listening explores a family on the verge of both collapse and regeneration. Brimming with affection for its troubled characters and the troubled city they call home, the novel traces a courageous path to the deeply uncomfortable heart of the matter, one that just might lead to redemption.

The Sterns Are Listening

Literary

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