Book by Sussman, Elisabeth, Golden, Thelma, Hanhardt, John, Phillips, Lisa

1993 Biennial Exhibition (Whitney Biennial)

Arts & Photography

SUSSMAN, Elisabeth

Collections, Catalogs & Exhibitions

Whitney Museum

Published to accompany a 1992-93 exhibition held at the Whitney Museum of American Art, New York, this book deals with the full scope of Agnes Martin's art. It includes essays that place her work in the context of American and European 20th-century art and culture. Agnes Martin's paintings, constructions, and works on paper provide a link between the chromatic abstraction of artists such as Mark Rothko and Barnett Newman, her generational and ideological peers, and the Minimalist vocabulary of the 1960s. This book reproduces works made between 1957 and 1967, and better-known paintings and constructions created since 1974. A selection of Martin's writings reveals the spiritual philosophy that sustains her painting.

Agnes Martin

HASKELL, Barbara

History & Criticism

A catalog of an exhibition that surveys the work of the American artist.

Jean-Michel Basquiat

Marshall, Richard

Edward Mitchell Bannister, 1828-1901

Corinne Jennings

Individual Artists

A Whitney Museum of American Art Book Since 1932, the Whitney Museum's Biennial Exhibitions have counted among the milestones in the history of American art and have played a leading role in presenting vanguard developments in art to the general public. Countless prominent artists have made their museum debut at these diverse surveys of painting, sculpture, works on paper, film and video, performance, and installation. 
For the eagerly awaited first Biennial of the new millennium, the Whitney has assembled a versatile team of curators from around the nation to select and invite the participating artists. Once again, the Whitney will help to establish a critical perspective on the latest creative achievements by American artists. 
250 illustrations, 150 in full color, 9 x 10 1/2" 
MAXWELL L. ANDERSON is director of the Whitney Museum of American Art, New York; MICHAEL G. AUPING is chief curator, Modern Art Museum of Fort Worth; VALERIE CASSEL is director of the Visiting Artists Program, School of the Art Institute of Chicago; HUGH DAVIES is director, Museum of Contemporary Art, San Diego; JANE FARVER is director of the List Visual Arts Center at MIT, Cambridge, Massachusetts; ANDREA MILLER-KELLER is an independent curator based in Hartford, Connecticut; and LAWRENCE R. RINDER is director, CCAC Institute, California College of Arts and Crafts, San Francisco and Oakland. 
EXHIBITION SCHEDULE Whitney Museum of American Art, New YorkMar. 23-June 4, 2000

Whitney Biennial: 2000 Exhibition

Anderson, Maxwell L. et al.

Winslow Homer is considered among the greatest American artists of the nineteenth century. This book examines the immensity of Homer's artistic accomplishments, focusing not only on his masterpieces in various media but also on the suites of works on the same subject that reflect the artist's essentially modern practices of thinking and working serially and thematically.

Winslow Homer,

Homer, Winslow

Robert Irwin

Irwin,Robert

James Turrell, light & space: An exhibition

TURRELL, James & HASKELL, Barbara, et al.

Sculpture

[publisher: Whitney Museum of American Art,, NY:] First Edition Exhibition catalog. Black and white photographs throughout. First edition (paperback). From Wikipedia:"Ellsworth Kelly (born May 31, 1923) is an American painter, sculptor, and printmaker associated with hard-edge painting, Color Field painting and the minimalist school. His works demonstrate unassuming techniques emphasizing simplicity of form, similar to the work of John McLaughlin and Kenneth Noland. Kelly often employs bright colors. He lives and works in Spencertown, New York."

Ellsworth Kelly: Sculpture

Art - Kelly, Ellsworth

1987 Biennial exhibition, Whitney Museum of American Art, New York

Phillips, LIsa

Hanhardt, John G.

Armstrong, Richard

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