Africa's Age of Improvement (Inaugural lectures / University of Birmingham)

A G Hopkins

University of Birmingham

Body of Words: A Reading of Belyi's "Kotik Letaev"

Reference

Molnar, M.

Foreign Language Study & Reference

158p paperback, numerous colour and halftone plates, clean pages, firm binding, a firm and clean copy

The Barber Institute of Fine Arts Handbook

Arts & Photography

Spencer-Longhurst, Paul

Collections, Catalogs & Exhibitions

Kurt Jooss 60 Years Green Table Proceedings Conference Held at University Birmingham 17 19 October 1992 Studies in Drama Dance

Adamson, Andy

Lidbury, Clare (Eds)

Mathematical Puzzling: Maths and Games for All

Humor & Entertainment

Anthony Gardiner

Puzzles & Games

Atlas of Hep-2 Patterns: & Laboratory Techniques

Science & Math

A.R. Bradwell

Chemistry

The early decades of the twentieth century were particularly chaotic in Greece, but gave rise to the major work of Kostas Karyotakis (1896-1928), a poetry both lush and precise, both tragic and ironic. sometimes considered post-Romantic or an heir to the symbolists, sometimes as either a modernist or a pre-cursor of th post-modern, Karyotakis fits uneasily into our categories. He created an art that, though rooted in the personal and the political, moves far beyond the boundaries of his own life and time. In this work poetry is the necessary but reluctant, almost involuntary response to the swirl around us. "We are just some battered guitars," he wrote. "When the wind blows over us,/it awakens verses and dissonant sounds/on strings that droop like watch chains."

Battered Guitars: Poems and Prose

Kostas Karyotakis

Κώστας Καρυωτάκης

Northernlights: Swedish Landscapes from the National Museum, Stockholm

SACRED AND PROFANE TREASURES OF ANCIENT EGYPT FROM THE MYERS COLLECTION, ETON COLLEGE AND UNIVERSITY OF BIRMINGHAM.

Eurydice Georganteli

Serum Free Light Chain Anaylsis (plus Hevylite)

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Books by University of Birmingham