Dibdin's Bibliomania is an anthem to the printed book, a warning to the unwary about the perils of obsessive book-collecting, and the confessions of a rabid book-collector. As a casual glance at the book will show, Dibdin's footnotes predominate over text, and it is in the footnotes that the interest lies. They invite questions as often as they answer them. What is the supposed similarity between 'Orator' Henley's library and Addison's memoranda for the Spectator? What cutting words did Edward Gibbon write about Thomas Hearne? Why should we not be surprised to find a book on American history by a Spanish admiral in the library of the President of the Royal Society? Who was Captain Cox who 'could talk as much without book, as any Innholder betwixt Brentford and Bagshot'? Was Polydore Vergil a plagiarist and John Bagford a biblioclast? What is bloterature? Sometimes Dibdin tells us, sometimes he assumes we know, and sometimes he chooses to tantalise us. The endnotes provide some of the answers and will, it is hoped, lead readers to discover new books and new writers, or, more often and more pleasurably, old books and old writers. This book is based upon Dibdin's first edition of 1809, to which have been added an introduction and eighty-five pages of valuable endnotes, mostly concerned with biographical details of the printers, librarians, bookbinders, writers, book-collectors and Bibliomaniacs to whom Dibdin refers. An appendix contains John Ferriar's Bibliomania, the poem which prompted Dibdin's work. There are also a substantial bibliography and index. This book will be invaluable to bibliographers, librarians, cultural historians and all those interested in books and book people. It gives a valuable insights into antiquarianism in general and book-collecting in particular. Dibdin's book ranges widely, from Juliana Barnes, Wynkyn de Worde, Michael Maittaire and the St Albans Schoolmaster, to Thomas Hope, Edward Rowe Mores, William Hunter and Horace Walpole. Many of his footnotes (which take up far more of the book than the text) contain details of the important book sales of the eighteenth and early nineteenth century to tantalise the reader: Caxton's Boke of Chivalrie selling for 11 shillings in 1756; Grenville's 1800 edition of Homer selling for an astounding £99 15s in 1804. Peter Danckwerts studied Book Publishing at Oxford Polytechnic, Bibliography & Textual Criticism at the University of Leeds, Mathematics with the Open University, and Medieval Studies at Birkbeck College, University of London. He is currently preparing an edition of Byron's English Bards and Scotch Reviewers for Tiger of the Stripe.

Bibliomania

Dibdin, T. F.

Reference

Tiger of the Stripe

The best portrait of Jay Landesman as a cultural conduit was written by Beat historian John Clellon Holmes, 'Most of the time, Landesman was that unique phenomenon in a status-drunk society: a man who knew that the only really hip style is the next one, the one that hasn't been established yet. In the late forties he shifted his attention to the popular arts without sacrificing his sense of the culture as a whole.' Landesman's significant contribution might be his originally conceived lifestyle which, set against the conformity of the Eisenhower years, places him at the heart of that group of 'movers and shakers' who permanently changed America's personal and artistic values. Tales of a Cultural Conduit takes us from Landesman's life as an antique dealer in St. Louis, to New York and his magazine Neurotica: the Authentic Voice of the Beat Generation and on to the Crystal Palace Cabaret Theater in St. Louis. where he invited then unknown artists to break in their act including Woody Allen, Barbra Streisand, and Lenny Bruce. 'The cocktail hour was orchestrated like an opera bouffe - music, booze and just the right mix of jarring people... Landesman produced Waiting for Godot instead of South Pacific and thus heralded the cultural renaissance, ' wrote Holmes. After a party that lasted ten years, the Landesmans headed for London, just as the place exploded into the kind of popular culture Landesman thrived on. While putting down permanent roots in England, he sent a manuscript, The Nervous Set, an exploration of life in New York in the 1950s, to Gershon Legman who urged him to publish it: 'It's a perfect portrait of the period which I do not believe has ever been portrayed at all, let alone so well.' And so it has to be included here, along with Landesman's reminiscences from birth to his very latest London tales, bringing his rare style full circle, proving that he continues to be a cultural conduit of an extraordinary kind.

Tales of a Cultural Conduit and The Nervous Set

Landesman, J

Biographies & Memoirs

Generations of students of English have benefited from the changes that Sweet wrought in the understanding of the historical and contemporary forms of the language.' Oxford Dictionary of National Biography This clear, concise and authoritative dictionary is the ideal reference for the student of Old English literature and language. Henry Sweet (1845-1912) was educated at King's College School, London, the University of Heidelberg and Balliol College, Oxford. He was an active member of the Philological Society and served as its president from 1876 to 1878. He was a member of the Royal Danish Academy and a corresponding member the Munich and Royal Prussian Academies of Sciences. Despite his outstanding intellectual abilities and talent for teaching, it was only in 1901 that he was given a readership in Phonetics at Oxford University. The character of Professor Higgins in Shaw's Pygmalion was partly based upon Sweet.

The Student's Dictionary of Anglo-Saxon

Sweet, Henry

Dictionaries & Thesauruses

Thompson's History of English Handwriting charts the development of the distinctive, and often very beautiful, English scripts, beginning with the introduction of half uncials by Irish monks in the seventh century. Although manuscripts from Rome and elsewhere on the Continent influenced English handwriting, it displayed unique characteristics which even the Norman Conquest did not completely obliterate. The basis of this book is a paper delivered to the Bibliographical Society in 1899 and printed in the Society's Transactions the following year. It has been revised by Gerrish Gray who has taken the opportunity to increase the number of illustrations from eighteen to forty-eight. Transcriptions have been added to eight of these, making the book a useful introduction to English palaeography. Sources of illustrations include Bibles, psalters, chronicles, charters and literary manuscripts. Sir Edward Maunde Thompson (1840-1929) was educated at Rugby and University College, Oxford. Lack of money forced him to leave the University without taking a degree, and in 1861 he found employment at the British Museum as assistant to Sir Anthony Panizzi, the Principal Librarian. He transferred to the Department of Manuscripts in 1862, being made Assistant Keeper in 1871. He was made Keeper of Manuscripts in 1878 and Principal Librarian in 1888. His highly-regarded Introduction to Greek and Latin Palæography was first published in 1893 and revised in 1912.

The History of English Handwriting Ad 700-1400

Thompson, Edward Maunde

Thompson, E. M.

Words, Language & Grammar

The Ecclesiastical History of the English People

The venerable Bede (AD 672-735) was not the first historian of the British Isles, but he was the first to to list and master his documentary and oral sources. For a man who travelled little, he showed a great depth of understanding about the outside world, informing himself by commissioning others to copy documents in the Papal Regista and various episcopal and monastic archives. This new edition has been carefully revised by Gerrish Gray and is beautifully typeset in Bembo type.

History

Bede

Europe

'If the editor has allowed himself to become as Dibdinesque as his subject, then it is all part of the fun of a work where references and citations run back and forth like so many ink rollers on a printing press.' - Rare Book Review 'a usefully annotated edition' - Financial Times

The Bibliomania or Book-Madness

Crafts, Hobbies & Home

Antiques & Collectibles

The book usually known as Kennedy's Revised Latin Primer has remained, with good reason, the pre-eminent Latin reference grammar in British schools and universities for many decades. Kennedy's New Latin Primer from Tiger Xenophon is the first entirely new edition in two generations, and the first to be offered in a form suitable for the American market. As well as clearer and more legible typography, this new edition has been modernized for today's readers. In earlier editions the English was occasionally almost as alien to the novice as the Latin - with, for instance, quocumque being translated as t soever. This and many other relics of a bygone age have been revised without the "dumbing down" which afflicts so many modern textbooks. The sections on pronunciation have been revised to reflect modern scholarship.

Kennedy's New Latin Primer (English and Latin Edition)

Gray, Gerrish

Although it has no modern descendants, Gothic is a language of considerable importance in the study of the Germanic languages, including English. The surviving texts consist mostly of the New Testament translations commissioned by the fourth-century Bishop Wulfi la (Ulfi las). This classic grammar contains extracts from these texts. Joseph Wright (1855-1930) started work at the age of six as a donkey-boy in the local stone quarry. The next year he went to work in a woolen mill. During the Franco-Prussian War of 1870, Wright tired of relying on his literate workmates for news and taught himself to read. Soon he was attending night school, and he later started his own night school, the money from which supported his study of Mathematics and German at the University of Heidelberg. After further studies at London, Heidelberg and Leipzig, he became a lecturer at Oxford, and eventually Professor of Comparative Philology. Among his many books was the English Dialect Dictionary.

Grammar of the Gothic Language (English and Gothic Edition)

Wright, Joseph

Language Study & Reference

The present dialects of Italy are descendants of Latin. But in nearly all regions it was a Latin influenced in its vocabualry and pronunciation by the earlier linguistic habits of the populations that had adopted it. These peoples contain a strong admixture of Ligurian, Gallic, Illyrian, Greek and Phoenician nationalities, and of Italic tribes whose native tongue was related to Latin, for instance, Umbrian and Oscan. Professor Grandgent presents a fascinating account of the early development of the Italian language which will be of particular interest to linguists and medievalists. Charles Hall Grandgent was a professor at Harvard from 1896 to 1932. He was highly regarded as a Romance linguist and authorityon Dante. He was also a leading expert on American English dialects.

From Latin to Italian: An Historical Outline of the Phonology and Morphology of the Italian Language

Grandgent, Charles H

Goodwin's Greek Grammar is one of the most authoritative texts on Classical Greek. It is both comprehensive and exceptionally accessible, making it suitable for use in schools as well as universities. After graduating from Harvard, William Watson Goodwin gained a PhD from Göttingen. He later received honorary degrees from Oxford, Cambridge and Edinburgh. He was Eliot Professor of Greek Literature at Harvard.

A Greek Grammar (Greek Edition)

Goodwin, William Watson

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