Snoring From A to ZZZZ: Proven Cures for the Night's Worst Nuisance

<p>Explains how snoring is produced and what makes it worse, and discusses when to seek medical help and what kinds of treatments are available</p>

Snoring from A to ZZzz: Proven Cures for the Night's Worst Nuisance

Health, Fitness & Dieting

Lipman, Derek S., M.D.

Lipman, Dered S.

Diseases & Physical Ailments

Spencer Pr

<p>The first book on snoring and sleep apnea, by a medical expert, from causes to cures!</p>

Derek S. Lipman MD

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Outlines of Social Theology

Hyde, William DeWitt

Religion & Spirituality

The psychology of music aims to explain and understand musical behaviour and musical experience. A must read for all fans of music as a complete experience and science. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Psychology of Music

Arts & Photography

Seashore, Carl E.

Music

A Short History of England

History

CHESTERTON, G.K.

Europe

Essays Upon Some Controverted Questions

Literature & Fiction

Huxley, Thomas Henry

Literary

Hume, With Helps to the Study of Berkeley: Essays

Biographies & Memoirs

The Abolition Crusade and Its Consequences: Four Periods of American History

Herbert, Hilary A.

Psychology Of Music

PSYCHOLOGY OF MUSIC by CARL E. SEASHORE. Origianlly published in 1919. Preface: In a series of reports from the laboratory-studio for the Psychology of Music, Carl E. Seashore has presented to Journal readers specimens of scientific findings dealing with various phases of the psychology of music. Appearing in the October issue of the Journal will be the tenth in a series, which will deal with the problem of the tempered scale a , is a monograph which marks a ne v vantage ground in the psychology of music. It covers a restricted field in which it has permanent value and should, therefore, not be revised, but supplemented. In the present volume, I have aimed to avoid duplication of that work to which this is a logical sequel. Concentration in this field of work has been favored by a generous attitude on the part of the University of Iowa toward this project and through a series of generous fellowships provided by Mr. George Eastman, the National Research Council, the Guggen heim Foundati

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Books by Spencer Pr