Famously adapted into the iconic film starring Michael Caine, Get Carter—originally published as Jack’s Return Home—ranks among the most canonical of crime novels.
With a special Foreword by Mike Hodges, director of Get Carter
It’s a rainy night in the mill town of Scunthorpe when a London fixer named Jack Carter steps off a northbound train. He’s left the neon lights and mod lifestyle of Soho behind to come north to his hometown for a funeral—his brother Frank’s. Frank was very drunk when he drove his car off a cliff and that doesn’t sit well with Jack. Mild-mannered Frank never touched the stuff.
Jack and Frank didn’t exactly like one another. They hadn’t spoken in years and Jack is far from the sentimental type. So it takes more than a few people by surprise when Jack starts plying his trade in order to get to the bottom of his brother’s death. Then again, Frank’s last name was Carter, and that’s Jack’s name too. Sometimes that’s enough.
Set in the late 1960s amidst the smokestacks and hardcases of the industrial north of England, Get Carter redefined British crime fiction and cinema alike. Along with the other two novels in the Jack Carter Trilogy, it is one of the most important crime novels of all time.

Get Carter (The Jack Carter Trilogy)

Literature & Fiction

Lewis, Ted

United States

Soho Syndicate

With an Introduction by Max Allan Collins The author of Get Carter returns to his greatest invention, a smooth-operating hardcase named Jack Carter, who is about to burn a city down in order to silence an informant London. The late 1960s. It's Christmastime and Jack Carter is the top man in a crime syndicate headed by two brothers, Gerald and Les Fletcher. He’s also a worried man. The fact that he’s sleeping with Gerald’s wife, Audrey, and that they plan on someday running away together with a lot of the brothers’ money, doesn’t have Jack concerned. Instead it’s an informant—one of his own men—that has him losing sleep. The grass has enough knowledge about the firm to not only bring down Gerald and Les but Jack as well. Jack doesn’t like his name in the mouth of that sort. In Jack Carter’s Law Ted Lewis returned to the character that launched his career and once again delivered a hardboiled masterpiece. Jack Carter is the ideal tour guide to a bygone London underworld. In his quest to dismantle the opposition, he peels back the veneer of English society and offers a hard look at a gritty world of pool halls, strip clubs and the red lights of Soho nightlife.

Jack Carter's Law (The Jack Carter Trilogy)

With an Afterword by Nick Triplow 
Published in North America for the first time—the final novel featuring Jack Carter (Get Carter, Jack Carter’s Law) has London’s slickest operator journeying to a Spanish villa to protect a wise-cracking Italian-American mobster.Jack Carter is not thrilled when his frustratingly unprofessional employers—London mob kingpins Gerald and Les Fletcher—force him to take a vacation. Jack doesn’t like leaving the business in other people’s hands, but the company villa in Spain promises sunshine and some time to plot his next move. Jack soon finds he is on anything but a vacation. The villa is already inhabited by a cowardly house steward and a knuckle-dragging American gangster. Jack has apparently been sent to protect the American, who has turned informant. There are few things that Jack Carter hates more than surprises. Informants being chief among them.

Jack Carter and the Mafia Pigeon (The Jack Carter Trilogy)

Genre Fiction

Five acclaimed novels from the Golden Age of Suspense, including the Edgar Award-Winning Novel Beast in View Introduction by Tom Nolan In 1950s America the men are back to work and the women are home raising a new generation. The war is over and the boom is on. Everyone is happy. It is to this myth of the perfect American family that novelist Margaret Millar applied her scalpel. This volume includes five of Millar’s novels of the 1950s, among her best-known works of literary suspense as well as some of the most compulsively readable, please-leave-a-light-on thrillers ever put to paper. VANISH IN AN INSTANT (1952) In this classic noir tale of blurred guilt and flawed innocence, a cynical lawyer uncovers the desperate lives of a group connected only by a gruesome murder. WIVES AND LOVERS (1954) A sincere and compassionate novel about the complications of married life, and the love, loathing, pain, loyalty, disappointments and friendship that grow out of a marriage. BEAST IN VIEW (1955) – Winner of the Edgar Award for Best Novel Hailed as one of the greatest psychological mysteries ever written and winner of the 1956 Mystery Writers of America Edgar Award for Best Novel, Beast in View remains as freshly sinister today as the day it was first published. AN AIR THAT KILLS (1957) When Ron Galloway never arrives at a boys' weekend fishing retreat, it becomes increasingly clear that something terrible has befallen him. Was he a victim of his own lust? Or of someone else's greed? THE LISTENING WALLS (1959) In this suspenseful masterpiece about corrupted love, Rupert Kellogg's wife, Amy, goes missing after an ill-fated trip to Mexico—and Rupert becomes the focus of a paranoid investigation.

Collected Millar: The Master at Her Zenith: Vanish in an Instant; Wives and Lovers; Beast in View; An Air That Kills; The Listening Walls

Millar,margaret

Four legendary novels of suspense from Mystery Writers of America Grandmaster and Los Angeles Times Woman of the Year, Margaret Millar The four novels in this collection straddle one of the most tumultuous decades of the 20th century and display Millar’s uncanny ability to craft truly disturbing suspense fiction while still addressing social issues. Complex discussions of feminism, child abuse, and racism blend seamlessly into four of the most chilling tales ever told. A STRANGER IN MY GRAVE (1960) A young housewife named Daisy Harker's world is upended when a blank spot in her memory and a reoccurring nightmare link her to an unsolved murder and a decades-old conspiracy. HOW LIKE AN ANGEL (1962) California cultists, duplicitous damsels in distress, and dangerously high stakes conspire against Joe Quinn, a private eye who is beginning to feel more like a knight-errant. THE FIEND (1964) A young girl is at risk this tense and disturbing page-turner that reveals a web of domestic abuse among a disparate cast of middle class Americans. BEYOND THIS POINT ARE MONSTERS (1970) The investigation into the disappearance of a wealthy California rancher brings to light the secrets of a whole community this a haunting and complex masterpiece of suspense.

Collected Millar: Legendary Novels of Suspense: A Stranger in My Grave; How Like An Angel; The Fiend; Beyond This Point Are Monsters

Fast talking Tom Aragon, a Mexican-American lawyer turned private investigator, finds himself investigating a trio of missing persons’ cases in the always bizarre California hills. One of Millar’s few reoccurring characters and her only foray into the tradition of Chandler and Hammett, Tom Aragon, ranks among her best creations. A sarcastic but talented young lawyer with a few rough edges, Aragon finds himself navigating one entitled nest of vipers after another, not to mention racial prejudice, in three of Millar’s most unusual stories. Ask for Me Tomorrow (1976) Gilda Decker needs a new bag, what with her second husband being suddenly crippled and her ex-husband hiding himself and his money somewhere in the hinterlands of Mexico. Gilda's recently retained lawyer, Tom Aragon, Mexican himself, is the best man for the job. But the deeper Aragon digs into her ex-husband's past the more dangerous his job becomes. The Murder of Miranda (1979) Miranda Shaw and Grady Keaton should have made for a run-of-the-mill scandal at the prestigious Penguin Beach Club. Shaw, a recently widowed woman of fifty, was seen leaving the club with Keaton, a ruggedly handsome lifeguard half her age. When Miranda and Keaton go missing, the widower’s lawyer sends his handiest man to find out where they’ve wandered off to. The clues come one stranger than the next for Tom Aragon in this often-hilarious novel of folly among the California elite. Mermaid (1982) Cleo Jasper is as beautiful as she is simple-minded—and now, she’s missing. Her doting brother will stop at nothing to find his defenseless sister, who fears the worst. Enter Tom Aragon, who is retained to track her down and return her to safety. Aragon soon realizes that he has once again found himself in over his head when Cleo's friend turns up dead amidst a sea of somewhat dubious suicide notes.

Collected Millar: The Tom Aragon Novels: Ask for Me Tomorrow; The Murder of Miranda; Mermaid

Collected for the first time: Five novels that defined the domestic crime story and announced Margaret Millar as a writer for whom no subject was taboo. A grim locked room mystery doubles as brilliantly funny comedy; a nuanced portrait of a marriage rocked by paranoia and loneliness; an examination of a deeply flawed mother’s psychology–and its deadly consequences; a chilling noir tale about the value—or lack thereof—of a human life; and the quintessential Hollywood tale about an aging actress and the chaos that follows her unlikely demise. Humor, politics, chilling psychological insight and the outright macabre are all on display in these novels, which were formative both for the author and the generations of writers who followed her. Fire Will Freeze (1944) A locked-room mystery in which a bus filled with ski enthusiasts breaks down in the middle a blizzard, sending a mismatched group of strangers out into the night to find shelter from the storm. Experiment In Springtime (1947) A poignantly observed story of an unfortunately entered marriage, a novel that scrapes away the veneer of domestic bliss to reveal the heartbreaks, neuroses, and dissatisfactions of the mythical post-WWII nuclear family. The Cannibal Heart (1949) A deeply unsettling depiction of a mother who both resents her special needs child and covets the neighbor’s young daughter. Do Evil In Return (1950) Perhaps Margaret Millar’s most controversial book, a perfectly plotted noir that tackles abortion and the hypocrisy of the laws governing a woman’s body. Rose's Last Summer (1952) In this quintessential Hollywood story—clever, humorous, and thoroughly Hitchcockian—a faded actress’s death sows chaos among a quirky set of characters.

Collected Millar: The Dawn of Domestic Suspense: Fire Will Freeze; Experiment In Springtime; The Cannibal Heart; Do Evil In Return; Rose's Last Summer

Margaret Millar started her brilliant writing career with novels featuring two very different detectives: the psychologist Dr. Paul Prye and Inspector Sands of Toronto’s police department. The two couldn’t be more different. Dr. Paul Prye is a hero of the Oscar Wildean line whose psychological insight into human nature is rivaled only by his biting sarcasm and penchant for quoting poetry at inappropriate times. The stern Inspector Sands, on the other hand, is as dry and affectless as he is dogged and intelligent. PSYCHOLOGIST PAUL PRYE The Invisible Worm (1941) Margaret Millar’s debut novel introduces psychiatrist Dr. Paul Prye, a cynical man of reason with a penchant for quoting William Blake and making enemies. When Prye finds himself first the suspect in a murder case and then the target of a murderer, he quickly sets his powerful mind to the task of solving the case. The Weak-Eyed Bat (1942) The poetry-quoting psychologist Paul Prye finds his lakeside vacation to Muskoka, Ontario, interrupted by nosey locals, and vacation only becomes less relaxing when the free-spirited teenage daughter of a local classics professor disappears. The Devil Loves Me (1942) Psychologist-detective Paul Prye is getting married—or at least he would be if one of the bridesmaids didn't collapse in the middle of the ceremony. It's a case of poison—Prye knows because when he goes to look for the ring he find instead a note left by the would-be murderer. INSPECTOR SANDS Wall of Eyes (1943) Millar’s thoroughly stoic hero Toronto detective Inspector Sands uncovers a conspiracy while investigating a years-old car accident after the blind survivor claims that someone is trying to kill her. The Iron Gates (1945) Fifteen years ago, Toronto’s Inspector Sands arrived at the Morrow family mansion as a rookie cop assisting in the investigation of the never-to-be-solved murder of Mrs. Morrow. Now the second Mrs. Morrow, Lucille, has gone missing. Sands sets himself to unravel not only the disappearance but the cold case murder as well.

Collected Millar: The First Detectives: The Invisible Worm; The Weak-Eyed Bat; The Devil Loves Me; Wall of Eyes; The Iron Gates

A treasure trove of Millar rarities join her final novels to form a collector’s dream anthology. Perhaps no other installment in Collected Millar displays the staggering variety of form and ranging interests of Margaret Millar as the present volume. On one end readers will find her final two mystery novels, which display the hallmarks of the writer in her heyday; the sharp social commentary and poignant black humor both well-couched in a brilliantly devised plot. The other end of the collection sees her collected shorter works, which includes the return of two fan favorites, Dr. Paul Prye and Inspector Sands. Last but certainly not least is her darkly humorous autobiographical children’s novel. Banshee (1983) The moral hypocrisy of society’s upper crust is laid bare when the untimely death of the young daughter of wealthy Californian landowners slowly destroys the community that loved her in life. Spider Webs (1986) The motives and prejudices of twelve jurors are on full display in the case of a Caribbean yacht captain who has been accused of murdering a wealthy white client for her jewelry. Collected Short Fiction with an Introduction by Tom Nolan (2004) Millar may have been better known as a novelist but the short stories in this collection prove that she was also a master of the short form. Two novellas and three short stories possess all the hallmarks of her stunning novel-length mysteries, including a return to two favorite characters: The psychologist Dr. Paul Prye and Detective Inspector Sands. It’s All in the Family (1948) Out of print for decades, and extremely hard to find until now, Margaret Millar’s bestselling and only book-length foray into children’s literature stars a precocious (maybe pernicious) young girl named Priscilla, whose flair for the dramatic is matched only by her preternatural intellect. This semi-autobiographical story remains a delightful depiction of a pre-war childhood, even if the protagonist skews more Wednesday Addams than Dorothy Gale of Kansas.

Collected Millar: First Things, Last Things: Banshee; Spider Webs; It's All In The Family; Collected Short Fiction

Santa Barbara in the 1960s was home to two of the 20th century’s most important mystery writers, Margaret Millar and her husband, Ken (Ross Macdonald). It was also home to nearly 400 species of bird. This is the charming story of Ken and Maggie’s quest to see them all. The addiction that is birdwatching comes to vivid life in Margaret Millar’s delightful memoir of her early days as a naturalist. Part autobiography and part birdwatcher’s journal, it is a moving elegy to a bygone place and time. Millar brings her meticulous plotting and no small amount of suspense to these charming stories of a belligerent brown towhee named Houdunit, a larcenous raven called Melanie, and a rat who carefully ferments his grapes before eating them, to name only a few. Ornithology was a passion for both Ken and Maggie and they devoted their lives to it with the same keen sense of detail and, in the case of Margaret, storytelling vigor as they brought to their writing. In this book, the only memoir she wrote, Millar takes us on her journey from curious amateur to obsessive completionist. It is a phenomenon nearly any birding enthusiast will recognize. Ken and Margaret Millar were founding members of the Santa Barbara Audubon Society.

The Birds and the Beasts Were There: The Joys of Birdwatching and Wildlife Observation in California's Richest Habitat (Collected Millar)

Biographies & Memoirs

Arts & Literature

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