Composed by the youthful John Knowles Paine between 1860 and 1866, the Mass in D, Op. 10 was the first large-scale American work performed before a sophisticated musical audience in a European capital. The premiere, with soli, 200-member chorus and orchestra, was conducted by the composer in Berlin's Singakademie on February 16th, 1867 to much acclaim. This newly engraved and thoroughly researched vocal score here has been prepared by David P. DeVenney from the manuscript and the 1866 first edition vocal score issued under the composer's supervision in New York.

Mass in D, Op.10: Vocal score (Latin Edition)

Arts & Photography

Paine, John Knowles

Music

Serenissima Music, Inc.

A companion to the new edition of this American choral masterpiece, this choral score features a complete piano reduction - reduced to cue-note size. This reformatting allows for printing on a more convenient format for choruses, at a more reasonable price.

Mass in D, Op. 10 - Chorus Score (Latin Edition)

Trumpet Mania! is a unique book of trumpet studies designed for serious students who want to bring their technique to the next level. The author, a professional with more than two decades in the field, has provided numerous exercises and warmups specially designed to enhance stamina and technique along with practical advice on how to get it done. Tichenor's volume is an absolute essential for any trumpet player wanting to move to the professional level, written in an engaging friendly style.

Trumpet Mania!

Andy Tichenor

Suppe's operetta Dichter und Bauer (Poet and Peasant) was the first to earn him a reputation as a composer in Vienna. His reputation as a conductor was established two years before at the Theater in der Josefstadt, where he composed incidental music to the play Ein Morgen, ein Mittag, und ein Abend in Wien, whose overture remains in the orchestral repertoire to this day. By the premiere of Dichter und Bauer, at the Theater an der Wien on August 24, 1846, Suppe was no longer conducting for free. The operetta was successful and the overture entered the orchestral repertoire soon after. The opening cello solo was even quoted in the American song published in 1894 - "I've been Working on the Railroad". The study score offered here is a reduced-format reissue the newly-engraved and reasreached large score first issued in 2007. <ul> <li>IMSLP page</li> <li>All Music Guide</li> </ul>

Poet and Peasant Overture: Study score

Suppé, Franz von

Wieniawki's second concerto might have been started as early as 1856, but the work was not finished until shortly before its premiere, given in St. Petersburg on November 27, 1862 with the composer as soloist and the orchestra conducted by Anton Rubinstein. Dedicated to Wienawski's fellow violin virtuoso Pablo Sarasate, the work had to wait another 17 years (1879) before it was finally published. The affordable study score offered here is a reduced-format reproduction of the freshly engraved and researched edition prepared by Howard K. Wolf which was first issued by E.F. Kalmus in 2003 in large score and parts.

Violin Concerto No.2, Op.22: Study score

Wieniawski, Henri

Originally composed for piano duet and published in 1889, Debussy's delightful suite was immediately popular. Its widespread popularity resulted in demands for an orchestral setting. The composer, too busy with new works, ultimately assigned the orchestration task to the conductor Henri Büsser. This new study score is an unabridged, digitally restored reissue of the full score first printed in 1908 by A. Durand et Fils, Paris. It is the orchestral version most widely performed and recorded. 1. En bateau 2. Cortege 3. Menuet 4. Ballet

Petite Suite - Orchestra version: Study score

Debussy, CLaude

Büsser, Henri

Contents: 1. Kyrie - Andante con moto 2. Gloria - Allegro maestoso 3. Credo - Allegro moderato 4. Sanctus - Allegro maestoso 5. Benedictus - Andante grazioso 6. Agnus Dei - Lento This is new, unabridged, digitally enhanced reprint of the classic vocal score for Schubert's youthful masterpiece prepared by Friedrich Spiro and published in 1904 by Breitkopf & Hartel. Composed when Schubert was only 17, the Mass in G entered the choral repertoire soon after its first publication in the mid-1800s. It's been a staple of the repertoire ever since.

Mass In G, D.167 - Vocal Score (Latin Edition)

Schubert, Franz

Spiro, Friedrich

A newly engraved vocal score from the piano reduction prepared by the composer's son-in-law, Josef Suk (1874-1935). Dvorak composed the "Te Deum" in 1892, which was given its premiere at a delayed Columbus Day quadricentennial concert on Oct. 21, 1892 in New York.

Te Deum, Op.103: Vocal score (Latin Edition)

Antonín Dvořák

Josef Suk

Composed around 1779 while still in Salzburg, this youthful setting of the Marian text in C major has been a staple of the choral repertoire for more than a century. This new, digitally-enhanced vocal score is reproduced from the one originally issued by Breitkopf und Hartel, Leipzig, to coincide with the complete works (1876-1905) with a piano reduction by J. G. Scheel.

Regina Coeli, K. 276 (321b): Vocal score (Latin Edition)

MOZART, Wolfgang Amadeus

Tchaikovsky considered an orchestral suite from his first great ballet, but never got around to extracting it. An unknown editor compiled the first version, which was issued by Jurgenson in 1900. Muzgiz, the Soviet state publishers produced their own version in 1954, adding 3 dance movements and omitting the finale of the original suite. This newly engraved critical edition by Carl Simpson includes all the movements found in the two previous versions of the suite.  1. Scene 2. Valse 3. Danse de cygnes 4. Pas d'action 5. Danse hongroise 6. Danse espagnole 7. Danse napolitaine 8. Mazurka 9. Scene et Finale

Swan Lake Suite, Op.20a: Study score

Peter Ilich Tchaikovsky

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