Not since Donna Tartt's The Secret History has a novel this intoxicating captured the headiness and dark temptations of university life. 
The old Etruscan city of Grifonia swarms with year-abroad students―thousands of them from all over. Ostensibly, they've come to study. But really they are here to reinvent themselves, to shuck their identities and buck constraints far from the watchful eyes of parents and others who know them too well. There's a reason Henry James's young ladies went to Europe with chaperones. Today's young ladies don't. In Abroad, the bestselling novelist Katie Crouch―whose Girls in Trucks brilliantly portrayed the cruelties of postcollege New York life on a Southern girl trying to make her way―tears a story from international headlines and transforms it into a page-turning parable of modern girlhood, full of longing and reckless behavior. As the heroine (and the reader) of Abroad will soon discover, Grifonia is a city filled with dangerous secrets of many kinds: ancient, eternal, infernal. "Prepare to have your heart broken while laughing out loud at this breathtaking, scathingly sardonic novel," wrote People magazine's reviewer about Crouch's Men and Dogs. "From her opening line. . . Crouch grabs you and never lets go." In Abroad, Crouch's mesmerizing talents are again on full display.

Abroad: A Novel

Literature & Fiction

Crouch, Katie

United States

Sarah Crichton Books

“Everything I needed to know about Fox and Grapes mirror, I knew the moment I first I saw it” What antiques restorer Maryalice Huggins knew when she stumbled across the mirror at a country auction in Rhode Island was this: She was besotted. Rococo and huge (more than eight feet tall), the mirror was one of the most unusual objects she had ever seen. Huggins had to have it. The frame’s elaborate carvings were almost identical to a famous eighteenth-century design. Could this be eighteenth-century American? That would make it rare indeed. But in the rarefied world of American antiques, an object is not significant unless you can prove where it’s from. Huggins set out to trace the origins of her magnificent mirror. Fueled with the delightfully obsessive spirit of Susan Orlean’s The Orchid Thief, Aesop’s Mirror follows Huggins on her quest as she goes up against the leading lights of the very male world of high-end antiques and dives into the historical archives. And oh, what she finds there! The mirror was likely passed down through generations of the illustrious Brown family of Providence, Rhode Island. Throughout history, mirrors have been seen as having mystical powers, enabling those who peer into them to connect the past and the future. In Aesop’s Mirror, Maryalice Huggins does just that, creating a marvelous, one-of-kind book about a marvelous, one of-a-kind American treasure.

Aesop's Mirror: A Love Story

Biographies & Memoirs

Huggins, Maryalice

Historical

Fresh-squeezed Lexicology, with Twists No man of letters savors the ABC’s, or serves them up, like language-loving humorist Roy Blount Jr. His glossary, from ad hominy to zizz,is hearty, full bodied, and out to please discriminating palates coarse and fine. In 2008, he celebrated the gists, tangs, and energies of letters and their combinations in Alphabet Juice, to wide acclaim. Now, Alphabetter Juice. Which is better. This bookis for anyone—novice wordsmith, sensuous reader, or career grammarian—who loves to get physical with words. What is the universal sign of disgust, ew, doing in beautiful and cutie? Why is toadless, but not frogless, in the Oxford English Dictionary? How can the U. S. Supreme Court find relevance in gollywoddles? Might there be scientific evidence for the sonicky value of hunch? And why would someone not bother to spell correctly the very word he is trying to define on Urbandictionary.com? Digging into how locutions evolve, and work, or fail, Blountdraws upon everything from The Tempest to The Wire. He takes us to Iceland, for salmon-watching with a “girl gillie,” and to Georgian England, where a distinguished etymologist bites off more of a “giantess” than he can chew. Jimmy Stewart appears, in connection with kludge and the bombing of Switzerland. Litigation over supercalifragilisticexpialidocious leads to a vintage werewolf movie; news of possum-tossing, to metanarrative. As Michael Dirda wrote in The Washington Post Book World, “The immensely likeable Blount clearly possesses what was called in the Italian Renaissance ‘sprezzatura,’ that rare and enviable ability to do even the most difficult things without breaking a sweat.” Alphabetter Juice is brimming with sprezzatura. Have a taste.

Alphabetter Juice: or, The Joy of Text

Humor & Entertainment

Blount, Roy

Humor

England, 1255. What could drive a girl on the cusp of womanhood to lock herself away from the world forever?
Sarah is just seventeen when she chooses to become an anchoress, a holy woman shut away in a cell that measures only seven by nine paces, at the side of the village church. Fleeing the grief of losing a much-loved sister in childbirth as well as pressure to marry the local lord's son, she decides to renounce the world--with all its dangers, desires, and temptations--and commit herself to a life of prayer.
But it soon becomes clear that the thick, unforgiving walls of Sarah's cell cannot protect her as well as she had thought. With the outside world clamoring to get in and the intensity of her isolation driving her toward drastic actions, even madness, her body and soul are still in grave danger. When she starts hearing the voice of the previous anchoress whispering to her from the walls, Sarah finds herself questioning what she thought she knew about the anchorhold, and about the village itself.
With the lyricism of Nicola Griffith's Hild and the vivid historical setting of Hannah Kent's Burial Rites, Robyn Cadwallader's powerful debut novel tells an absorbing story of faith, desire, shame, fear, and the very human need for connection and touch. Compelling, evocative, and haunting, The Anchoress is both quietly heartbreaking and thrillingly unpredictable.

The Anchoress: A Novel

Cadwallader, Robyn

British & Irish

Long Way Gone

My new friends have begun to suspect I haven't told them the full story of my life. "Why did you leave Sierra Leone?" "Because there is a war." "You mean, you saw people running around with guns and shooting each other?" "Yes, all the time." "Cool." I smile a little. "You should tell us about it sometime." "Yes, sometime." This is how wars are fought now: by children, hopped-up on drugs and wielding AK-47s. Children have become soldiers of choice. In the more than fifty conflicts going on worldwide, it is estimated that there are some 300,000 child soldiers. Ishmael Beah used to be one of them.
What is war like through the eyes of a child soldier? How does one become a killer? How does one stop? Child soldiers have been profiled by journalists, and novelists have struggled to imagine their lives. But until now, there has not been a first-person account from someone who came through this hell and survived.
In A Long Way Gone, Beah, now twenty-five years old, tells a riveting story: how at the age of twelve, he fled attacking rebels and wandered a land rendered unrecognizable by violence. By thirteen, he'd been picked up by the government army, and Beah, at heart a gentle boy, found that he was capable of truly terrible acts.
This is a rare and mesmerizing account, told with real literary force and heartbreaking honesty.

A Long Way Gone: Memoirs of a Boy Soldier

Beah, Ishmael

Children's Books

Apple Tree Yard: A Novel by Louise Doughty

Apple Tree Yard

Doughty, Louise

Genre Fiction

"Written in prose so clear that we absorb its images as if by mind meld, "The Last Painting" is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it's fiction that keeps you up at night ― first because you're barreling through the book, then because you've slowed your pace to a crawl, savoring the suspense." ―Boston Globe<ul>
<li>A New York Times Book Review Editors' Choice</li>
<li>A New York Times Bestseller</li>
</ul>A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city's Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer's marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.

The Last Painting of Sara de Vos: A Novel

Smith, Dominic

Literary

A 2019 NPR Staff Pick How the blinding of Sergeant Isaac Woodard changed the course of America’s civil rights history
On February 12, 1946, Sergeant Isaac Woodard, a returning, decorated African American veteran, was removed from a Greyhound bus in Batesburg, South Carolina, after he challenged the bus driver’s disrespectful treatment of him. Woodard, in uniform, was arrested by the local police chief, Lynwood Shull, and beaten and blinded while in custody. 
President Harry Truman was outraged by the incident. He established the first presidential commission on civil rights and his Justice Department filed criminal charges against Shull. In July 1948, following his commission’s recommendation, Truman ordered an end to segregation in the U.S. armed forces. An all-white South Carolina jury acquitted Shull, but the presiding judge, J. Waties Waring, was conscience-stricken by the failure of the court system to do justice by the soldier. Waring described the trial as his “baptism of fire,” and began issuing major civil rights decisions from his Charleston courtroom, including his 1951 dissent in Briggs v. Elliott declaring public school segregation per se unconstitutional. Three years later, the Supreme Court adopted Waring’s language and reasoning in Brown v. Board of Education. Richard Gergel’s Unexampled Courage details the impact of the blinding of Sergeant Woodard on the racial awakening of President Truman and Judge Waring, and traces their influential roles in changing the course of America’s civil rights history.

Unexampled Courage: The Blinding of Sgt. Isaac Woodard and the Awakening of President Harry S. Truman and Judge J. Waties Waring

History

Gergel, Richard

Americas

Behind the bitter rivalry between Apple and Google―and how it's reshaping the way we think about technology
The rise of smartphones and tablets has altered the industry of making computers. At the center of this change are Apple and Google, two companies whose philosophies, leaders, and commercial acumen have steamrolled the competition. In the age of Android and the iPad, these corporations are locked in a feud that will play out not just in the mobile marketplace but in the courts and on screens around the world. Fred Vogelstein has reported on this rivalry for more than a decade and has rare access to its major players. In Dogfight, he takes us into the offices and board rooms where company dogma translates into ruthless business; behind outsize personalities like Steve Jobs, Apple's now-lionized CEO, and Eric Schmidt, Google's executive chairman; and inside the deals, lawsuits, and allegations that mold the way we communicate. Apple and Google are poaching each other's employees. They bid up the price of each other's acquisitions for spite, and they forge alliances with major players like Facebook and Microsoft in pursuit of market dominance. Dogfight reads like a novel: vivid nonfiction with never-before-heard details. This is more than a story about what devices will replace our cell phones and laptops. It's about who will control the content on those devices and where that content will come from―about the future of media and the Internet in Silicon Valley, New York, and Hollywood.

Dogfight: How Apple and Google Went to War and Started a Revolution

Vogelstein, Fred

Professionals & Academics

Ah, “beach week”: a time-honored tradition in which the D.C. suburbs’ latest herd of high school grads flocks to Chelsea Beach for seven whole days of debauched celebration. In this dark comedy, ten teenage girls plan an unhinged blowout the likes of which their young lives have never seen. They smuggle vodka in water bottles and horde prescription drugs by the dozen. Meanwhile, their misguided, affluent parents are too busy worrying about legal liabilities to fret over some missing pills or random hookups. For Jordan Adler and her family, though, this rite of passage threatens to become more than just frivolous fun. The teen’s parents, Leah and Charles, might not let their only child go at all. Their marriage is in shambles, their old house is languishing on the market, and the bills are stacking up. With all that stress, it soon seems they’re behaving as irresponsibly as their daughter and her friends. With the wit of Nora Ephron and the insight of Tom Perrotta, Susan Coll satirizes a new teenage rite of passage, in the process dismantling the lives of families in transition. Beach Week is a hilarious, well-observed look at the end of childhood and the human need to commemorate it—expensively.

Beach Week: A Novel

Coll, Susan

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