2022 Seca Art Award

Andrea Nitsche-Krupp

Jovanna Venegas

San Francisco Museum of Modern Art

48 pages; 23 full page duo-toned photographic plates plus 5 reference plates and multiple text illustrations; 9 x 12 inches. Includes a checklist of the exhibition and a biography.

Joel-Peter Witkin: Forty Photographs

Arts & Photography

Witkin, Joël-peter

Individual Artists

Unique collection of photographs of New York by William Klein. Published by the San Francisco Museum of Modern Art. Contains article "William Klein's New York," as well as reprints of vintage advertisements.

Life is good & good for you in New York: Trance witness revels

Klein, William

Photography & Video

Text in English, Spanish. 88 p. Includes Illustrations. Published on the occasion of the exhibition Frida Kahlo, Diego Rivera, and Mexican modernism from the Jacques and Natasha Gelman Collection, organized by the San Francisco Museum of Modern Art (April 18-September 8, 1996) and the exhibition Mexican...Includes bibliographical references.

Frida Kahlo, Diego Rivera, and Mexican modernism: From the Jacques and Natasha Gelman collection

[Kahlo, Frida] Oles, James

Simpson, Fronia (editor)

Debroise, Olivier (transla

Snapshots: The Photography of Everyday Life, 1888 to the Present

Nickel, Douglas R.

An Introduction to the Logan Collection: A Portrait of Our Times

Gainesville, FL: Samuel P. Harn Museum of Art, Mar. 22, 1998 to Jan. 3, 1999, three other dates

Attractive oversized softcover with flaps. Issued by the San Francisco Museum of Art on occasion of 1999 exhibition, contains 105 tritone and 20 duotone photographs, 4 gatefolds.

Carelton Watkins: The Art of Perception

Douglas R Nickel

Catalog for Oct 15, 1999-Jan 9, 2000 exhibition. 180p. Measures 9x11 inches. Articles include "Seeing in Real Time" by David A. Ross, "Time, Perception, and Sight" by Robert R. Riley, "Reimaging the Archive: Art, Technology, and Cultural Memory" by Marita Sturken and "The Formation of a Collection" by Thea Westreice. Plates (with essays by Chrissie Iles) include the work of Marcel Broodthaers, Jane and Louise Wilson, Thomas Struth, Bill Viola, Bruce Nauman, Vito Acconci, Matthew Barney and others.

Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art

Chrissie Iles

Robert R. Riley

Marita Sturken

Thea Westreich

The core values at the heart of the Anderson Collection - one of the most important private art collections in the United States - can be described as the tension between abstraction and figuration and an interest in the artist's hand. This beautiful catalog from the San Francisco MOMA, features masterpieces by Pollock, Stella, Rauschenberg, Giacometti, Diebenkorn, Lichtenstein, Warhol, and many more. There is an informative essay on the history of the collection, plus eleven additional pieces that offer a focused look at specific works such as Nolde's Head of a Woman, Pollock's Lucifer, and Jasper John's Land's End.

Celebrating Modern Art: Highlights of the Anderson Collection

Janet Bishop

History & Criticism

Published on the occasion of the U.S. premiere of Jeremy Blake's new Winchester trilogy, this lush and strikingly designed catalogue presents three of the artist's short films: Winchester, 1906 and Century 21--inspired by the Winchester Mystery House in San Jose, California. The Winchester mansion was built over the course of nearly 20 years by Sarah Winchester, heir to the Winchester Rifles fortune, who, after the deaths of her daughter and husband, became fascinated with spiritualism and convinced that she was cursed by the ghosts of people killed by Winchester firearms. According to her spiritual advisors, the noise of ongoing construction would help ward off evil ghosts, so she began building what would become a 160-room Victorian, full of bizarre architectural features, which was still unfinished when she died in 1922. Winchester presents a turning point in Blake's work, as the films include not only his well-known digital compositions, but also ink drawings and recognizable footage of the Winchester mansion and its environs. Overlaid, juxtaposed and morphing in and out of one another, these elements combine in an intensely expressionistic and non-narrative manner, evoking Winchester's trouble mind as she tried to rebuild her home. The films call into question traditional cinematic modes of storytelling: cultural mythologies surrounding guns; violence and the American West; and the relationship between physical and simulated reality in the digital age.

Jeremy Blake: Winchester

Schwarzer, Mitchell

Weil, Benjamin

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Books by San Francisco Museum of Modern Art