Fiction. Short Stories. Translated from the German by James J. Conway. In 1917, the world appears to be tilting on its axis. Accustomed certainties are no more, alliances are forged and just as soon abandoned. In the first of seven thematically related stories, we meet reform-minded German eccentric Hieronymus Edelmann on a Spanish island, where he leads a crocodile around on a leash and lures his compatriots to a precarious guesthouse. His motives are opaque, but one of his schemes is a correspondence association which appears to be an analogue chat room. Elsewhere we find the "polished little man" who moves in truly mysterious ways and may in fact be a group delusion; a séance that turns into an illicit affair across dimensions; and a band of travellers overawed by the occult power of their luxury luggage--consumers possessed by their possessions. The surreal scenarios of THE GUESTHOUSE AT THE SIGN OF THE TEETERING GLOBE remain vivid and unsettling a century later. With dry humour and a profound sense of the uncanny, "bohemian countess" Franziska zu Reventlow diagnoses a world in feverish transition. This is the first book by Reventlow to appear in English, in an edition that also features three short stories by the author and an extensive afterword."[T]he ten stories in the collection, of which seven are loosely connected, are hybrids, hovering between genres and styles, ultimately remaining unclassifiable, with a whiff of the parabolic Kafkaesque riddle about them. Showing a wry and understated sense of humour, some might perhaps best be described as surreal travel tales, sharpened by a satirical gaze and a finely developed gift for evocative details."--Anna Katharina Schaffner"GUESTHOUSE AT THE SIGN OF THE TEETERING GLOBE, with its unconventional plot twists, carnivalesque characters, and existential concerns, will likely appeal to fans of both canonical writers like Kafka and Camus, as well as contemporary authors João Gilberto Noll and Can Xue."--Tyler Langendorfer

The Guesthouse at the Sign of the Teetering Globe

Literature & Fiction

Reventlow, Franziska Zu

Short Stories & Anthologies

Rixdorf Editions

Literary Nonfiction. LGBTQIA Studies. Translated from the German by James J. Conway. Rough trade, drag kings, tea dances, sporty dykes, coded classified ads, campy nicknames, passing, outing, hustlers, beats and cruising at the YMCA--all accompanied by a wave of gay and lesbian activism. Eighties New York? No, Germany's imperial capital at the dawn of the 20th century. BERLIN'S THIRD SEX reveals an astonishingly diverse gay subculture years ahead of the Weimar era, with cross-dressing cabaret, all-night parties and erotic license at every level of society. Magnus Hirschfeld's 1904 report is a foundational text of modern gay identity, queer history captured by an insider, as it happened. Police, blackmailers and moral crusaders are never far, suicide is all too common, but Hirschfeld also invites us into the homes of same-sex couples to witness tranquil scenes of domesticity and devotion. BERLIN'S THIRD SEX formed part of the vast "Metropolis Documents" project, a visionary panorama of early 20th century urban life. This, the first part of the series to appear in English, is offered alongside an earlier Hirschfeld study of the "third sex" (the author's provisional term for gays and lesbians) as well as comprehensive notes and an informative afterword."[BERLIN'S THIRD SEX] depicts a flourishing gay subculture populated by cross-dressers, drag queens, sporty dykes, blackmailers and prostitutes, who establish contact with one another via intricately coded classified ads, adopt droll nicknames such as 'Squeaky Lotte,' 'Rollmop Queen' and 'Hiddigeigei,' and generally live it up in bars and cabarets, in the Tiergarten, or at the Opera. The Rixdorf edition includes an informative afterword and helpful notes by the translator James. J. Conway."--Anna Katharina Schaffner"Hirschfeld's rhetorical strategy, which includes these appeals to sentiment, walks the line between emphasizing the similarities in behavior between homosexuals and heterosexuals (in other words, suggesting homosexuals are just like the [presumably heterosexual] reader), and relating anecdotes or characteristics that portray the former as uniquely, yet endearingly, different. That this approach has strong parallels with contemporary gay rights rhetoric suggests that there is a timeless appeal in finding reasons for empathy in order to demonstrate that 'the other' is just as human."--Tyler Langendorfer

Berlin's Third Sex

Hirschfeld, Magnus

History & Criticism

Fiction. Short Stories. Translated from the German by James J. Conway. To the fretful mother of a sick child it comes in the form of the long-awaited doctor. To a feeble old man it arrives as an obliging stranger who helps him to his feet and out through the garden gate. To the hapless workers of an overtaxed factory it is an industrial disaster with a paranormal dimension. Death comes to them all, yet the stories in Anna Croissant-Rust's cycle are charged with life. The ever-changing personification of mortality appears amid scenes of unexpected enchantment, full of light and wonder, of reverence for the mercurial passions of nature. An inventive revival of the medieval danse macabre, DEATH was issued in Germany on the eve of World War One. It is paired here with the author's earlier collection Prose Poems, which fused free verse and fragmentary narrative to create something sublime and entirely original. The intense emotional register and singular style confounded critics when it was first published in 1893, and by the time other writers were producing comparable work in the early 20th century it had been forgotten. This major English-language debut confirms Anna Croissant-Rust as a hugely powerful writer well overdue for recognition.

Death

Croissant-Rust, Anna

Literary Nonfiction. Translated from the German by James J. Conway. Where do we feel at home? What do our cities look like? How do we see? In 1908, architect and theorist August Endell set out to answer these deceptively simple questions. In THE BEAUTY OF THE METROPOLIS he views the oft-maligned urban environment, acknowledging its shortcomings while also finding in it an aesthetic enrichment to rival any romanticised landscape. This forward-thinking essay raises the workaday city to rapturous heights, with flights of prose aspiring to the quality of music. Endell advocates a complete engagement with the here and now, drawing numerous examples from his own home, Berlin. From the clamour of Potsdamer Platz to quiet outlying districts, the author discovers visual pleasure in the rapidly expanding German capital where detractors found little more than squalor. Along the way Endell reconsiders the peculiarly German concept of heimat, incompletely translated as "homeland." THE BEAUTY OF THE METROPOLIS is joined here by articles Endell wrote for a progressive journal in 1905 covering subjects as diverse as modern art and the passing of the seasons. Endnotes and an afterword provide further insight into Endell's visionary texts.

The Beauty of the Metropolis

Endell, August

Literary

We Women Have no Fatherland

Frapan, Ilse

Genre Fiction

Literary Nonfiction. Jewish Studies. In 1883, Austrian author Hermann Bahr was arrested for antisemitic abuse. Ten years later, he was a champion of the Viennese avant-garde and its numerous Jewish exponents, and would soon marry a Jewish actress. In ANTISEMITISM Bahr makes the political personal (and vice versa) using the then-novel form of the interview for a sweeping international survey of the most contentious issue of his day. His respondents are economists and anarchists, preachers and political grandees from across Europe, with such figures as activist Annie Besant, novelist Alphonse Daudet, polymath Ernst Haeckel and trailblazing socialist August Bebel. Now available in English for the first time, this hugely important document was originally published in 1894, and it captures the moment when an ancient enmity assumed new force, the age of the Dreyfus Affair and Germany's pre-Nazi peak in politicised race hate. ANTISEMITISM is no echo chamber, with some respondents offering robust defence of prejudices that would have harrowing consequences in the 20th century. But with its conspiracy theories, babbling demagogues and demonised minorities, Bahr's investigation is sadly all too relevant today.

Antisemitism

Bahr, Hermann

Religion & Spirituality

About the Author\nJust four years in duration, the collaboration between Arno Holz (1863-1929) and Johannes Schlaf (1862-1941) created a revolution in form and content which exerted a huge influence on German literature. As well as PAPA HAMLET their partnership produced the play The Selicke Family, a number of shorter prose works and an autobiographical comic. After living and working in bohemian isolation just outside Berlin, the pair split acrimoniously in 1892 and continued sniping at each other for decades as they moved on from their Naturalist origins. Arno Holz was something of a tragic figure, consumed with bitterness; works like his verse collection Phantasus were years head of their time yet security eluded him. The more amenable Johannes Schlaf enjoyed greater success but his posthumous reputation suffers from his later embrace of the Nazis. Neither writer has previously appeared in English.\nAdultery, vulgarity, disordered lives on the brink of collapse: the feverish existence of failed actor Niels Thienwiebel shocked German readers when PAPA HAMLET was first published in 1889. In declaiming the soliloquies of his most famous role, "the great Thienwiebel" finds delusional refuge from the squalid room he shares with despondent wife Amalie and infant son Fortinbras. But it was the radical style as much as the moral outrage of this novella that so confounded contemporaries. Reflecting their own bohemian Berlin milieu, Arno Holz and Johannes Schlaf showed the dream of the self-authored life turning to nightmare through apathy and self-absorption. Originally credited to a fabricated Norwegian writer, PAPA HAMLET signalled the explosive arrival of Naturalism while also pointing ahead to Modernism; its appropriations, irony and play of identity even foretold Postmodernism. Appearing for the first time in English, it is teamed here with an early incarnation of the same narrative by Schlaf alongside further collaborations with Holz. Together their fearless candour and anarchic ingenuity reveal another side to German Naturalism that is well overdue for rediscovery. 
Fiction. Translated by James J. Conway.\nBook Description\nA revolutionary event in German literature available in English for the first time.

Papa Hamlet

Schlaf, Johannes

Holz, Arno

Poetry

Three Prose Works

Lasker-Schüler, Else

World Literature

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