NEW, Phaidon Press Limited 1977 Paperback 0681462841 From Wikipedia:"The Pre-Raphaelite Brotherhood (also known as the Pre-Raphaelites) was a group of English painters, poets, and critics, founded in 1848 by William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti. The three founders were joined by William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner to form the seven-member "brotherhood".The group's intention was to reform art by rejecting what it considered the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. Its members believed the Classical poses and elegant compositions of Raphael in particular had been a corrupting influence on the academic teaching of art, hence the name "Pre-Raphaelite". In particular, the group objected to the influence of Sir Joshua Reynolds, founder of the English Royal Academy of Arts, whom they called "Sir Sloshua". To the Pre-Raphaelites, according to William Michael Rossetti, "sloshy" meant "anything lax or scamped in the process of painting ... and hence ... any thing or person of a commonplace or conventional kind".[1] In contrast, the brotherhood wanted a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art."1^ Hilton, Timothy (1970). The Pre-Raphaelites, p. 46. Oxford University Press.

The Pre-Raphaelites

Arts & Photography

Andrea Rose

History & Criticism

Phaidon Press Limited

Story of Van Gogh's life. Black and white photos of his early works, full page color photos of his later works.

Van Gogh

W. Uhde with notes by Griselda Pollock

Géricault's Raft of the Medusa

[Gericault, Theodore] Eitner, Lorenz

Cet ouvrage retrace l'évolution du goût artistique en Angleterre et en France de la Révolution française à la Première Guerre mondiale. L'auteur examine de façon empirique les raisons de ces changements, résultant de facteurs très divers : impact et validité des chefs-d'oeuvre reconnus par les collectionneurs et les "connaisseurs" ; rôle de l'art contemporain qui modifie souvent l'appréciation du passé ; importance des fidélités politiques et religieuses ; rayonnement des collections publiques et privées ; influence de la littérature d'art et des nouvelles techniques de reproduction. Chemin faisant, Francis Haskell campe toute une série de portraits de collectionneurs, critiques, écrivains, rendant hommage à tous ceux qui, en regard d'un goût "Officiel" flottant, éclectique voire inexistant, furent de véritables découvreurs.

Rediscoveries in art: Some aspects of taste, fashion and collecting in England and France (Wrightsman lectures)

HASKELL, Francis

Other Media

From the collection of Alfonso Ossorio (1916-1990), American Abstract Expressionist Painter (born in the Philippines) with his signature on ffep. Ossorio and Jean Dubuffet were much influenced by 'the art of the insane and the tormented, the art of the institutionalized and imprisoned." Clearly he was also interested in older, more traditional art forms.

The Heian Civilization of Japan

Hempel, Rose

Heinrich Wolfflin was a pioneering critic who introduced new and rigorous methods of formal analysis into the study of art. Classic Art, first published in 1899, is itself a classic that has exercised a profound influence on the way people have looked at and thought about art. As an appraisal of the great artists of the Renaissance it can hardly be surpassed. Once again available in its elegant original format, it is an indispensable addition to every library of art books.

A Handbook of Roman Art: A Survey of the Visual Arts of the Roman World

David Smith

Tom Rasmussen

Anthony Bonanno

Joan Liversidge

Richard Reece

Anthony King

Donald Bailey

Jennifer Price

Robert Ireland

This book reproduces the 20 exquisite watercolours of birds from the Farnley Hall 'Ornithological Collection' and gives an intriguing glimpse into the life of J. M. W. Turner, England's great landscape artist.

Turner's birds: Bird studies from Farnley Hall

Hill, DAVID

Turner, J.M.W.

An updated and redesigned edition of Richard Shone's study of the painters of the Bloomsbury group who were an important influence on the formation of taste in Britain during the early decades of this century. The writers and artists of the Bloomsbury group had an unparalleled and productive influence on British cultural life in the first thirty years of the 20th century. Among its members were the writers Virginia Woolf and Lytton Strachey, the economist Maynard Keynes, the art critic Roger Fry and the painters Vanessa Bell and Duncan Grant. This book describes in particular the two painters who were at the centre of the interplay of personal and intellectual life that characterised the group and to whom the Bloomsbury writers often sat for portraits. As a friend of Duncan Grant at the end of his long life and as a frequent visitor to Charleston, the Sussex farmhouse where Grant and Bell painted and which was a vital centre of Bloomsbury life outside London, Richard Shone is uniquely placed to dispel many of the myths and misconceptions that surround their work. This new edition has been updated, expanded and redesigned with eighty colour illustrations.

Bloomsbury Portraits: Vanessa Bell, Duncan Grant and Their Circle

SHONE, Richard

Biographies & Memoirs

The world-famous chef René Redzepi's intimate first-hand account of a year in the life of his renowned restaurant, Noma\nA Journal is a highly personal document of the creative processes at Noma and the challenges faced by its chefs over a twelve-month period in an unspecified year of the restaurant's history. After a month of vacation, Redzepi made a resolution to keep this journal and to dedicate a year to the creativity and well-being at Noma. The result is an unusually candid, and often witty, insight into the inner workings of one of the most creative minds in the food industry today.\nFrom the publisher of Noma: Time and Place in Nordic Cuisine and A Work in Progress, in which A Journal was originally featured.

Rene Redzepi Journal

René Redzepi

A Work in Progress

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