A visual investigation of the author's family history, The Longest Way Round is a construct of historical images woven together with new photographs. Uncovering a treasure trove of archive material not intended for the family album, Dorley-Brown's book presents a multi-layered alternative narrative for the course of events that shaped the late 20th century. Two Londoners born in 1920 embark on a series of journeys shaped by war, romance, and subsequent settlement in a seaside paradise. Unable and unwilling to recall their most traumatic experiences for their five children, a box of photographs, film negatives and letters was bequeathed to the youngest child - a photographer. He attempts to form a new narrative with the archive, integrating his own pictures made in the UK and on travels through Europe that follow in the footsteps of his mother and father. During World War II Dorley-Brown's parents Peter and Brenda were not yet married, but had known each other as childhood friends. At age 19 Peter volunteered as a heavy artillery sergeant and survived the Battle of Crete, four years as a prisoner of war in German stalag camps, and a death march of more than 500 miles in extreme weather near the end of the war. Some of his photographs that were confiscated while a POW appear in this book. While captive at Stalag VIIA near Munich, Peter befriended a guard - Conrad Barnack - the son of Oskar Barnack who invented the Leica 35mm camera. Peter and Conrad would later reconnect after the war was over. Chris Dorley-Brown's contemporary images resonate the effects of his family history on his own outlook decades later. This intimate book addresses subjects of personal identity and memory, and offers potential for a sense of closure for the author.

The Longest Way Round

History

Chris Dorley-Brown

Military

Overlapse

"Beyond Drifting: Imperfectly Known Animals is an astounding piece of work, one in which Barker takes the most humdrum of things - plastic detrius - inserts it into an intriguing, multilayered historical narrative, lends its physical form a gossamer, airy beauty, and presents the whole to us in the form of a book. Not just any book, but a replica of an old science publication from the 1800s, including mould-spotted pages, a library lending form and specimen labels." - Lucy Davies, V&amp;A Magazine May 2017 Now, 170 years after Atkins, another British woman has produced an important photobook that echoes Victorian-era science even as it exposes a contemporary environmental crisis. Mandy Barker's Beyond Drifting: Imperfectly Known Animals similarly occupies that liminal space where art and science converge, and its impeccable presentation exemplifies how book design can extend content. - Laura M. André, review on Photo-eye "Mandy Barker's work on plastic has been developing for some time. In its latest advance, she looks at micro-particles of plastic as a species of a lunatic plankton, floating about the sea, and she has included a rather wonderful pastiche book of old-fashioned science as a way of getting us into her subject." - Francis Hodgson, Photography critic "Her images could be mistaken for Victorian glass-plate photographs; in fact they are ornate, long-exposure studies of the plastic debris that pollutes beaches in and around Cobh in Cork Harbour, Ireland." - Tom Seymour, British Journal of Photography "Beyond Drifting is a clever critique of a massive environmental problem - and, in focusing in on one small area of Ireland in particular, Barker highlights a global issue." - Mark Sinclair, Creative Review

Beyond Drifting: Imperfectly Known Animals

Mandy Barker

English with Italian translation The fragile foundations of Venice are slowly being eroded by rising tides, subsidence and pollution - undergoing a brutal transformation that threatens irreversible change to this widely beloved city. Illustrated with degraded images from films submerged in Adriatic seawater, this photo/text docufiction unravels a narrative in which the lagoon city poignantly chronicles its own disappearance. Combining fictitious storytelling and poetic photography, Solastalgia sheds light on an increasingly urgent environmental issue affecting the archipelago of 118 islands that make up the city of Venice, Italy. Venice is a UNESCO World Heritage Site and the European city most under threat from the impact of climate change. Its buildings and fragile foundations are progressively eroded by rising global sea-levels, land subsidence, frequent high tides, and maritime pollution caused by hulking cruise ships. In the past hundred years the water level has risen by nearly 30cm (12in) - sparking 'extreme concern' from the UNESCO World Heritage Committee in 2016. Written in the voice of Venice - a city deserted by its inhabitants and sinking gradually into oblivion - this emotive book recalls its former life of grandeur and speculates on the outcome of its worsening predicament. Photographs are made from film negatives that lay soaking for weeks in the same Adriatic seawater that is actively deteriorating and swallowing the city.

SOLASTALGIA

Marina Vitaglione

A curious tale spun from the life of mysterious hermit Joseph Plummer, who lived in the woods of central New Hampshire in the late 1700s. Two centuries later an unsuspecting man purchased the mythical loner's land and built a hideaway cabin for himself - only to discover the legend of Joseph lurking deep in the seclusion of the forest. This atmospheric photobook explores our human desire to escape and find peaceful solitude, far from the burdens and apparatus of modern society. Exploring themes of history, place and mythology, Amani Willett's photographs track the hermit's overgrown trail through the land his family now owns. Willett's father, unaware of the reclusive man who roamed the area nearly 200 years before him, acquired the deed 40 years ago with the intention of establishing a rustic retreat. Upon learning of Plummer's existence, Willett endeavoured to photograph a fragmented narrative amidst the same landscape he once inhabited. He scoured local archives to find first-hand written accounts describing the hermit's character, as well as bona fide personal effects which appear in the book. Adding to the visual journey are historical portrait and landscape images from the region that inspired Willett's physical intervention in the form of destructive applique and collage. The resulting work mirrors the past while keeping Plummer's unknowable history intact. It also reveals how the hermit's existence still resonates today - not only as a constant counterpoint to our fast-paced, technology-driven times - but in conjuring the same romanticised allure that tempts new generations to also venture off-grid.

The Disappearance of Joseph Plummer

Arts & Photography

Amani Willett

Photography & Video

The Earth is Only a Little Dust Under Our Feet

Religion & Spirituality

Begon Anton

Occult & Paranormal

METROPOLE

Lewis Bush

Individual Artists

Lviv-God's Will

Viacheslav Poliakov

Un catalogue complet des œuvres photographiques de Mandy Barker exposant la crise de la pollution plastique dans les océans du monde. Cette enquête approfondie présente des séries réalisées au cours des dix dernières années, publiées pour coïncider avec des expositions personnelles en 2019 et comprenant des œuvres d'INDEFINITE, SOUP, SHOAL, PENALTY, Hong Kong Soup: 1826 et Beyond Drifting. De nombreuses reproductions des carnets de croquis de Mandy offrent un aperçu des coulisses de son processus de réflexion pendant le développement du projet. Préoccupé par les effets des débris plastiques marins, le travail photographique de Barker a atteint un public mondial par le biais d'expositions internationales, de sensibilisation éducative, de reportages médiatiques et d'autres moyens. Son objectif est de sensibiliser le public à la crise environnementale en utilisant des visuels esthétiquement attrayants pour communiquer sur la recherche scientifique en évolution. Cette publication est présentée par le professeur Richard Thompson OBE, un scientifique marin renommé et directeur du Marine Institute de l’Université de Plymouth. Son travail a contribué à la législation sur les microbilles dans les cosmétiques et autres formes de pollution plastique. D'autres textes comprennent une préface de Mandy Barker et un essai, Picturing Plastic Oceans, de Liz Wells, professeur en culture photographique à l'Université de Plymouth. Barker donne également un aperçu de la fabrication de ses images grâce à une étude approfondie de ses carnets de croquis de processus personnels.

ALTERED OCEANS

The Saxons of Transylvania documents a fading civilization with a mix of archival images, new photographs, illustrations and storytelling. In their second book photographed in Romania, Martínez + Sáez focus on ethnic German Saxons returning to Transylvania to preserve their distinct culture and heritage built over eight centuries. Indigenous to the region, their conflicted story is told through legend and history, and with current texts, revealing an uncertain future for what is now a dispersed group of people.

The Saxons of Transylvania

Pascual Martínez

Vincent Sáez

Dolezal and Shipley return to their home region of the Ozarks in the American Midwest, where locals persist in their search for a legendary floating orb of light that can only be seen from the Devil’s Promenade. It’s a lushly wooded road in an area where wanderers flock to seek possible redemption, or just to escape the boredom and darkness of ordinary rural life. Subtle but revealing portraits are mixed with archives and reinterpretations of mythical, folkloric tales. It’s a nuanced, mysterious and tender representation by photographers returning to the place where they grew up, but also reveals the current, stark realities of a remote place in America.

Devil’s Promenade

Dolezal, Antone

Shipley, Lara

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