The catalog for the Norton Museum of Art exhibition, High Tea: Glorious Manifestations East and West focuses on the art of tea in high society from eight key cultures worldwide: China, Korea, Japan, Germany/Austria, France, Russia, Britain, and America.

High Tea: Glorious Manifestations East and West

Laurie E. Barnes, with Anne Bissonnette

Norton Museum of Art

This catalogue is the first publication to focus on the work of Nigerian-born, L.A.-based artist Njideka Akunyili Crosby. It accompanied an exhibition of the artist's work held at the Norton Museum of Art in West Palm Beach, FL January 28 - April 24, 2016. Contents include an introductory essay by exhibition curator Cheryl Brutvan, Taiye Selasi's "Bye-Bye, Babar (Or: What Is An Afropolitan?)", artist interview, artist's chronology, and select bibliography and exhibition history. With full color reproductions of all works in the exhibition.

Njideka Akunyili Crosby: I Refuse to be Invisible

Cheryl Brutvan

White and color-illustrated boards with red and black lettering. 159 pages. Color illustrations. "This exhibition will look at the art and careers of modernists Marguerite Zorach, Florine Stettheimer, Helen Torr, and Georgia O'Keeffe together for the first time. These women all sought to be recognized as artists rather than women artists, but their identity as women shaped the circumstances under which they worked, the forms their art took, and the way their pictures were interpreted. By exploring these effects, this exhibition will reveal the influence of gender on American modernism."

Women Modernists In New York O'Keeffe, Steelheimer, Torr, Zorach

Ellen E Roberts

From fabled fields: Selections from the Paddock Family collection of pre-Columbian art : an exhibition organized by the Norton Museum of Art, November 19, 1994 - January 8 1995

Craven, Roy C. (Curated by)

Magnificent American Artist Museum Portfolio

Norton Museum of Art: The American Collection

Christina Orr-Cahall

Published in conjunction with a major retrospective exhibition (opening at National Gallery of Art, Washington, in June 2012, then travelling to The Metropolitan Museum of Art, New York, in November 2012, before moving to Royal Academy of Arts

George Bellows: Love of winter

Setford, David F.

Raoul Dufy last of the Fauves

1st Edition by Neil Watson (Editor), Neil Watson, A. M. Homes, Tara Mcdonnell Paperback, 78 Pages, Published 2001

Burn: Artists Play with Fire

The Chinese Collection: Selected Works from the Norton Museum of Art

Arts & Photography

FINLAY, John R.

Jenny F. So

Colin Mackenzie

History & Criticism

Recognized as an exceptional talent in the early 1990s, when she was just in her early 20s, British painter Jenny Saville (born 1970) has continued to renew and subvert the legacy of such masters as Rembrandt, de Kooning and Freud, with sometimes controversial interpretations of the human figure--primarily the female body--that expertly mingle the textures of paint and flesh. This volume, accompanying the first U.S. survey of the artist, includes already classic early paintings such as "Propped" (1992) alongside studies and more recent paintings and drawings on the theme of the mother and child. Saville's brushwork reveals an increased dynamism and looser gesture. Extended critical commentary by Cheryl Brutvan and Nicholas Cullinan discuss Saville's feminism and treatments of flesh throughout art history. Despite Saville's fame, there have been few opportunities to view her mature work, a lacuna this volume happily corrects.

Jenny Saville

Cullinan, Nicholas

Brutvan, Cheryl

Individual Artists

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