Poems to Eimhir (Northern House pamphlet poets)

Literature & Fiction

MacGill-Eain, Somhairle

Poetry

Northern House

<div>Shortlisted for the 2019 East Anglian Book (Poetry) Award. In Girl, Rebecca Goss considers the emotional and physical connections women make to the world around them. The poems interrogate and celebrate female identity and experience, and the dynamics of family and friendship. From a woman struck by lightning to a baby who understands shadows, Goss navigates the real and the imagined with equal flair. At the heart of the collection is a distinctive, sensual series of poems responding to the work of the artist Alison Watt: the result is a fearless exploration of the female body and female desire.</div>

Girl

Goss, Rebecca

The Crash Wake and other poems

Lowery, Owen

Exploring the capacity to articulate the pain and pleasure of lived experiences, this poetry collection is inspired by history and its aftermath. Touching upon the French Revolution, the Napoleonic wars, and the Peterloo Massacre, this compilation expresses interest in sharing in the lives of others across time and culture while simultaneously challenging common prejudices.

Waterloo Teeth

WHALE, John

A poem sequence that is spare, tender, and haunting, this book navigates the difficult territory of grief and loss. Poet Rebecca Goss’s newborn daughter Ella was diagnosed with severe Ebstein’s Anomaly, a rare and incurable heart condition, and lived for only 16 months. This collection of moving, deeply thoughtful poems brings Goss’s professional and personal experiences to bear, beginning with Ella’s birth, her short life, and her death, and ending with the joys and complexities that come with the birth of another child.

Her Birth

As much elegy as exploration, this compendium of poetry attends to experiences of childhood and the workings of history, discovering how individuals mark time and are subject to it in their lives. As readers experience poems inhabited by a host of shadows--fallen warriors, a conquistador, a father, a mother, a boxer--they are presented with a revelation of the poem itself, its capacity for expression and the space it provides for reflection and its precision and beauty. With this second collection, John Whale continues to take up the mantle of the 1960s Leeds School of poets, and Jeffrey Wainwright in particular, with whom he shares a philosophical and questioning stance.

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