Leon Trotsky was the most important contributor to the development of revolutionary Marxism this century, after Lenin. As exiled militant or Soviet statesman, party organizer or public orator, as political analyst, soldier or commentator on cultural trends, he was centrally involved in the world-historic upheavals of his time and foremost among the interpreters of their significance for socialism. Yet the fate of his achievement was dramatically discrepant from Lenin's. At the latter's death in 1924, his revolutionary authority was at its zenith. In the Soviet Union his writings were consecrated as repository of a finished dogma, 'Leninism'. Abroad, his thought was interpreted in way much closer to its own original spirit by Georg Luk�cs, whose remarkable Lenin sought to elicit its unity and actuality for a later revolutionary generation. In polar contrast, factional assault, official disgrace and proscription, anathema and slander, were the conditions of Trotsky's later life and activity-until his assassination in 1940-and the unvarying background of any reaffirmation of his heritage for decades afterwards. Systematic publication of his writings was beyond the means of his political followers-whose internal discussions of his ides were supplemented only by the attentions of liberal (where not reactionary) academics. In the last decade, however, with the resurgence of the political formations associated with his name, Trotsky's political role and ideas have again become topics of vigorous debate among socialists. Ernest Mandel's book makes possible a necessary extension of this debate by providing the first ever synthetic account of the development of Trotsky's Marxism in its successive encounters with the key problems and crises of the epoch. The Russian revolution and the theme of uneven development, the construction of revolutionary parties, the struggle against fascism and imperialism at large, the nature of Stalinism and the prospect of a full socialist democracy, are all discussed in a compact study that makes a fitting and long overdue counterpart to Luk�cs's historic study of fifty years ago.

Trotsky: A Study in the Dynamic of His Thought

MANDEL, ERNEST

New Left Books

The most brilliant exponent of Frankfurt School Marxism subtly interweaves aesthetics and ideology in this probing analysis of the controversial composer's oeuvre.Written in exile from Germany, this potent study of Europe’s most controversial composer explodes the frontiers of musical and cultural analysis. Measuring key elements of Wagner’s oeuvre with patent musical dexterity, Adorno sheds light on a nineteenth-century bourgeois figure whose operas betray the social gestures and high-culture fantasies that helped plant the seeds of the modern Culture Industry. A foreword by Slavoj Zizek situates Adorno’s reflections within present debates over Wagner’s anti-Semitism and the moral status of his work, proving why this book remains one of the most important character studies of the twentieth century.

In search of Wagner

Arts & Photography

Theodor W. Adorno

Music

223p hardback with dustjacket, nice clean copy, first edition, a few faint pencil marks

The formation of the economic thought of Karl Marx: 1843 to Capital

Antonio Gramsci was born in Sardinia in 1891, became the leader of the Italian Communist Party in his early thirties, was arrested by Mussolini’s police in 1927, and remained imprisoned until shortly before his death ten years later. The posthumous publication of his Prison Notebooks established him as a major thinker whose influence continues to increase.Fiori’s biography enlarges upon the facts of Gramsci’s life through personal accounts, and through Gramsci’s own writings to relatives and friends. In relating Gramsci’s growth as a political leader and theorist to his private experience, it offers acute insights into his involvement in the factory councils movement. It examines his relationship with political opponents, including Mussolini, and with his comrades within the Communist Party before and during Gramsci’s imprisonment. It is an approach which seeks to explicate, as well as underscore, the substantial achievement of one of the most important figures in western Marxism.

Antonio Gramsci: life of a revolutionary

Politics & Social Sciences

GRAMSCI. FIORI, Giuseppe. NAIRN, Tom trans

Politics & Government

Unequal Exchange: Study of the Imperialism of Trade

Arghiri Emmanuel

Great Fear of 1789: Rural Panic in Revolutionary France

Georges, Lefebvre

The relationship between philosopher-critic Walter Benjamin and playwright-poet Bertolt Brecht was both a lasting friendship and a powerful intellectual partnership. Having met in the late 1920s in Germany, Benjamin and Brecht both independently minded Marxists with a deep understanding of and passionate commitment to the emancipatory potential of cultural practices continued to discuss, argue and correspond on topics as varied as Fascism and the work of Franz Kafka. Faced by the onset of the 'midnight of the century', with the Nazi subversion of the Weimar Republic in Germany and the Stalinist degeneration of the revolution in Russia, both men, in their own way, strove to keep alive the tradition of dialectical critique of the existing order and radical intervention in the world to transform it. In Understanding Brecht we find collected together Benjamin's most sensitive and probing writing on the dramatic and poetic work of his friend and tutor. Stimulated by Brecht's oeuvre and theorising his particular dramatic techniques - such as the famous 'estrangement effect' - Benjamin developed his own ideas about the role of art and the artist in crisis-ridden society. This volume contains Benjamin's introductions to Brecht's theory or epic theatre and close textual analyses of twelve poems by Brecht (printed in translation here) which exemplify Benjamin's insistence that literary form and content are indivisible. Elsewhere Benjamin discusses the plays The Mother, Terror and misery of the Third Reich, and The Threepenny Opera, digressing for some general remarks on Marx and satire. Here we also find Benjamin's masterful essay "The Author as Producer" as well as an extract from his diaries that records the intense conversations held in the late 1930s in Denmark (Brecht's place of exile) between the two most important cultural theorists of this century. In these discussions, the two men talked of subjects as diverse as the work of Franz Kafka, the unfolding Soviet Trials, and the problems of literary work on the edge of international war.

Understanding Brecht;

Walter Benjamin, Stanley Mitchell

Literature & Fiction

Lenin a Study In the Unity of His Though

Georg Lukács

Unequal Exchange: A Study of the Imperialism of Trade

Business & Money

Economics

No figure among the western Marxist theoreticians has loomed larger in the postwar period than Louis Althusser. A rebel against the Catholic tradition in which he was raised, Althusser studied philosophy and later joined both the faculty of the Ecole normal superieure and the French Communist Party in 1948. Viewed as a "structuralist Marxist," Althusser was as much admired for his independence of intellect as he was for his rigorous defense of Marx. The latter was best illustrated in For Marx (1965), and Reading Capital (1968). These works, along with Lenin and Philosophy (1971) had an enormous influence on the New Left of the 1960s and continues to influence modern Marxist scholarship. This classic work, which to date has sold more than 30,000 copies, covers the range of Louis Althusser's interests and contributions in philosophy, economics, psychology, aesthetics, and political science. Marx, in Althusser's view, was subject in his earlier writings to the ruling ideology of his day. Thus for Althusser, the interpretation of Marx involves a repudiation of all efforts to draw from Marx's early writings a view of Marx as a "humanist" and "historicist." Lenin and Philosophy also contains Althusser's essay on Lenin's study of Hegel; a major essay on the state, "Ideology and Ideological State Apparatuses," "Freud and Lacan: A letter on Art in Reply to André Daspre," and "Cremonini, Painter of the Abstract." The book opens with a 1968 interview in which Althusser discusses his personal, political, and intellectual history.

Lenin and Philosophy and Other Essays

louis-althusser

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