This is an expanded edition of Kinoglasnost: Soviet Cinema in Our Time. The book examines the fascinating world of Soviet cinema during the years of glasnost and perestroika-the 1980s. It shows how the reforms that shook the foundations of the Bolshevik state and affected economic and social structures have been reflected in the film industry. A new added chapter provides a commentary on the dramatic changes that marked the beginning of democracy in Russia. This book will be widely read by students and specialists of Soviet/Russian history, culture and society, and film studies, as well as by anyone with an interest in the transformations of Russian society. "What makes Kinoglasnost pre-eminent among current studies of the subject is the sustained attention Lawton pays to changes in the formal organization of Soviet cinema and in the cinema industry." - Julian Graffy, Sight and Sound, vol. 3 (July 1993) "Lawton's book now stands as a valuable work of history on one aspect of a collapsed system...This remains as a testimony of a fateful moment that has changed the course of history." - Louis Menashe, The Russian Review, vol.53, No.4 (October 1994). "The author constructs a complex, multilayered narrative of a steady and significant movement toward radical change in Soviet society, an account of the growing anxiety and the hope experienced by Russian filmmakers and the intelligentsia." - Ludmila Z. Pruner, Slavic and East European Journal, vol.38, No.4 (Winter 1994).

Before the Fall: Soviet Cinema in the Gorbachev Years

Humor & Entertainment

Lawton, Anna

Movies

New Academia Publishing/ The Spring

Imaging Russia 2000: Film and Facts

The fall of the Soviet Union had the effect of making Russia even more of a riddle to the foreign observer than it had ever been. This book incorporates into an organic whole the realities of film production, the films themselves, and the socio-political-cultural context, weaving these three threads into a narrative discourse. It aims to integrate the films of the 1990s with life, and to provide a global picture of Russia (with Moscow in the foreground) as the big stage on which the drama unfolded. The author discusses some eighty films made between 1990 and 2000. Many reflect the reality of the present day, either in dramatic or grotesque form. Others reassess the past, placing different spins on various epochs and figures according to the director's ideological orientation. Still others offer escapism into imaginary worlds. The films selected may vary in technical quality and depth of thought; they may be mainstream pictures, or art films. But taken together, they provide an eloquent portrait of Russia, entering the new millennium still in search of its true identity.

Lawton, Anna M.

This book incorporates into an organic whole the realities of the 1990s in Russia, focusing on film production, the films themselves, and the socio-political-cultural context. It aims to provide a picture of Russia (with Moscow in the foreground) as the big stage on which the drama unfolded. The author discusses some eighty films made between 1990 and 2000. Many reflect the reality of the present day, either in dramatic or grotesque form. Others reassess the past, placing different spins on various epochs and figures according to the director's ideological orientation. Still others offer escapism into imaginary worlds. The films selected may vary in technical quality and depth of thought; they may be mainstream pictures, or art films. But taken together, they provide an eloquent portrait of Russia, entering the new millennium still in search of its true identity.

"The republication of Professor Kenez's classic volumes is to be warmly welcomed. Based on copious archival research and a close reading of published memoirs and mixing careful narrative with judicious analysis, they still provide the definitive history of the anti-Bolshevik movement in South Russia. Their original publication provided an inspiration for a generation of scholars of the Russian Civil War; the new edition will certainly inspire another. The armchair historian too, as well as all those interested in the fate of contemporary Russia, will find much to admire and much to ponder upon in this well told tale of one of the most bloody and tragic episodes in recent European history." - Jonathan D. Smele, University of London. "The profession will be delighted to learn that this classic study of the Russian Civil War (1917-21) on its most crucial battleground is again available. Kenez's work was the first in any language to cut through the rhetoric of partisan memory and historiography in order to present a complicated and balanced view of both sides. While demythologizing Soviet historical explanations, Kenez is especially keen in displaying the enormous variety of the "White," or anti-Communist, movement and analyzing the causes of its defeat." - Richard Stites, Georgetown University.

Red Attack, White Resistance

History

Kenez, Peter

Russia

Second edition with an updated bibliography. This volume is the sequel to RED ATTACK, WHITE RESISTANCE by Peter Kenez. "The republication of Professor Kenez's classic volumes is to be warmly welcomed. Based on copious archival research and a close reading of published memoirs and mixing careful narrative with judicious analysis, they still provide the definitive history of the anti-Bolshevik movement in South Russia. Their original publication provided an inspiration for a generation of scholars of the Russian Civil War; the new edition will certainly inspire another. The armchair historian too, as well as all those interested in the fate of contemporary Russia, will find much to admire and much to ponder upon in this well told tale of one of the most bloody and tragic episodes in recent European history." - Jonathan D. Smele, University of London. "The profession will be delighted to learn that this classic study of the Russian Civil War (1917-21) on its most crucial battleground is again available. Kenez's work was the first in any language to cut through the rhetoric of partisan memory and historiography in order to present a complicated and balanced view of both sides. While demythologizing Soviet historical explanations, Kenez is especially keen in displaying the enormous variety of the "White," or anti-Communist, movement and analyzing the causes of its defeat." - Richard Stites, Georgetown University.

Red Advance, White Defeat

The book deals with the evolution of Sufi brotherhoods and their transformation into political vehicles. It analyzes how and why they became such significant powers in shaping the modern Islamic political scene. Events of September 11 and the current war with Iraq have brought Islam and Muslim people to the forefront. To the Western world, especially to Americans, Islam is an enigma. Islam is basically perceived of as a religion that impedes any type of development or modernity. However, the author argues, Islam is much more than a simple religion. It is an encompassing way of life that addresses all modalities: social, economical and political. The political tone within Islam was one that arose in the formation of the religion. "This book deals with an important subject - the political roles of popular Islamic associations like mystic brotherhoods and messianic-style movements. Examination of this subject is very important in the current global context where there is a high level of interest in activist Muslim organizations...Dr. DeGorge has undertaken a very ambitious and imaginative task in working to develop generalizations about the relationships between popular Islamic religious associations and politics through comparative analysis. The two cases that she has chosen - Sudan and China - are complex and significant case studies." - John Voll, Professor of Islamic History, Georgetown University.

From Piety to Politics: The Evolution of Sufi Brotherhoods

Degorge, Barbara

Middle East

What are the similarities between the mass extermination of idolaters in the Old Testament, the burning of witches in the Middle Ages, the extermination of native Americans, the mass killing of the Armenians at the hand of the Turks, the Holo- caust of the European Jews, and the communist eradication of the enemies of the people both in the Soviet Union and Cambodia? Are these to be seen as unique cases, or as the result of a recognizable pattern. The author provides insight into these questions, basing his argument on the latest sources. He maintains that the study of the dynamics that lead to mass destruction may provide a better understanding of the holocaust as a recurrent phenomenon.

God, Greed, and Genocide: The Holocaust Through the Centuries

Grenke, Arthur

World

Shakespeare's Theater of Likeness

Shoaf, R. Allen

Teen & Young Adult

This book combines theater and life in an attempt to consider how people inter- acted in face-to-face situations in early-modern England, and to examine the wider implications of those relationships for social organization. The research behind the text is interdisciplinary: it draws on mid-Tudor comedies, the City comedies, and early-Stuart plays, illustrating how the dramatic realism of those playwrights interrelates to the real social world. "The idea of this book to recreate the social structure from the way persons addressed one another and the variety of social descriptors employed is long overdue." - Richard Smith, FBA Professor of Historical Demography, Cambridge University. "It's a novel study of an intrinsically interesting subject, drawn from sources never before systematically explored by social historians. It will prove a useful contribution to early modern English social &amp; cultural history, opening another window on the lives, social networks, and language of ordinary folk." - Margo Todd, Walter H. Annenberg Professor of History, University of Pennsylvania. "David Postles was able to successfully combine research across the disciplinary boundaries between social history and literary and sociological analysis.... The result is a subtle and multivalent study of human conduct, social position, and the ways in which early-modern subjects sought to fashioning their own identities-and were in turn fashioned by others- through the language of social exchange." -- Greg Walker, Professor of Early-Modern Literature and Culture, University of Leicester. "This book promises to be simultaneously a significant con- tribution to interdisciplinary scholarship-across the fields of history, literature, and the social sciences-and a work of abiding human interest." - Charles Phythian-Adams, Professor Emeritus of English Local History, University of Leicester.

Social Proprieties: Social Relations in Early-Modern England (1500-1680)

Politics & Social Sciences

Postles, David A.

Sociology

"Forty years after its original publication, Vladimir Markov's Russian Futurism: A History remains the classic in its field. Its learned account of Russian avant-garde poetics with respect to various forms and genres-poems, plays, artist's books, manifestos-is still the first I turn to when I want to review the critical information about Futurist manifestos or Khlebnikov's long poems and stories, or the collaborations of Goncharova and Kruchenykh. Meticulous and thorough, Markov's book, in this new edition, will be indispensable for students of the avant-garde." - Marjorie Perloff, Sadie D. Patek Professor Emerita of Humanities, Stanford University, Scholar-in-Residence, University of Southern California, author of The Futurist Moment. "It is wonderful to have this classic study of Russian Futurism and related movements back in print. Everyone who studies Russian modernism and the avant-garde has used and benefited from it. If any single book can be called 'indispensable' for the study of a period, it is Markov's, and now further generations can have it at hand. It is a book to give the lie to the Futurist épatage 'read this book and destroy!' Keep forever!" - John Malmstad, Samuel Hazzard Cross Professor of Slavic Languages and Literatures, Harvard University. "The publication of Russian Futurism: A History almost forty years ago was a major cultural event. That the book is still the most accurate and comprehensive English-language directory to the literature of the Russian avant-garde testifies to the richness and prescience of Vladimir Markov's scholarship." - John Bowlt, Professor of Slavic Languages and Literatures, University of Southern California; Director, Institute of Modern Russian Culture, Los Angeles.

Russian Futurism: A History (Russian History and Culture)

Literature & Fiction

Markov, Vladimir F.

History & Criticism

See the best price to sell, buy or rent books by the New Academia Publishing/ The Spring publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by New Academia Publishing/ The Spring

See the best price to sell, buy or rent books by the New Academia Publishing/ The Spring publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Before the Fall: Soviet Cinema in the Gorbachev Years

Imaging Russia 2000: Film and Facts

Imaging Russia 2000: Film and Facts

Red Attack, White Resistance

Red Advance, White Defeat

From Piety to Politics: The Evolution of Sufi Brotherhoods

God, Greed, and Genocide: The Holocaust Through the Centuries

Shakespeare's Theater of Likeness

Social Proprieties: Social Relations in Early-Modern England (1500-1680)

Russian Futurism: A History (Russian History and Culture)