Cultural Writing. Literary Criticism. The two discussions in WHAT WE SHOULD HAVE KNOWN took place at the offices of n+1 in the summer of 2007. Eleven n+1 editors and contributors--including Caleb Crain, Meghan Falvey, Mark Greif, and Ilya Bernstein--met to talk frankly about regrets they have (or don't have) about college--what they wish they had read or had not read, listened to or not listened to, thought or not thought, been or not been. The idea for the discussions was prompted by a desire to give college students a directed guide, of some sort, to the world of literature, philosophy, and thought that they might not otherwise receive from the current highly specialized university environment. They were also an attempt to answer the "canon"-based approach to college study in two ways: by identifying canonical books produced by our contemporaries or near-contemporaries--something conservative writers have always refused to do--and, second, by articulating a better reason to read the best books ever written than that they authorize and underwrite a system of brutal economic competition and inequality.

What We Should Have Known: Two Discussions (N+1 Research Branch Pamphlet)

Literature & Fiction

Keith Gessen

Essays & Correspondence

n+1 Books

A follow-up to n+1's 2007 pamphlet What We Should Have Known, No Regrets talks to twelve writers, editors, academics, and artists about life and reading in their early twenties.

No Regrets: Three Discussions

Elizabeth Gumport

Sara Marcus

Dawn Lundy Martin

Sarah Resnick

Carla Blumenkranz

Emily Gould

Emily Witt

Elif Batuman

Amanda Katz

Namara Smith

Kristin Dombek

Astra Taylor

Other Russias is the brilliant first collection of graphic journalism by artist and activist Victoria Lomasko. A fixture at Moscow's protests and political trials, Lomasko illuminates the inequality and injustice at the heart of contemporary Russian society and gives voice to Russia's many voiceless citizens. Not content to remain in the capital, she travels the country, visiting schools in dying villages; interviewing sex workers in foundering industrial towns; teaching children at juvenile prisons to draw, all while drawing their stories. Her portraits allow readers to see these people as more than words on paper and to see them as she does: with dignity, compassion, and love. Other Russias is an urgent and poignant work by a major talent.

Other Russias

Lomasko, Victoria

Children's Books

For the past seven years, the Stanford Literary Lab, founded by Franco Moretti and Matthew Jockers, has been a leading site of literary scholarship aided by computers and algorithmic methods. This landmark volume gathers the collective research of the group and its most remarkable experiments. From seemingly ineffable matters such as the loudness of thousands of novels, the geographic distribution of emotions, the nature of a sentence and a paragraph, and the evolution of bureaucratic doublespeak, descriptions emerge. The Stanford Literary Lab lets the computers provide new insights for questions from the deep tradition of two centuries of literary inquiry. Rather than, like the rest of us, letting the computers lead. The results are adventurous, witty, challenging, profound. The old questions can finally get new answers as the prelude to new big questions. Canon/Archive is the fulfillment and further development of distant reading, adding a rare, full-length monument to the piecemeal progress of the digital humanities. No student, teacher, or inquisitive reader of literature will want to be without this book just as no one interested in the new data-attentive methods in history, criticism, and the social sciences can afford to evade its summons.

Canon/Archive: Studies in Quantitative Formalism

Franco Moretti

Mark Algee-Hewitt

Sarah Allison

Marissa Gemma

Ryan Heuser

Matthew Jockers

Holst Katsma

Long Le-Khac

Dominique Pestre

Erik Steiner

Amir Tevel

Hannah Walser

Michael Witmore

Irena Yamboliev

Literary

Hamrah is committed to his ambivalence, conveying it with a mixture of precision and conviction that will remind you how much more there is to be gleaned from a review than whether a movie is 'good' or 'bad' (even if it's a movie you happen to deem very good or very bad indeed) . . . A political awareness imbues Hamrah's criticism without weighing it down. He doesn't succumb to a leaden moralizing because he pays close attention to the medium he's writing about, alert to what he sees and hears. --Jennifer Szalai, New York Times The Earth Dies Streaming collects the best of A. S. Hamrah's film writing for n+1, The Baffler, Bookforum, Harper's, and other publications. Acerbic, insightful, hilarious, and damning, Hamrah's aphoristic capsule reviews and lucid career retrospectives of filmmakers and critics have taken up the mantle of serious American film criticism pioneered by James Agee, Robert Warshow, and Pauline Kael and carried it into the 21st century. Taken together, these reviews and essays represent some of the best film criticism in the English language. The Earth Dies Streaming showcases a remarkable critical intelligence while offering a cultural history of the cinema of our times.

The Earth Dies Streaming: Film Writing, 2000–2018

Humor & Entertainment

Hamrah, A.S.

Movies

Poetry. Literary Nonfiction. Translated from the Russian by Keith Gessen with Mark Krotov, Corey Mead and Bela Shayevich. Edited and introduced by Keith Gessen, IT'S NO GOOD includes selected poems from Kirill Medvedev's four books of poetry as well as his most significant essays: "My Fascism" (on the failure of post-Soviet Russian liberalism, politically and culturally); "Literature and Sincerity" (on the attractions and dangers of the "new sincerity" in Russian letters); "Dmitry Kuzmin, a Memoir" (a detailed memoir and analysis of the work of the 1990s Moscow poet, publisher, and impresario Kuzmin, and what his activity represents). This is Medvedev's first book in English. "Kirill Medvedev is the most exciting phenomenon in Russian poetry at the beginning of the new century. To be fair, that's not a compliment. It's a judgment. You get the sense that Medvedev has no fear, and that this fearlessness costs him nothing. Such things are rarely forgiven."—Dmitry Vodennikov

It's No Good (Eastern European Poets, 30)

Medvedev, Kirill

Over the past few years, in essays published in n+1, Jewish Currents, and elsewhere, Ari M. Brostoff has grappled with the intellectual upheavals and political contradictions that surfaced during the Trump era. After the breaking point of the 2016 election, Brostoff writes, “the world came back into hideous focus” and they began to feel, for the first time, “like a long-term inhabitant of the present.” Missing Time collects five remarkable essays and a new introduction that trace the return of the 20th century’s political and cultural repressed in personal and collective terms. In prose that is simultaneously sharp and soulful, mournful and ecstatic, Brostoff offers lucid considerations of the reemergent millennial left, the enigmas of the X-Files, the complexities of Philip Roth’s (anti-)Zionism, and other novelties, atavisms, and atavisms newly reborn as novelties. From the communist ardor of the Bronx circa 1940 to the ’90s haze of the San Fernando Valley to a Brooklyn apartment building’s tenants’ association in the midst of a global pandemic, Missing Time collapses past and present into a revelatory encounter with very recent history.

Missing Time: Essays

Brostoff, Ari M.

n+1 was founded in 2004 as a little magazine with big ambitions that would treat literature, culture, and politics as inextricable concerns. Within a decade, it went from a pipe dream in a Brooklyn apartment to "the bellwether of a new generation of literary intellectuals" (Harper's Magazine)--an essential publication known for discovering talent and marking the cutting edge of political and cultural discourse. Twenty years in, the magazine's impact on American intellectual life remains undiminished. The Intellectual Situation: The Best of n+1's Second Decade collects twenty-four era-defining essays, short stories, and reviews published by n+1 between 2014 and 2024. Featuring a murderer's row of 21st-century writers and thinkers--including Andrea Long Chu, Anna Wiener, Tobi Haslett, Tony Tulathimutte, A. S. Hamrah, Sarah Resnick, Ari M. Brostoff, Elizabeth Schambelan, Jesse McCarthy, Gabriel Winant, Dawn Lundy Martin, and writer-editors Dayna Tortorici, Nikil Saval, Mark Krotov, Lisa Borst, and Nausicaa Renner--The Intellectual Situation is a gateway drug to the vast, heady, and impossibly variegated world of n+1. Whether examining the Bernie Sanders campaign or start-up culture, trap music or contemporary sexual politics, the George Floyd protests or the Covid-19 pandemic, the entries in this definitive anthology capture how the US's premier intellectual magazine met an extraordinary moment in history.

The Intellectual Situation: The Best of n+1's Second Decade

The Last Soviet Artist

Biographies & Memoirs

Arts & Literature

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