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Allen Memorial Art Museum Highlights from the Collection (Oberlin College)

Derstine, Andria

Museum;et Al

Startling in their size and detail, Cadieuxs photographs murals create an archetypal dialogue between a man and a woman. Dissected representations of the human body and face form carefully calibrated images that provoke strong, conflicting reactions: fear/euphoria, desire/repression. Three essays elucidate the career of this internationally acclaimed artist. Cadieux has had exhibitions at the Pompidou Center (Paris) and the New Museum of Contemporary Art (New York).

Genevieve Cadieux

Reference

Watson, Scott

Pontbriand, Chantal

Foreign Language Study & Reference

Vosdanik Manouk Adoian a.k.a. Arshile Gorky

Dore Ashton

GORKY, Arshile

Matthew Spender

Urban Evidence: Contemporary Artists Reveal Cleveland - Two (2) Volume Set

Eleanor Heartney

Sangster, Gary

A Window Into Collecting American Folk Art: the Edward Duff Balken Collection At Princeton

et.al.

Balken, Edward Duff

Printed in France by Color 36, 2006.183 color rep.Available in: English, Spanish and French.Also available are editions signed by the artist ($150.00). 2 copies in stock.

Jean Miotte Works of 1946-2006

Jean Miotte

Lenczner, Serge

Contemporary + Cutting Edge: Pleasures of Collecting, Part III

Peter C. Sutton Nancy Hall-Duncan

From the Mr. Ivey-Long's website: William Ivey Long recently won his sixth Tony Award for his designs for Rodgers and Hammerstein's Cinderella which is running on Broadway along side Chicago, now in its 17th year! He also currently serves as Chairman of the Board for The American Theatre Wing. He has also designed for such artists as Mick Jagger, Siegfried and Roy, the Pointer Sisters, Joan Rivers, and for choreographers Paul Taylor, Twyla Tharp, Peter Martins, David Parsons and Susan Stroman. He serves as Production Designer for North Carolina's oldest running seasonal outdoor drama, The Lost Colony, which was the 2013 recipient of the Tony Honor for Excellence in the Theatre. He returns in 2013 for his 43nd season with the production.Mr. Long holds honorary degrees from The University of North Carolina at Chapel Hill, The University of North Carolina at Asheville, and The College of William and Mary. He was the recipient of the Morrison Award (1992), the UNC Chapel Hill Playmakers Award (1994), the National Theatre Conference "Person of the Year" award (2000), the Order of the Long Leaf Pine (2001), the Distinguished Career Award from the Southeastern Theatre Conference (2002), the Raleigh Medal of Arts (2010), and the 2004 North Carolina Award presented by Governor Easley.Mr. Long earned an undergraduate degree in history from The College of William and Mary, was a Kress Fellow at University of North Carolina at Chapel Hill, and then earned a Master of Fine Arts degree in stage design from Yale University School of Drama.Upcoming projects for Broadway include Big Fish, Bullets over Broadway, and The Merry Widow for The Metropolitan Opera. Mr. Long has been nominated for 13 Tony Awards. He was inducted into the Theatre Hall of Fame in 2005, and was elected Chairman of The American Theatre Wing in June, 2012.

Between Taste and Travesty: Costume Designs by William Ivey Long

Et a.

Polly (editor)

William Ivey Long

Clay’s Tectonic Shift focuses on artists John Mason (b. 1927), Kenneth Price (1935-2012), and Peter Voulkos (1924–2002) and their radical early work in postwar Los Angeles where they formed the vanguard of a new California ceramics movement. The three artists broke from the craft tradition that emphasized the function of a piece. Experimenting with scale, surface, color, and volume, their work was instrumental in elevating ceramics from a craft to a fine art. Earlier exhibitions and publications stated that key innovations in this new ceramics movement were made at the Otis Art institute and that its direction was defined by a group of students surrounding the charismatic leader Voulkos. The truth is that the new trend in ceramics was driven by the works that Price, Mason, and Voulkos made in a subsequent, independent phase when they were working as professional artists in Los Angeles, and the goal of Clay’s Tectonic Shift is to correct that misperception. These three artists followed individual paths as they willfully propelled a new use of the medium into the mainstream professional arena, where it was widely recognized and documented. An exhibition of the same name will be on view at the Ruth Chandler Williamson Gallery at Scripps College from January 21 through April 8, 2012, as part of Pacific Standard Time, a collaboration of more than sixty cultural institutions across Southern California to tell the story of the birth of the Los Angeles art scene.

Clay's Tectonic Shift, 1956-1968 : John Mason, Ken Price, Peter Voulkos

John, Mason

MacNaughton, Mary Davis

Ken Price

Peter Voulkos

Science & Math

Paddy Bedford

Bedford, Paddy

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