Poetry. Fiction. Literary Nonfiction. LGBTQIA Studies. Women's Studies. Art. The turbulent, hopeful and at points frankly wretched social, political and economic twists and turns of this year have reinforced the respect we have for the artists and writers we work with and publish, and have reiterated the importance of an active sense of community and the need for a collective desire to reimagine potential futures with vigour. The collection you are about to read embodies this spirit, including contributions from many locations around the world, seeking to embrace the unexpected and curious within contemporary art practices dealing with writing in multiple forms. At Montez Press we are committed to work which takes risks, THE INTERJECTION CALENDAR publication disrupts the status quo and aims to educate in multiple and non-didactic ways. THE INTERJECTION CALENDAR is an on and offline project, devised and hosted by Montez Press. Each month an artist or writer is commissioned to produce a new piece of work for release on our website. The PDF can be downloaded for free and there are 12 releases per year. At the end of the year the collection is published, demonstrating a diverse range of collaborations and experimental works, mapping the year in contemporary art writing, with equal space held for the emerging and the established. THE INTERJECTION CALENDAR reflects the current importance of online content media, pushing the relationship between image and text in this domain. Contributors include Tingying Ma, Hava Carvajal and Maz Murray 'The Right Lube', Jasmine Gibson, Elise Wortley, Saucy Sez (Sarah Smith), Miranda Shutler, RÛisÌn Tapponi, Onyeka Igwe, Yasmine Akim, Rhea Dillon, Elif Saydam and Maxi Wallenhorst, and George Nesbitt.

The Interjection Calendar 006

Literature & Fiction

Contemporary

Montez Press

Magazine. Poetry. Women's Studies. LGBTQIA Studies. Art. Edited by Anja Dietmann. Within the format of a magazine, each page of PFEIL MAGAZINE represents the floor, walls, or ceiling which together create an imagined room displaying a printed exhibition. Each issue is dedicated to a specific word, and artists are invited and given space to work on and with this term, and to construct or deconstruct the architecture around it. Combined, the contributions transform into an organic display surrounding the leitmotif. Deriving from the Old French nature (being, principle of life; character, essence), in turn stemming from the Latin word natura (course of things; natural character, constitution, quality; the universe), this issue revisits the term Nature once again, with all its direct and indirect meanings. In times of global warming and the urgent necessity for active change, we deal with the effects of cultural mimicry, the language of trees, artificial yolk dye, how natural resources can change in their worth and meaning, and question how the theory of evolution would have manifested under a female lens in the 19th century. Contributions by Aseel AlYaqoub, Birte Brechlin, Christopher Weickenmeier, Constance DeJong, David Fletcher, David Reiber Ot·lora, Denise Bertschi, Emmett Walsh, Jocelyn Saidenberg, Katherine Lee, Katie Holten, Kinke Kooi, Leticia Ybarra Pasch, Marina Pinsky, Nadia Christidi, Nina Kuttler, Nora Schultz, Patricia Valencia, Rachel &#262;osi&#263;, Suné Woods, Till Krause, Volker Renner, Zane Fischer, Zlatko &#262;osi&#263;.

Pfeil Magazine 14: Nature

Reference

There is a story about a meatball which comes out of nowhere, hitting some people's heads and changing their lives forever. There is a mouse that gets caught while trying to find a cheesy snack. There has been a 100% increase in the cost of rent in Berlin in the past 10 years and no increase in my wages. A bag full of basmati rice. A teacher stuck at work waiting for students stuck at work. There is the price one pays to purchase organic underwear so that their intimate parts are not stifled from nine hours in the office chair. There are 10 missed calls from my mother. There are places to which one cannot return and cities where it is impossible to live. There are fertility treatments that send fish oil straight into the veins two days before and two days after ovulation. The feeling of a needle in the middle of the uterus, which could be due to pregnancy, or due to fear. There is a Master's thesis which is no Master's thesis. There is a book that was not intended to be published, that was not intended to be read. Eva &#270;urovec works as a software tester 40 hours per week and studies art at the same time. There are not enough hours in the day to complete everything, to comply with everything. And then there is also her desire to have children. The question: how can all of this be reconciled within the profession of artist? &#270;urovec investigates the possibilities that arise from different class formats, and asks what we produce and reproduce--with our bodies, through our routines, trapped between the recurring desires and cruelties of daily life. Fiction. Autofiction. Art.

New Mind Mapping Forms

Ďurovec, Eva

Genre Fiction

Within the format of a magazine, each page of Pfeil represents the floor, walls, or ceiling which together create an imagined room displaying a printed exhibition. Each issue is dedicated to a specific word, with artists invited and given space to work on and with this term, and to construct or deconstruct the architecture around it.Combined, the contributions transform into an organic display surrounding the leitmotif. From its seeds to its crumbs, this issue focuses on the meaning of bread. One of the oldest human-made staples, rooted in the dawn of agriculture and the settling of land, its ingredients both unite and divide, create winners and losers. We deal with madness and explosives, coincidences and intoxication, distribution and possession--and cake. Contributors: Adnan Softi&#263;, Alice Creischer, Aseel AlYaqoub, Beat Bächi, Christian Parenti, Clara Alisch, Julien Fargetton, Lauralee Pope, Lexie Smith, Lila de Magalhaes, Lucia Graf, Maia Schall, Ma&#322;gorzata Fonfria-Pereda, Mirna Bamieh, Mladen Stilinovi&#263;, Nina Beier, Nina Kuttler, Peter Wächtler, Rustum Kozain, Schwester Ruth, Vincent Ramos. Fiction. Poetry. Literary Nonfiction. Art. Hybrid Genres. Anthology.

Pfeil Magazine 15: Bread

Literary

Sinkhole: Three Crimes

Humor & Entertainment

McLaughlin, Rosanna

Humor

The Interjection Calendar 008

Fiction. LGBTQIA Studies. Tom Buckle is an ambitious young moderate Labour apparatchik, rising happily through the party bureaucracy on a diet of bottomless brunches, legitimate concerns and drug-fueled Blairite sex parties. That is until he meets Otto, a charismatic young radical whose urge for cocks, communism, and a mysterious plot for the victory of the holetariat opens his eyes to a changing world. Finding himself thrown into a chaotic new political landscape of pigfucking PMs, frog-frenzied neonazis and falafel-throwing communists, Tom has to pick a side. Will he manage to nd a third way to a safe seat, or will Corbyn's terrifying red horde make his moderate mission impossible? And can Tom resist the most seductive of all highs--pure, high-grade socialism, main-lined straight into London's clogged and throbbing veins? So much for a kinder, gentler form of politics!

RED TORY: My Corbyn Chemsex Hell

Lemmey, Huw

Pfeil Magazine #12: Economy

Poetry. Fiction. Hybrid Genre. Women's Studies. Art. "In Hannah Regel's brilliant collection, OLIVER REED, the figure of the horse becomes an object for language's brutality and the all too familiar subjugation of women's voices, bodies, and labour. An impressive hyperbolic pastiche of pleasurable misbehavior guides a girl named Sorry through her own undoing while naming new tools for calculated resistance. 'Kill the language. Kill it. Get the shovel. We're making a belt.' I would gladly do whatever she tells me to do and wouldn't think of doing otherwise. Regel creates a new order for the ecstatic wreckage of obedience."--Cassandra Troyan

Oliver Reed

Regel, Hannah

Poetry

Fiction. LGBTQIA Studies. YOUTH RAGE! YOUTH VIOLENCE! YOUTH ORGASMS! FEAR OF A GAY UNDERCLASS--ARMED--DANGEROUS--SICK FUCKS. Andy 'Chubz' Wilson is just another NEET on the street, spending his summer days sucking dick and chilling in the park, one hand on his touchscreen, the other down his pants. That is, until he meets charming left-wing journalist and cute crypto-twink Owen whilst trawling grindr for sex. But what starts as a quick, breathless hookup ends up changing Chubz--and London--forever. Whilst Owen battles poppers-mad PM Nigel 'Nige' Farage, our cock-hungry comrade wages his own 'ass' war, and is left wondering: just what exactly is it he's fighting for? Socialism? Barbarism? Or just cheap kicks?

Chubz: The Demonization of My Working Arse

Spitzenprodukte

Erotica

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