A comprehensive, yet flexible and holistic approach to the human body for artists, Roberto Osti’s method of teaching anatomy is exhaustive, but never loses sight of the fact that this understanding should lead to the creation of art. Basic Human Anatomy teaches artists the simple yet powerful formula artists have used for centuries to draw the human figure from the inside out. Osti, using the basic system of line, shape, and form used by da Vinci, Raphael, and Michelangelo, takes readers step-by-step through all the lessons needed in order to master this essential foundation skill. Organized progressively, the book shows readers how to replicate the underlying structure of the body using easy-to-understand scales and ratios; conceptualize the front and side views of the skeleton with basic shapes; add detail with simplified depictions of complex bones and joints; draw a muscle map of the body with volumetric form and realistic dimension; master the feet, hands, and skull to create realistic renderings of the human form; and apply a deeper knowledge of anatomy to finished drawings for more impact.

Basic Human Anatomy: An Essential Visual Guide for Artists

Arts & Photography

Osti, Roberto

Study & Teaching

Monacelli Studio

In the tradition of American painters such as Andrew Wyeth, Thomas Eakins, Winslow Homer, and John Singer Sargent, Mario Andres Robinson shows us how to create beautiful, timeless, classical watercolor paintings through the use of simple, yet sophisticated, contemporary techniques every watercolorist needs to know. Many artists find watercolor difficult to control and are often disappointed with the results. The water meanders across the surface of the paper and, given the proper nuance by the artist’s brush, it will reluctantly settle. Robinson’s approach to the medium of watercolor is primarily traditional but his methods are unconventional. Robinson simplifies the process and teaches artists to layer colors from light to dark and to focus on the highlighted areas first. He teaches that the values should be established in the beginning stages of the painting, using a monochromatic block-in that allows you to glaze pure layers of color over a muted gray underpainting. The results produce more sophisticated, subtle paintings. Further, his “live in the moment” approach embraces watercolor’s unpredictability as part of the process, the end result being a painting with intensity, spontaneity, and beauty. Inspiring, concise, and practical, Mario Andres Robinson gives watercolorists of every skill level—from beginner to advanced to professional—encouraging advice and the must-have materials and techniques information they need to take their realistic painting to the next level, such as: Essential Studio Practices • Materials and Tools • Exploring Your Subject • The Importance of Drawing • Watercolor Techniques • Considering Value • Incorporating Color • Overcoming Watercolor Challenges • An Artist’s Life Richly illustrated, the book features over 100 of Robinson’s luminous, emotive watercolors; works by past and present watercolor masters, including John James Audubon, Henry Casselli, Thomas Eakins, Winslow Homer, Michael Lowery, John Singer Sargent, and Stephen Scott Young; 8 in-depth step-by-step painting demonstrations; color charts; product illustrations; and diagrams.

Lessons in Realistic Watercolor: A Contemporary Approach to Painting People and Places in the Classical Tradition

Robinson, Mario Andres

History & Criticism

A DC Comics illustrator shows readers how to conceptualize, draw, and digitally enhance their own science fictional worlds—whether for graphic novels, comics, movies, or video games. Sci-fi imagery commands today’s popular culture, from Star Wars to The Hunger Games and The Walking Dead. For clear-eyed artists, ages 12 and up, who see that science fiction is becoming science fact at an astounding rate, How to Draw Sci-Fi Utopias and Dystopias gives an in-depth look at the process of completing sci-fi illustrations—from the thought behind them (brainstorming and conceptualization) to constructing basic forms and objects on paper, converting roughs into finished pencil drawings, inking them in, and coloring them in Photoshop. The book is organized around the perennial distinction between two ways of representing the future in sci-fi: the pessimistic and the hopeful, or dystopian and utopian. After a basic primer on drawing (perspective, human faces, basic anatomy, light, shadow, rendering, and composition), five chapters detail the drawing of sci-fi humans, aliens and robots, land vehicles, flying vehicles, and cityscapes. Rollins demonstrates the astounding power of science fictional storytelling with 32 step-by-step case studies invented just for the book. Each demo is dated to a unique imagined future or alternate past and explained with fascinating detail. Examples include: battle-hardened mercenaries; a bizarre biomechanical alien that lives on a furnace-hot planet; a gigantic truck of the near future with a built-in apartment; a miles-long nuclear ramjet interstellar spaceship; a retro-utopia reminiscent of The Jetsons; and a galactic imperial city of staggering proportions. How to Draw Sci-Fi Utopias and Dystopias is packed with professional tips on the right tools, techniques, and materials; how to draw tech; when to Google a reference photo or use a background from istockphoto.com; how to get and stay inspired; and how to execute a unique story. The gorgeous and varied artwork, and thoughtful storytelling combined with friendly instruction, will leave readers with hundreds of new ideas to create worlds of their own.

How to Draw Sci-Fi Utopias and Dystopias: Create the Futuristic Humans, Aliens, Robots, Vehicles, and Cities of Your Dreams and Nightmares

Comics & Graphic Novels

Rollins, Prentis

How To Create Comics & Manga

A straight-to-the-point “everything-you-need-to-know” guide to the world of professional illustration for aspiring artists and recent art-school graduates—not only the technical essentials (the difference between narrative versus conceptual illustration, diagramming a composition, mastering negative space, and the impact of different mediums from watercolor to digital to textiles), but industry insights, real-world insider advice, and honest personal development tips from an experienced teacher (“if you say your style is ‘manga’ or ‘anime’ then you have no style”). From a Newsweek cover depicting the Bush family as characters on Game of Thrones; to the Sistine Chapel (the complete illustrated bible)—visual storytelling through illustration has been an important mode of communication in every culture since ancient times. Unlike a fine artist, an illustrator creates images that serve a specific purpose, and successful illustrators need much more than just talent. Drawing on a decade of teaching, including at Maryland Institute College of Art and as cofounder of the new Baltimore Academy of Illustration, along with over three decades of professional experience as an illustrator for clients like Marvel Comics, Relapse Records, and The Village Voice—Greg Houston places aspiring artists and recent graduates squarely in the current marketplace, and inspires them to pursue work in the large and lucrative field of professional illustration in a way that will be personally and professionally rewarding for years to come. Illustration that Works demonstrates exactly why illustration is so important to the way we see and communicate today, and how it can be done effectively in an infinite number of styles. Includes: Thought-provoking assignments - Illustrate an op-ed that’s either pro or against religion in the public sphere - Create 3 posters for an HBO documentary series on sex (that can still be displayed anywhere) - Illustrate a pair of identical twins whose lives have veered apart dramatically 400 examples of artwork - Assignments completed by talented students - Pieces from 50 classic and contemporary master illustrators including Brian Sanders, Marshall Arisman, Roberto Parada, Steve Brodner, Paul Rogers, and Greg Spalenka - Houston’s own pieces, both finished and failed

Illustration that Works: Professional Techniques for Artistic and Commercial Success

Houston, Greg

Graphic Design

Plein air painting, the art of painting outdoors, offers possibilities artists can’t find inside the studio. When painters set up easels outside, they put themselves in direct contact with nature. Responsiveness to the landscape’s changing light, forms, and colors yields work that’s lively and spontaneous. However, plein air painting also poses a set of challenges not encountered in the studio. There are matters of choosing a location, rationing the number of supplies to bring, working within a time limit, adjusting to sudden changes in weather, and possibly even testing physical endurance when transporting equipment to a painting site. The Art of Plein Air Painting presents the full picture of what painting en plein air requires. Devoted plein air artist M. Stephen Doherty guides readers through how to choose the best spot, which materials and tools to bring, and the basics of mixing colors and preparing canvases and panels ahead of time. Sidebars and step-by-step demonstrations cover topics that range from sketching out a composition to starting a painting with washes or lines, toning a surface, and doing a cityscape. Doherty even teaches how to do a nocturne—a painting made after the sun has gone down. Works by famous plein air painters, such as Claude Monet and John Singer Sargent, are discussed, along with works by some of today’s best plein air artists. Doherty interviews contemporary masters Mark Boedges, Clyde Aspevig, Kathryn Stats, Michael Godfrey, Joseph McGurl, and Clive C. Tyler to gain a deeper insight into the plein air process. Finally, the book contains information on plein air events—workshops, county festivals, and juried shows—now being held across North America, as well as advice on selling finished work.

The Art of Plein Air Painting: An Essential Guide to Materials, Concepts, and Techniques for Painting Outdoors

Doherty, M. Stephen

Painting

An Authoritative, Comprehensive Guide for Contemporary Figurative Artists At a time when renewed interest in figurative art is surging throughout the art world, author Robert Zeller presents The Figurative Artist’s Handbook—the first comprehensive guide to figure drawing and painting to appear in decades. Illustrated with Zeller’s own exquisite drawings and paintings as well as works by nearly 100 historical and contemporary figurative art masters, the handbook is also a treasure trove of the finest figurative art of the past and the present day. Included are Michelangelo, Pieter Brueghel the Elder, Peter Paul Rubens, Jean-Auguste-Dominique Ingres, Gustav Klimt, Edward Hopper, Andrew Loomis, Andrew Wyeth, Lucian Freud, Odd Nerdrum, Eric Fischl, Bo Bartlett, Steven Assael, John Currin, and many others. Original and thoroughly modern in his approach, Zeller brings together three figure-drawing methods long thought to be at odds, synthesizing these seemingly incompatible techniques to achieve a cohesive and complete understanding of the human figure. Although all three methods underlie contemporary fine-arts practice and education, no artist’s handbook has ever combined them before: The Study of Gesture (Disegno): Rooted in the Italian Mannerist style of the 16th and 17th centuries, the gestural method emphasizes life, rhythm, and movement in the human body. The Structural Approach: A mainstay of 20th- and 21st-century art instruction, this method applies an architectural perspective to the body, using a block conception for anatomically sound, solid figures. The Atelier Method: Based on the training provided by 18th- and 19th-century art academies, the atelier approach creates sensual, smooth renderings based on meticulous study of the figure’s surface morphology in light and shadow. Covering all the basics as well as many advanced techniques, The Figurative Artist’s Handbook is aimed at both students and experienced artists. A practical, how-to guide, it provides in-depth step-by-step instruction and—rare among figure-drawing books—features sections on composition, portraiture, and painting. Chapters on creativity and on using a sketchbook help readers hone their artistic vision and evolve ideas from the initial inspiration to the fully developed work. Also included is an extensive section highlighting the great movements in figurative art throughout history—from ancient Egypt and Greece to the present.

The Figurative Artist's Handbook: A Contemporary Guide to Figure Drawing, Painting, and Composition

Zeller, Robert

Drawing

BRING YOUR IMAGINATION TO LIFE In her second manga book, best-selling author J.C. Amberlyn focuses on favorite manga archetype characters, with a fun and lively how-to-draw book aimed at beginners. Every genre of manga has its typical characters—plucky hero and heroine; school boys and girls; funny friend/sidekick; serious warrior; young innocent; bishounen; genki girls; chibis; chibi animals; cat girls/cat boys; magical girls; adorable animals; strong/scary animals; gothic characters; fantasy characters—and they are all here along with the step-by-step drawing instructions needed to give even beginners the direction they need to create the favorite characters they can’t get enough of. A final chapter on backgrounds, scenery, and the environment will further give readers the information they need to pull everything together and create their own manga characters and the worlds they live in. Includes 23 step-by-step demonstrations and exercises. J.C. Amberlyn takes you through everything you need to know to create your favorite manga characters from Japanese comics or design your own. INCLUDES IN-DEPTH INSTRUCTION ON: INTRODUCTION What Is a Character * Creating a Manga Character * This Book * Materials and Supplies CHARACTER TYPES Manga Character Archetypes and Story Genres * Manga Character Types * Some Common Terms and Color Associations DRAWING THE HEAD AND FACE Human Heads and Faces * Noses, Ears, and Mouths * Eyes * Hair * Animals EXPRESSIONS Emotions * Accessories * Exaggerating Features * Using Fur, Feathers, and Scales * Perspective * Animal Expressions * Dragons BODIES AND GESTURES Anatomy of a Chibi, Child, Woman, and Man * Gestures * Posture, Angles, and Character Appeal * Clothing and Accessories * Wings * Animal Bodies SETTINGS, SCENES, AND SAMPLES Props * Character Design Examples * Silhouettes * Scenes * Character Sheets

How to Draw Manga Characters: A Beginner's Guide

Amberlyn, J.C.

Art and dogs come together in this richly illustrated, in-depth guide to creating charming portraits of dogs big and small. How to Draw Dogs and Puppies continues a rich tradition of dogs in art. In this step-by-step guide to drawing over 100 different breeds and mixed breeds of dogs and puppies in pencil and pen-and-ink, best-selling author J. C. Amberlyn combines her love of dogs with her beautiful, detailed drawing style. Organized around the American Kennel Club (AKC) dog breed categories and covering many of the most popular breeds as well as the beloved mutt and puppies, the book includes 40 easy-to-follow step-by-step instructions for drawing a wide range of dogs in many poses and a variety of expressions. J. C. includes basic information on art materials and the fundamental mechanics of drawing so that even beginners will feel confident and successful as they learn to produce highly detailed, lifelike drawings of their favorite best friends. This definitive guide includes in-depth instruction on: · ART MATERIALS AND DRAWING BASICS · DOG ANATOMY; POSES; COATS AND COLORS; EXPRESSIONS · PUPPIES · HERDING GROUP · SPORTING GROUP · NON-SPORTING GROUP · TERRIER GROUP · WORKING GROUP · TOY GROUP · NON-AKC BREEDS AND MIXED BREEDS

How to Draw Dogs and Puppies: A Complete Guide for Beginners

The best professional advice Henry Horenstein ever received was to “shoot what you love.” He’s been doing that for more than four decades, capturing photographs that often richly evoke older cultures and places, especially ones that are disappearing: country musicians in Branson, horse racing at Saratoga Springs, nightlife in Buenos Aires, fais do-dos in Cajun Louisiana, old highways everywhere. Horenstein brings these images together in this rich visual memoir, along with behind-the-scenes stories, insights, and tips and suggestions for being a better photographer. His photographs and engaging, often humorous stories chronicle a career that begins in the 1960s, when photography was a trade and even the greatest photographers were not considered to be artists. He amusingly recounts his early assignments. Using his family and friends as subjects for a book on drug abuse was not too much of a stretch, he says, and while shooting Dolly Parton for what would become the Boston Phoenix, the star told him, “Honey, people don’t come out to see me looking like them.” He engagingly recalls his shoots with stars like the Lennon Sisters and Emmylou Harris, as well as his encounters with Ansel Adams, Minor White, Aaron Siskind, Harry Callahan, Nan Goldin, and many other photo legends. Commanding these pages, though, are the subjects with whom Horenstein has chosen to spend most of his professional career, shooting what he loves. His images of honky-tonk stars, stock car drivers, exotic sea creatures, mixed-race residents of rural Maryland, and Venezuelan baseball players tell what he calls “a good story . . . with humor and a punch line, if possible.”

Shoot What You Love: Tips and Tales from a Working Photographer

HORENSTEIN, Henry

Individual Artists

Welcome to the Wonderful World of Manga Origami Origami masters Márcio Hideshi Noguchi and Seth Friedman show everything you need to know to create adorable paper characters from your favorite manga/anime stories with basic origami folding instructions and clear step-by-step diagrams. In the first section you’ll learn about the paper and other necessary materials, the origami symbols and terminology, and the general folding techniques needed to create and assemble all the basic figures. In the second section you will find specific instructions for customizing each of the characters with their outfits/costumes, accessories, and unique hairstyles. Some of the twenty projects are very recognizable as Japanese manga/anime characters, such as the Ronin Samurai, Kimono-Chan, Tea Picker, and Shrine Maiden, while others, like the French Maid, Nurse, Baseball Player, and Bunny Girl are more western. Also included are some fantasy characters, like the Fairy, Ori Fighter, Santa’s Helper, and Dragon Girl. Of course, characters depicting school life and summer vacation fun are here too, such as Schoolgirl, Sailor Fuku, Gym Girl, Beach Bunny, Sensei, Uki-wa Chan, Harem Otoko, and Neko Form. All projects are clearly marked with their difficulty level: beginner (*), advanced beginner (**), intermediate (***), advanced (****), and expert (*****). Get ready, get set, start folding. You’ll want to make all 20 characters.

Manga Origami: Easy Techniques for Creating 20 Super-Cute Characters

Friedman, Seth

Noguchi, Márcio Hideshi

Manga

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