A multivolume autobiography in intimate snapshots and nudes 
Swedish photographer Lina Scheynius (born 1981) has spent nearly two decades relentlessly recording the scenes of her life with her film camera. Working in both color and black and white, Scheynius compiles nude self-portraiture with intimate snapshots of family, friends and lovers. The result is a chronological and deeply personal rendering of the artist's life. Taken between 1991 and 2018, the photographs also offer an unprecedented insight into the life of a 21st-century woman, from the recklessness of young love to the wonder of motherhood. Between 2007 and 2019, Lina Scheynius organized her expansive photographic archive into 11 self-published books which have received international acclaim. Available together in its entirety for the first time as a box set, this comprehensive collection offers a rare sensitivity and intensity against the backdrop of an increasingly digitized and impersonal contemporary world.

Lina Scheynius: My Photo Books: An 11-Book Box Set

Arts & Photography

Photography & Video

JBE Books

Poetic? Poétique ? Anthologie 1967-2017 is the first book that encapsulates the entire range of poetry―which has rarely been published and was never presented in an exhibition―of French artist Bernar Venet. This collection of 248 poems significantly contributed to the development of conceptual writing in the 1960’s. Today, the prose is indicative of one of the very first steps of a major change in the twentieth century: an influx of writing which lacks creative intent, that happens to be the type of content we consume in the digital era.\nWritten in French, English or with mathematical signs, the poems of Bernar Venet―lists, texts in prose and diagrams – serve to display information in a poetic fashion. In his literary creations, Bernar Venet brings a visual and musical dimension to the knowledge he portrays on paper. At times, the un-comprehension of the text and the uselessness of the information gives the collection poetic power and a kind of encyclopaedic charm. Poetic? Poétique ? Anthologie 1967-2017 is the first book that encapsulates the entire range of poetry―which has rarely been published and was never presented in an exhibition―of French artist Bernar Venet. This collection of 248 poems significantly contributed to the development of conceptual writing in the 1960’s. Today, the prose is indicative of one of the very first steps of a major change in the twentieth century: an influx of writing which lacks creative intent, that happens to be the type of content we consume in the digital era.\nWritten in French, English or with mathematical signs, the poems of Bernar Venet―lists, texts in prose and diagrams – serve to display information in a poetic fashion. In his literary creations, Bernar Venet brings a visual and musical dimension to the knowledge he portrays on paper. At times, the un-comprehension of the text and the uselessness of the information gives the collection poetic power and a kind of encyclopaedic charm.

Poetic ? Poétique ? - anthologie 1967-2017

Literature & Fiction

Poetry

Bob a job is a job is a job

Individual Artists

A - a novel

Beaulieu, Derek

1 the Road est un livre crit par une voiture. Ross Goodwin n'est pas un pote. Crateur d'Intelligences Artificielles (IA), il a quip une Cadillac d'une camra de surveillance, d'un GPS, d'un microphone et d'une horloge connects une IA. Ensemble, ils ont voyag de New York la Nouvelle-Orlans, dans une automatisation exprimentale du road trip littraire amricain. Pendant qu'ils conduisaient, un manuscrit est apparu ligne par ligne sur de longs rouleaux de papier qui remplissaient les siges arrire de la voiture. Enracin dans les traditions de la littrature amricaine, dans le journalisme gonzo et dans les dernires recherches en Rseaux de Neurones Artificiels, 1 the Road s'impose comme le premier roman crit par une IA et ouvre une rflexion neuve sur la place et l'autorit de l'auteur l're des machines.

1 the road

Touch the sky with your eye

Horvitz, David

Peanuts minus Schulz - distributed labor as a compositional practice

Manouach, Ilan

Product Description 
From Hillary Clinton to Enron: political history in hacked recipes 
Have you ever wondered what a conspiracy menu tastes like? This book compiles major email leaks of the past 15 years through the theme of cooking. Part reportage, part cookbook, it showcases over 50 recipes for breakfast, dips, main dishes, sides and desserts. The recipes come from emails released after having been hacked, leaked, breached and uploaded by governments as part of large-scale investigations. Indulge in once-confidential instructions, shared by staff from the world’s most influential companies, government workers linked to Hillary Clinton's emails and more. Illustrating each recipe is a photograph by Emilie Baltz, offering a unique mix of office culture, technology and food appreciation. A riotous insight into office culture, politics, family and friendships, this book is a unique and engaging perspective on the pressing issue of data privacy. 
 Review 
Photographer Emilie Baltz takes food styling to an unexpected level in this quirky idea for a cookbook. -- Christopher Knight ― 
Los Angeles Times

Leaked Recipes: The Cookbook: A Collection of over 50 Recipes Found in the World’s Biggest Email Leaks and the Stories behind Them

Glace, Demetria

New office - the ads

JUNG FLORENCE

A revelatory, long-overdue survey of the bold and explicit feminist painting of Betty Tompkins, from the late 1960s to the present 
This first monographic work on the New York–based feminist painter Betty Tompkins (born 1945) presents around 50 paintings and drawings made during her career. Tompkins is best known for her large-format Fuck Paintings, a series launched in 1969 depicting close-up sex, the source images of which are taken from pornographic magazines. The series is famous for having been censored many times. 
In this and other series, such as the Cunt Paintings and Pussy Paintings, Tompkins uses a cold and restricted palette of black, white and gray for the pornographic images that she appropriates. Stylistically close to photorealism, the images are cropped and produced with an airbrush on pastel backgrounds. Sometimes the artist covers up the image with misogynistic texts. 
Although her paintings were rarely shown, due to their explicit content, Tompkins has influenced a younger generation. Since the 1970s, she has tirelessly questioned what determines the codes of representation of female bodies. This work thus takes on a new dimension within the framework of the recent #MeToo movement. 
In this essential volume, collages and drawings reveal Tompkins' work processes, highlighting her grid work, a major synthesis of minimalism and formalism. Among the works on paper, the 2014 Photo Drawings series is unveiled here for the first time.

Betty Tompkins: Raw Material

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