The Deep Blue Good-By (The Best Mysteries of All Times)

Mystery, Thriller & Suspense

MacDonald,John D.

Mystery

ImPress

The famous Michigan trial fiction which was made into a movie.

Anatomy of a Murder (The Best Mysteries of All Time)

Traver, Robert

POSTMORTEM The first Dr Kay Scarpetta novel which won five international awards for the best first crime novel of 1990. 'Terrific first novel, full of suspense, in which even the scientific bits grip.' The Times ALL THAT REMAINS A killer is stalking young lovers. Taking their lives and leaving just one tantalising clue . 'Another triumph for Patricia Cornwell's special brew of forensic and intuitive sleuthing.' Sunday Times Visit Patricia Cornwell's own website at www.patricia- cornwell.com

Postmortem (Kay Scarpetta)

Literature & Fiction

Patricia, Cornwell

Genre Fiction

Everybody loves a winner, and the Rabbs are major league. Marty is the Red Sox star pitcher, Linda the loving wife. She loves everyone except the blackmailer out to wreck her life. 
Is Marty throwing fast balls or throwing games? It doesn't take long for Spenser to link Marty's performance with Linda's past...or to find himself trapped between a crazed racketeer and an enforcer toting an M-16. 
America's favorite pastime has suddenly become a very dangerous sport, and one wrong move means strike three, with Spenser out for good!

Mortal stakes (The best mysteries of all time)

Parker,Robert B.

This is Laura's book, although when the story opens, she has been viciously murdered. Most of it is told by three men -- the three men who knew her best: gossip columnist Waldo Lydecker -- Laura was the only person he had ever loved; Shelby Carpenter, Laura's fiance, who knew more about her death than anyone suspected; and Detective Mark McPherson, whose duty was to reconstruct the life of the victim -- but not to the point where he fell in love with her. Here is the secret of Laura's death ... and her life.

Laura (The best mysteries of all time)

CASPARY, Vera

Literary

Cornell Woolrich, along with Raymond Chandler and James M. Cain, was a key innovator in the development of the noir genre of crime fiction in the 1930s and 1940s. I Married a Dead Man is considered a classic of this uniquely American genre. I am fairly new to Cornell Woolrich as I have only previously read one of his novels, the suspenseful The Bride Wore Black. Woolrich wrote a large number of suspense novels, apparently of uneven quality. His best stories are very good and include The Phantom Lady, I Married A Dead Man, and his 'Black' series (so-named from their titles). The plot for I Married a Dead Man twists and turns in an unpredictable manner. The layered, complex ending is quite good. I was completely unfamiliar with the plot and was continually surprised. If you are new to this book, avoid reading the summary on the dust jacket or elsewhere. Ignorance may not be bliss, but too much knowledge may spoil some of the surprise. But it won't hurt to think about the seemingly incongruous title. In my limited experience Cornell Woolrich selects his titles carefully. In retrospect, a simple title may suddenly have multiple meanings. I Married a Dead Man may be best compared to an Alfred Hitchcock movie. And, as matter of interest, Woolrich was the author of Rear Window. (Amazon customer)

I Married a Dead Man (The Best Mysteries of All Time)

Woolrich,Cornell

Includes B&W art photos and photo notes. Shows shelf wear and slight foxing to wraps. A crisp, clean, and tight copy. Size: 7" x 8". No marks. Binding is tight, covers and spine fully intact. All edges are clean. Not Ex-Library. All books offered from DSB are stocked at our store in Fayetteville, AR. Save on shipping by ordering multiple titles. Category: Photography; ISBN: 0939535009. ISBN/EAN: 9780939535002. Inventory No: 027216.

Just for kicks: The lighter side of a dark room

Mary, Johnston

Arthur's Life in the Westcotes: My History of a Cotswold Hamlet

Hunt, Arthur George

(This is a gripping read about the era of Solidarity in Poland. It's a diary written by a foreign language tutor who gets caught up in the frustration, excitement and privation of the times. This is truly what it is like to observe a revolution. Honest, cutting and gritty)

Burning Worm

Tighe, Carl

Unseen Waterloo: The Conflict Revisited, is a series of portraits by photographer Sam Faulkner exploring how we remember the fallen from a time before photography was invented. Since 2009, Faulkner has travelled to the annual Waterloo re-enactment in Belgium to photograph the soldiers who take part, dressed in the historically accurate uniforms each participant creates, with painstaking attention to detail, for the event. From his pop-up studio situated on the battlefield, Faulkner has made dramatic and painterly portraits which evoke the forgotten faces of Waterloo and re-imagine moments of glory, of hope and defeat. This limited edition book accompanies the exhibition of the same name at Somerset House London. Curated by international stage director and designer Patrick Kinmonth, the exhibition presents 70 life-size images hung against a backdrop of Hainsworth fabric, the rich scarlet woollen cloth used to dress the red- coat soldiers in 1815, still made today in exactly the same way at the original British mill. The book has a first print run of 1815 copies plus 200 numbered Artist's editions. It was officially launched at Somerset House on 18th June 2015, the 200th anniversary of the battle. It is a large photo book measuring approximately 370 x 290mm with around 240 pages. Limited to a print run of just 1815 copies, the 1815 Edition is beautifully finished in blue cloth with a silver map of the order of battle debossed on the cover. The book includes three texts; A preface by Sam Faulkner, the artist; A historical essay by writer Nicholas Foulkes; and an essay about the art inspired by Waterloo by art historian Satish Padiyar. Unseen Waterloo: The Conflict Revisited is my attempt to re-interpret and imagine the non-existent portraits from 1815. Waterloo is often cast as a battle between Great Men and certainly we ve all seen the grand paintings of Napoleon and Wellington from the con- flict, however we don t have personal images of the men who actually fought and died that day. A hundred years later in the First World War, the fallen soldiers names are chiselled forever into granite in every town of Europe, but the forces of Waterloo are virtually unknown. This work attempts to reclaim the Battle of Waterloo for the valiant 200,000 who have been lost to history., Sam Faulkner 2015.

Unseen Waterloo: The Conflict Revisited

Arts & Photography

Sam Faulkner

Nicholas Foulkes

Satish Padiyar

Photography & Video

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