The monumental but temporary interventions of Christo and Jeanne-Claude, now beloved by millions across the world, began in a very different era, in late-1950s Paris, amid the antics of Yves Klein and the assemblage art of the Nouveau R alistes. Composed in close co-operation with Christo and Jeanne-Claude, just prior to Jeanne-Claude's death in November 2009, Christo and Jeanne-Claude: Early Works 1958-64, is the first publication in almost 40 years to deal in depth with the early work of the duo. Previously unpublished works and photographs from the artists' archives narrate the road from Christo's arrival in Paris (from his native Bulgaria) in 1958 to his and Jeanne-Claude's relocation to New York in 1964. Along with an introductory text by Matthias Koddenberg, art historian and longstanding friend of Christo and Jeanne-Claude, the book contains an extensive interview with the artists and a detailed chronology for the years 1935 to 1964. This special edition of the book is signed and numbered by Christo and Jeanne-Claude, comes housed in a slipcase designed by Christo and contains a signed, numbered print--"Wall of Oil Barrels: The Iron Curtain, Paris, France, 1961-62" (7.3 x 5.5 inches). The edition is limited to 150 copies.

Christo and Jeanne-Claude: Early Works 1958-64, Limited Edition (English and German Edition)

Arts & Photography

MATTHIAS KODDENBERG

Individual Artists

DruckVerlag Kettler

Preussens Eros – Preussens Musen

Kuhrau, Sven

Isabelle Von Marschall

Oskar Kokoschka - Capriccio

Oskar Kokoschka

Mack- Zwischen den Zeiten/ Between the times

Heinz Mack

Die Welt farbig sehen - Siegward Sprotte Retrospektive

Unknown, Author

Thomas Grünfeld - Homey

Emslander, Fritz, hrsg.

Waves - The Art of the Electromagnetic Society

VARIOUS

Marcel Dzama (born 1974) is one of contemporary art's hottest stars, and The Infidels is the most beautifully produced and substantial monograph on his work to date. Housed in a beige cloth cover featuring a tipped-in image, The Infidels contains fantastically sharp reproductions of paintings, drawings, film storyboards, collages and dioramas from the past two years, and installation shots from Dzama's exhibition of these works at Sies + Höke Gallery in Düsseldorf. The book also records an increased politicization in the artist's concerns,with references to American history and current events erupting in evocations of torture, terrorism and warfare (a partial result of Dzama's relocation from Winnipeg to New York). One special highlight of The Infidels is a new series of dioramas, housed in wooden boxes and vitrines,which transports Dzama's world of knife-wielding ghouls,mutant animal men and hooded, gun-toting girls into a three-dimensional wunderkammer, with figurines made of plaster, little cages with white cubes (a homage to Duchamp's "Why Not Sneeze?" assemblage), inscriptions and even taxidermied mice and birds, all recruited into the enacting of historical and mythic scenarios. These magical dioramas prove that the borders of Dzama's fantasy land continue to expand and find new forms and stages for their expression.

Marcel Dzama: The Infidels

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