The last fifteen years have seen a rise in both the importance and the strength of intellectual property rights in the world economy. Intellectual property law has expanded in scope – in areas ranging from the human genome to the Internet. Property rights have been lengthened, strengthened with legally backed digital fences, and protected with greater penalties. Is this expansion of intellectual property necessary to respond to new copying technologies, and desirable because it will produce investment and innovation? Must we privatize the public domain to avoid a "tragedy of the commons," or can the technologies of cheap copying and global networks actually make common pool management more efficient than legal monopolies? Questions such as these have thrown attention on the "other side" of intellectual property: the public domain. What does the public domain do? What is its importance, its history, its role in science, art, and in the building of the Internet? How is the public domain similar to and different from the idea of a commons? Is it constitutionally protected, or required by the norms of free expression? This symposium, the first to focus on the public domain, seeks to answer those questions. Its topics range across a broad swath of innovation and creativity, from science and the Internet to music and culture jamming. Its list of authors includes prominent environmental scholars, appropriation artists, legal theorists, historians and literary critics. The symposium is an edited version of the papers from a unique conference on the public domain at Duke University. Writing in the Financial Times, Patti Waldmeir described the event this way: "Professor Boyle brought together an elite group of intellectuals and scientists (and computer geeks) at Duke, hoping to launch a movement to protect the public domain. He argues that the inexorable advance of intellectual property law in recent years constitutes a ‘second enclosure movement’ to parallel the 18th-century enclosure of English common lands." In Technology Review magazine, Seth Shulman called the conference "an extraordinary meeting" and added: "In attendance were an eclectic array of actors from distinct intellectual-property battles…It was fascinating to see the sparks of commonality among this diverse group. Warning that greed and shortsightedness threaten to despoil innovation the way a previous frontier-minded generation despoiled the natural environment, a series of speakers urged the group to consider itself as an environmental movement for the new millennium – guarding collectively against the encroachment of proprietary intellectual-property rights." The focus of the symposium is particularly timely. The New York Times said of a recent Supreme Court decision that it made it "likely that we are seeing the beginning of the end of public domain and the birth of copyright perpetuity. Public domain has been a grand experiment, one that should not be allowed to die. The ability to draw freely on the entire creative output of humanity is one of the reasons we live in a time of such fruitful creative ferment." The articles assembled here are both an indispensable guide to this "grand experiment" and a fascinating contribution to the creative ferment it enables.

Collected Papers, Duke Conference on the Public Domain

Center for the Study of the Public Domain

<p>A documentary is being filmed. A cell phone rings, playing the "Rocky" theme song. The filmmaker is told she must pay $10,000 to clear the rights to the song. Can this be true? "Eyes on the Prize", the great civil rights documentary, was pulled from circulation because the filmmakers' rights to music and footage had expired. What's going on here? It's the collision of documentary filmmaking and intellectual property law, and it's the inspiration for this comic book. Follow its heroine Akiko as she films her documentary, and navigates the twists and turns of intellectual property. Why do we have copyrights? What's "fair use"? Bound By Law reaches beyond documentary film to provide a commentary on the most pressing issues facing law, art, property and an increasingly digital world of remixed culture.</p>

Bound By Law? (Tales from the Public Domain)

Comics & Graphic Novels

James Boyle

Keith Aoki

Jennifer Jenkins

Graphic Novels

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