Yosano Akiko and The Tale of Genji (Volume 28) (Michigan Monograph Series in Japanese Studies)

Yosano Akiko (1878-1942) has long been recognized as one of the most important literary figures of prewar Japan. Hitherto she has been renowned principally for the passion of her early poetry and for her contributions to twentieth-century debates about women. This emphasis obscures a major part of her career, which was devoted to work on the Japanese classics and, in particular, the great Heian period text The Tale of Genji. Akiko herself felt that Genji was the bedrock upon which her entire literary career was built, and her bibliography shows a steadily increasing amount of time devoted to projects related to the tale. This study traces for the first time the full range of Akiko's involvement with The Tale of Genji.The Tale of Genji provided Akiko with her conception of herself as a writer and inspired many of her most significant literary projects. She, in turn, refurbished Genji as a modern novel, pioneered some of the most promising avenues of modern academic research on Genji, and, to a great extent, gave the text the prominence it now enjoys as a translated classic. Through her work Genji became, in fact as well as in name, an exemplum of that most modern of literary genres, the novel. In delineating this important aspect of Akiko's life and her bibliography, this study aims to show that facile descriptions of Akiko as a "poetess of passion" or "new woman" will no longer suffice. 

Literature & Fiction

G. G. Rowley

History & Criticism

Center for Japanese Studies, University of Michigan

<p>A Wife in Musashino, published in Japanese in 1950, was a major critical and commercial success, and was quickly adapted to the screen by the director Mizoguchi Kenji in 1951. Composed simultaneously with portions of Ooka's great war novel, Fires on the Plain, A Wife in Musashino recounts the story of the ill-fated love between a young demobilized soldier, Tsutomu, and his married cousin, Michiko. The impact on Ooka of French writers such as Stendhal and Radiguet is apparent not only in his finely detailed observations of human emotions, but also in his trenchant critique of social customs and conventions. The novel's depiction of the motivations and circumstances of its characters and its subtle portrait of class conflict and family tensions bring the tumultuous Japanese postwar period to life, revealing with rich insight the impact of the war on Japanese society and on individual lives.</p>

A Wife in Musashino (Volume 51) (Michigan Monograph Series in Japanese Studies)

Ooka, Shohei

This is the first comprehensive study of the noh plays of Komparu Zenchiku, an actor, playwright, and theoretician of noh drama in fifteenth-century Japan. A renowned performer in his own time, Zenchiku was rediscovered in the modern period as the author of numerous treatises on his art, which he studied under the tutelage of his father-in-law Zeami Motokiyo (1363-1443). Yet, Zenchiku is also a major playwright in the Japanese dramatic tradition, and his plays have only recently begun to receive the attention they deserve. Revealed Identity begins with an introduction on the cultural, philosophical, and sociopolitical contexts in which fourteen fascinating plays that have been attributed to Zenchiku were produced. The plays are then grouped into five thematic clusters: the relationship between humans and the nonsentient world, transgression and the suppression or subjugation of the demonic, divinity and its intersection with landscape and the abject, the figuration of female characters as 'women who wait', and delusion and ambiguity in works based on the classic, Tale of Genji. which is defined as a relentless nondualism coupled with a sense of drama as an opportunity to reveal the true nature of a character, rather than illustrating a transformation of that nature. In this regard, Zenchiku's attitude toward noh diverges from that of his contemporaries and challenges the classic western view of drama that defines it in terms of conflict and action.

Revealed Identity: The Noh Plays of Komparu Zenchiku (Michigan Monograph Series in Japanese Studies, 55) (Volume 55)

Atkins, Paul S.

Dramas & Plays

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