Not to be filed under history, photography, design or non-fiction, as it contains outright lies and outrageous subjective opinion, this book is definitely about street art. It is also about now. Fungus grows on your collected wild-style pioneers. Vile passions rage between old schools and new. Stuff flies out from under the hammer at auction houses and property developers fund street art shows to liberal press fanfare. Oh, and Banksy hits the West Bank. Is anyone taking this thing seriously? Should it be taken seriously? Is it all just an immense daisy chain of poker faces, irony and mind games? Brilliant images of graffiti collected from all over the world and preserved here before the legions employed to destroy them and chip them off the walls. This is art driven by existential hunger, art that attacks you only if you are lame, art that inspires mystery and creativity. 11 Spring St NY was a much-loved site that became a graffiti landmark. Before it was redeveloped it inspired acts of love and passion: Lou Reed made it the subject of a poem and Untitled preserves it in all of its glory. Includes works by Banksy, Faile, Dface, Swoon, Bast, Blu, Blek Le Rat, Obey, Dolk, Eine, Gaia, Elbowtoe, Hush, Copyright, Mir, Dan Witz, Space Invader, Armsrock, Doze Green, Know Hope, Skullphone, WKInteract, Skewville, Borf, Ame72, Sam3, Eelus, Miss Bugs, Rene Gagnon, The London Police, Michael De Feo and many more.

Street Art in the Counter Culture (Untitled)

Humor & Entertainment

Pop Culture

Carpet Bombing Culture

The follow up to the critically acclaimed 'Untitled. Street Art in The Counterculture. Untitled II the irreverent book of street art has again been created without the collaboration of the artists and certainly without the permission of the wall owners. There are blatant statements that embody outrageous lies, articles laced with satire, plus cynical synopses of attempts to commercialize street art and make it fashionable via celebrity endorsement. Consideration is given to the question What the hell is it about the color grey that makes it appeal the powers that be and their ridiculous minions? and Outsider Art is it an expression of artistic impulse without interference from the idea of personal gain? All of this amongst a collection of graffiti collected from all over the world and preserved on these pages before the legions employed to destroy them chip them off the walls. Artists featured include Miss Van, Dan Witz, Ron English, Obey, Banksy, Blek le Rat, Swoon, Os Gemeos, and Herakut.

Untitled II. The Beautiful Renaissance: Street Art and Graffiti

42x12. The Cult of Fixed examines the global dynamics of fixed-gear and single speed bicycle culture. The fixed gear bicycle is the simplest of human powered machines. Currently at the bleeding edge of underground street subculture, fixies are the new kids on the block and the scene is currently exploding as legions of riders discover the freedom and joy of the ‘fixie’. Through contemporary observation and the collaboration of those on the inside from Taiwan to New York, Brick Lane to Tokyo, 42x12 gives a unique insight into whats going on at ground level. Features include: - The Tweed Run. Distinguished gents bring style and sophistication to the streets of London. - Messenger and alley cat racing. The need for more than just speed in an urban environment. - Bicycle Polo - Moving objects and mallets battle it out in a hardcourt arena. - Indoor Racing. Eyeballs out at 150 Revolutions per minute. So Just who is the Fixie rider? It’s the buzz question that a lot of people want to know right now. If we’re to believe some, then the Fixie rider is a horribly spoilt late twenty something male of affluent background. He’s never been required to grow up and spends all of his pocket money on cool toys and fads in a never ending effort to be trendy. Cynics would say that the Fixie rider is a myth in the process of being invented by those people who want to sell stuff to rich kids; ie the brands. So just who is the fixie rider? Sometimes it’s better not to know...

42x12. The Cult of Fixed

Potter, Patrick

Reference

"Take nothing but photographs, leave nothing but footprints." This is the unspoken rule of urban explorers, who sometimes risk their safety, police records, and even their lives to explore abandoned buildings, sewers and storm drains, transit tunnels, utility tunnels, high-security areas of inhabited buildings, and even catacombs such as those in Paris, Rome, Odessa and Naples. Although these urban explorers usually work solo or in small teams, they collectively put forth a ground cry against a modern culture that embraces the new, polished, uniform, and mundane. Urban explorers find the beauty layers of graffiti by years worth of writers, multi-hued peeling paint, antique objects, someone s initials left in the dust on a broken stained glass window and physical manifestations of memory that abandoned, impermanent urban spaces can hold. Beauty in Decay features the best in full-color, panoramic photographs from urban exploration or Urbex around the world. Overgrown industrial complexes, disused lunatic asylums, abandoned palaces and forgotten monasteries are showcased, and paired with clear-sighted, poetic text.

Beauty in Decay. Urbex

Arts & Photography

Photography & Video

Untitled III. This is Street Art. The very best in street art and graffiti, providing stunning imagery, beautiful photography and amazing art which all come together in a smorgasbord of illegal activity. Ultimately, its the quality of the photography that sets Untitled head and shoulders above the current spate of pretenders. Untitled III follows on from the success of its sister publications, featuring mix of top quality street art photos and acerbic, witty and sometimes downright obtuse commentary all delivered with a unique flair. Events given in depth coverage include the Agents of Change 'Ghost Village' project and the Fame Festival in Grottaglie, Italy. Elsewhere the images and artists chosen mean this book very much charts its own path.

Untitled III. This is Street Art

This is art as buried treasure. Not all art craves attention, some of it hides in the secret places. Some of it is buried treasure, out in the urban wilderness, left scattered in empty rooms of derelict buildings like strange markings left by an unknown tribe. These works are gifts given only to the occasional explorer, found in abandoned factories, warehouses, industrial sites and deconsecrated churches. This is art you have to earn by leaving the designated areas and heading out past the No Entry signs of the urban environment. A diverse range of artists find themselves attracted to these twilight zones and in recent years something of a movement has come to light, huddled around the idea of urban decay and abandonment as the ultimate canvas. This burning curiosity to see what is behind the fence exists to a greater or lesser degree in most people, but for some it is irresistible. The intervention of street art in these places ranges from walled spaces saturated with layer upon layer of tagging to strange little installations intended to mess with your head. Surreal comments scrawled on windows can be found alongside hidden characters, placed to surprise you as you turn a corner. Is there some universal human urge to say ‘I was here’?

Out of Sight: Urban Art / Abandoned Spaces

Isaac Cordal ...is a sculpture artist from London. His sculptures take the form of little people sculpted from concrete in 'real' situations. Cordal manages to capture a lot of emotion in his vignettes, in spite of their lack of detail or colour. He is sympathetic toward his little people and we empathise with their situations, their leisure time, their waiting for buses and their more tragic moments such as accidental death, suicide or family funerals. His sculptures can be found in gutters, on top of buildings and bus shelters - in many unusual and unlikely places in the capital. This book is the first time his images have been shown in together in one book dedicated to his work, many images never seen before. Cordal's concrete sculptures are like little magical gifts to the public that only a few lucky people will see and love but so many more will have missed. Left to their own devices throughout London, what really makes these pieces magical is their placement. They bring new meaning to little corners of the urban environment. They express something vulnerable but deeply engaging.

Cement Eclipses: Small Interventions in the Big City

History & Criticism

The world would be a better place if everyone continued to draw past their teens. But we're told from an early age that art, especially drawing, won't pay bills. You need to do something with your life, become a doctor, or a mechanic, or a...Teacher? If you really want to draw for a living, that's called illustration. And you'll need to go to college, and uni, start from the bottom and work your way up...Drawing if for kids! Quoteskine is drawing for grown ups. Call it anti-illustration if you want. It celebrates the love of drawing and the subject matter that inspires each image. Taking in references from movies, books, music, famous figures and even including some self penned quotes. Quoteskine hopes to reconnect that childhood love of drawing and creativity with the adult brain. Forget a minute about the work you have to do and the bills you have to pay. Get lost instead in the grown up kid's world that is Quoteskine. Then it's your turn.

Quoteskine. Volume 1

Crutchley, Lee

Individual Artists

Focusing on those emerging contemporary artists who are working at the cutting edge of image creativity today. Images featuring portraiture, landscape, digital manipulation, social realism, conceptual art, photorealism and digital photo montage. 'ALTERED IMAGES' New Visionaries in 21st Century Photography offers a fresh perspective on photography. Full page imagery is accompanied by interviews and commentary that offers a unique insight into the methodologies, perspectives and opinions of the next generation of creative photographers. Blurring the boundary of real and surreal, this book will provide fresh perspectives on photography featuring never-before-seen groundbreaking digital masterpieces while also giving a voice to the visionaries who created them. Showcasing those at the forefront of both craft and creativity the book features portraiture, landscape, digital manipulation, social realism, conceptual art, photorealism and digital photo montage. See what happens when imagination is given full reign and virtual reality meets photography. Altered Images will take you to a place that you’ve never seen before.

Altered Images: New Visionaries in 21st Century Photography

No single living artist has created as many myths, rumours and legends as Banksy. In his home-town of Bristol almost everyone seems to have a Banksy story. Many of the tales in this book are from Bristol, some are from further a field. What they share is that they are all told with the wide eyed wonder which Banksy inspires. Collated between 2009 and 2011 some of these stories are quite old and have been told so many times they have become the stuff of legend, others are more questionable and best described as myths. Some are laugh out loud absurd and some are simply gossip. You be the judge. For me these stories illustrate the incredible audacity, originality and sheer bloody mindedness of Banksy. Obviously he will be best remembered for his art and exposing the hypocrisy and dumbness of our modern lives. The myths will be viewed as a distraction to some or part of the appeal for others. One thing is certain, the art and the myths are both larger than life and stick two fingers up at conformity. This book is a celebration of that anarchic, rebellious spirit.

Banksy. Myths & Legends: A Collection of the Unbelievable and the Incredible

Leverton, Marc

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