Characters of Shakespeare's Plays is an 1817 book of criticism of Shakespeare's plays, written by early nineteenth century English essayist and literary critic William Hazlitt. Composed in reaction to the neoclassical approach to Shakespeare's plays typified by Dr. Johnson, it was among the first English-language studies of Shakespeare's plays to follow the manner of German critic A. W. Schlegel It is observed by Mr. Pope, that 'If ever any author deserved the name of an ORIGINAL, it was Shakespeare. Homer himself drew not his art so immediately from the fountains of nature; it proceeded through AEgyptian strainers and channels, and came to him not without some tincture of the learning, or some cast of the models, of those before him. The poetry of Shakespeare was inspiration: indeed, he is not so much an imitator, as an instrument of nature; and it is not so just to say that he speaks from her, as that she speaks through him. His CHARACTERS are so much nature herself, that it is a sort of injury to call them by so distant a name as copies of her. Those of other poets have a constant resemblance, which shows that they received them from one another, and were but multipliers of the same image: each picture, like a mock-rainbow, is but the reflection of a reflection. But every single character in Shakespeare, is as much an individual, as those in life itself; it is as impossible to find any two alike; and such, as from their relation or affinity in any respect appear most to be twins, will, upon comparison, be found remarkably distinct. To this life and variety of character, we must add the wonderful preservation of it; which is such throughout his plays, that had all the speeches been printed without the very names of the persons, I believe one might have applied them with certainty to every speaker.'

Characters of Shakespeare's Plays

Literature & Fiction

HAZLITT, WILLIAM

Dramas & Plays

Brian Westland

There is no doubt that hypnotism is a very old subject, though the name was not invented till 1850. In it was wrapped up the "mysteries of Isis" in Egypt thousands of years ago, and probably it was one of the weapons, if not the chief instrument of operation, of the magi mentioned in the Bible and of the "wise men" of Babylon and Egypt. "Laying on of hands" must have been a form of mesmerism, and Greek oracles of Delphi and other places seem to have been delivered by priests or priestesses who went into trances of self-induced hypnotism. It is suspected that the fakirs of India who make trees grow from dry twigs in a few minutes, or transform a rod into a serpent (as Aaron did in Bible history), operate by some form of hypnotism. The people of the East are much more subject to influences of this kind than Western peoples are, and there can be no question that the religious orgies of heathendom were merely a form of that hysteria which is so closely related to the modern phenomenon of hypnotism. Though various scientific men spoke of magnetism, and understood that there was a power of a peculiar kind which one man could exercise over another, it was not until Frederick Anton Mesmer (a doctor of Vienna) appeared in 1775 that the general public gave any special attention to the subject. In the year mentioned, Mesmer sent out a circular letter to various scientific societies or "Academies" as they are called in Europe, stating his belief that "animal magnetism" existed, and that through it one man could influence another. No attention was given his letter, except by the Academy of Berlin, which sent him an unfavorable reply.

Complete Hypnotism: Mesmerism, Mind-Reading and Spiritualism

Health, Fitness & Dieting

Alpheus, A.

Psychology & Counseling

Travels in Alaska

Science & Math

MUIR, JOHN

Biological Sciences

A Chronicle History of the Life and Work of William Shakespeare

Biographies & Memoirs

Fleay, Frederick Gard

Arts & Literature

A Confession

Religion & Spirituality

TOLSTOY, LEO

Christian Books & Bibles

Across The Plains

Travel

STEVENSON, ROBERT LOUIS

Travel Writing

Afoot in England

Hudson,W.H.

Nature & Ecology

Amerigo Vespucci

Ober, Frederick A

Professionals & Academics

John the Baptist

Meyer, F.B.

Historical

Life of Chopin

Life of Chopin is classical music biography that represents the definitive account of the life of the great Polish pianist/composer, Frederic Chopin. The story is told by his friend and colleague, the legendary Hungarian pianist, Franz Liszt-the ideal man to relate the brief, but brilliant life of Chopin. Liszt's proximity to the subject and insightful accounts make this Chopin biography resonate as few can. Frederic Francois Chopin (1 March 1810 - 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation." Chopin was born Fryderyk Franciszek Chopin[n 1] in what was then the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafter--in the last 18 years of his life--he gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a friendship with Franz Liszt and was admired by many of his other musical contemporaries (including Robert Schumann). In 1835, Chopin obtained French citizenship. After a failed engagement to Maria Wodzirska from 1836 to 1837, he maintained an often troubled relationship with the French writer Amantine Dupin (known by her pen name, George Sand). A brief and unhappy visit to Majorca with Sand in 1838-39 would prove one of his most productive periods of composition. In his final years, he was supported financially by his admirer Jane Stirling, who also arranged for him to visit Scotland in 1848. For most of his life, Chopin was in poor health. He died in Paris in 1849 at the age of 39, probably of tuberculosis. All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some 19 songs set to Polish lyrics

LISZT, FRANZ

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Books by Brian Westland