Wilhelm Von Gloeden: Fotografie - Nudi / Paesaggi / Scene di Genere

Italo Zannier

Monica Maffioli

Silvia Paoli

Alessandro Oldani

Alinari 24 Ore

The project Nostro Sud (Our Sud), one of the few left unfinished in Fosco Maraini?s long professional life, represents a highly important episode in his personal story. Despite the fact that he was always very reticent in speaking of the genesis, development and outcome of this undertaking in detail, the part of his photographic archive devoted to the Italian South still today bears the marks of a constant activity. A stratification of successive rearrangements and regrouping, and of repeated selections of first, second and third choices, bear witness to a need that never left him and that was repeatedly taken up in the last years of his life to give a definitive and satisfying form to this rich photographic material.

Norstro Sud / Our South: Un Progetto Fotografico Incompiuto Sul Meridione Italiano / An Uncompleted Photographic Project on the Italian South (Italian and English Edition)

Arts & Photography

MARAINI, Fosco

Photography & Video

Monograph of the photographer Daniele Duca.

Moto Contrario / Reverse Motion: Photographs by Daniele Duca (Italian and English Edition)

Maggi, Angelo

Roventi, Barbara

Mollino's work consists of 'unique pieces', from furniture to photographs. The elitist architect never produced editions of his photographs and he signed less than 40 , unique copies often retouched. From 1936 to 1973, his photographs, drawings and related historical objects reveal the 'photographic worlds' of Mollino: architecture, skiing and the important corpus of women's portraits, realized in three different periods: the years before the Second World War, the 1950s and the Polaroids of the 1960s/1970s. Since the 1930s Mollino considered photography an opportunity to work on his buildings again, enhancing them with every possible technical and literary artifice, still maintaining the authentic spirit of the buildings and interiors. Women?s portratits constitute the main subject of his photographs in the 1930s and 1940s.In his photographic work he did not simply portray his models; he left a message: a woman is the sum of a multiplicity of faces, bodies and expressions.

Carlo Mollino: With Naked Eye: Photographs 1934-1973

Ferrari, Fulvio

Ferrari, Napoleone

Individual Artists

Of the myths of contemporary society, the female breast is the one most open to discussion. The photographs in this catalogue are insightful, occasionally mad and always provocative, leading the viewer to really see the breast. Considering that many photographs of the breast linger on the aesthetic nude, this book instead focuses on the veiled breast, so much more stimulating to the imagination. The photographs selected are unique, at times surprising and endowed with a language of their own; some are further enhanced with accompanying, often literary, commentary.

That Unstable Object of Desire: Images of the Female Breast by Masters of Photography

Pluchinotta, Alfonso

Veronesi, U.

Taal, J.

Yalom, M.

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