The Cult and the Practice of the Bonpo Deity Walchen Gekhod, also known as Zhang-Zhung Meri

The Cult and the Practice of the Bonpo Deity Walchen Gekhod, also known as Zhang-Zhung Meri image
ISBN-10:

9937733219

ISBN-13:

9789937733212

Released: Jan 01, 2020
Format: Hardcover, 566 pages
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Description:

The Cult and the Practice of the Bonpo Deity Walchen Gekhod, also known as Zhang-Zhung Meri, the Meditation Deity for the Zhang-zhung Nyan-gyud Tradition of Dzogchen from the Ancient Kingdom of Zhang-zhung in Western Tibet, containing translations of the Sadhana Practice texts for the Deity Zhang-zhung Meri from the Me-ri sGrub-skor, together with the Origin Myth of Walchen Gekhod and translations of commentaries on this practice by John Myrdhin Reynolds. Before the coming of Buddhism from India to Tibet in the 7th and 8th centuries and the simultaneous arising the empire in Central Tibet, there flourished in northern and western Tibet the ancient kingdom of Zhang-zhung. This kingdom, which centered around the sacred mountain of Kailas, was closely connected with other ancient Central Asian cultures and its own religious culture was known as Bon. In later centuries after the fall of the Tibetan empire and the fragmentation of the country, this ancient religious tradition was preserved among the Tibetan people by the Bonpo Lamas and this continued to exist and be practiced among the Tibetan people until the present day, parallel to the Buddhism of Indian origin. Central to this Bonpo tradition was the theory and practice known as Dzogchen, "the Great Perfection." Of Central Asian origin, it also flourished in the Nyingmapa school of Tibetan Buddhism since the early days. Connected with the Bonpo practice of Dzogchen, known as the Zhang-zhung Nyan-gyud, "The Oral Tradition from Zhang-zhung," there is the practice and ritual of the meditation deity Walchen Gekhod, "the slayer of demons," also known in his specialized warrior aspect in golden armour as Zhang-zhung Meri. This tempestuous mountain god of Mt. Kailas, having descended thereupon in the form of a gigantic flaming yak, was the patron deity of the Zhang-zhung kingdom and its ruling dynasty. However, according to the Bonpo tradition, this illustrious figure was not just a worldly deity, but an manifestation of


























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