Guernica: Painting the End of the World (The Landmark Library, 5)

Review\n'An impressive overview ... Succeeds in showing how influential Guernica has been, and how it continues to be used as a reference point in political and military conflicts of today' Sunday Times\n'Attlee digs up rich examples of the debate and devotion that invariably attended the paining ... Guernica literature abounds; but this book is a worthwhile addition' Spectator\n'[Guernica], which is clearly written and beautifully produced, both updates the tale and adds something fresh to the mix ... Attlee's book helps you appreciate [Guernica's] daring and resonance' Literary Review\n" Eccentric, rambling, charming . . . by turns erratic and spellbinding. Attlee is an entertaining writer, pulling off strange and daring leaps . . . thrilling. * New York Times Book Review on Nocturne\nA brilliant, concise account of the painting often described as the most important work of art produced in the twentieth century, as part of the stunning Landmark Library series.
Pablo Picasso had already accepted a commission to create a work for the Spanish Republican Pavilion in 1937 when news arrived of the bombing of the undefended Basque town of Gernika.
James Attlee offers an illuminating account of the genesis, creation and complex afterlife of Picasso's Guernica. He explores the historical and cultural context from which the painting sprang and the meanings it accrued during its travels across Europe and the Americas, as well as its influence on artists both living and dead. Finally, he argues for its continuing importance as a warning of what happens when the forces of darkness go unchallenged.