Hirschfeld: The Biography

Hirschfeld: The Biography image
ISBN-10:

1510759409

ISBN-13:

9781510759404

Author(s): Stern, Ellen
Released: Jul 06, 2021
Publisher: Skyhorse
Format: Hardcover, 472 pages
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Description:

Product Description
The definitive biography of Al Hirschfeld, renowned caricaturist and artist.\nAl Hirschfeld knew everybody and drew everybody. He occupied the twentieth century, and illustrated it.
Hirschfeld: The Biography is the first portrait of the renowned artist's life—as spirited and unique as his pen-and-ink drawings. Beginning in the 1920s, he caricatured Hollywood actors, Washington politicians, and—his favorite—celebrities of the stage. Broadway belonged to Hirschfeld. His work appeared in the
New York Times and other publications, as well as on book jackets, album covers, posters, and postage stamps, for more than seventy-five years.\nHe lived in Paris, Moscow, and Bali, and in a pink New York townhouse on a star-studded block where his closest friends—Carol Channing, S. J. Perelman, Gloria Vanderbilt, Brooks Atkinson, Elia Kazan, Marlene Dietrich, and William Saroyan—flocked in and out. He played the piano, went to jazz joints with Eugene O'Neill, and wrote a musical that bombed. He drove until he was ninety-eight years old and always found a parking space. He worked every day, threw dinner parties twice a week, and hosted New Year's Eve soirees that were legendary. He had three wives, a formidable agent, and a daughter, Nina, the most famous little girl that no one knows.\nHirschfeld died in 2003, at the age of ninety-nine. "If you live long enough," he liked to say, "everything happens." For him, it did. And good and bad—it's all here. Through interviews with Hirschfeld himself, his friends and family (including the mysterious Nina), and his famous subjects, as well as through letters, scrapbooks, and home movies, Ellen Stern has crafted a delightful, detailed, and definitive portrait of Al Hirschfeld, one of our most beloved, and most influential, artists.
Review
"An in-depth biography of America’s “line king” caricaturist. Born in St. Louis, Al Hirschfeld (1903-2003) began drawing when he was 5 years old and never stopped. Journalist Stern (
Gracie Mansion: A Celebration of New York City's Mayoral Residence, 2005, etc.) interviewed Hirschfeld in 1987 for a
GQ profile. Over the years, she has conducted extensive interviews with those who knew him—the book is packed with quotations—and had access to personal letters, journals, and scrapbooks, resulting in this much-needed, affectionate, and entertaining book-length profile. In 1912, the Hirschfeld family moved to New York City. Although he traveled around the world throughout his life, NYC was always home. While still in his teens, the young, talented artist began doing caricatures for Broadway posters and ads as well as lobby cards for local movie companies like Goldwyn and the Selznick Corporation. He came to be known as the “line king” for his minimalist black-lines-on-white-paper caricatures of actors and actresses that succinctly captured the looks and personalities of his subjects. He was fast and reliable. His theatrical caricatures—he preferred “character drawings”—became popular, his line “ever more surgical.” Broadway was his milieu, and every actor wanted to be “Hirschfelded.” He worked hard at it; sitting in his barbershop chair, his drawing board in front of him, he worked 7 days per week, 7 hours per day. S.J. Perelman described him as “a remarkable combination of Walt Whitman, Lawrence of Arabia, and Moe, my favorite waiter at Lindy’s.” In 1928, Hirschfeld started working for the
New York Times, in 1953,
TV Guide, and in 1998 he did a cover for
Time. As Stern shows, his married life with three wives was up and down, but for 75 years, he had his dream job.
As the first substantive biography of Hirschfeld, this will be welcomed by art and Broadway lovers alike."\n—KIRKUS\n“This biography is as elegant and witty as Hirschfeld’s art itself, and author Stern deftly weaves her way through the artist’s life from his birth in St. Louis to his final days in a pink Manhattan brownstone. Stern’s affection for and knowledge of












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