Doll’s House, A (Student Editions)

About the Author\nHenrik Ibsen (1828-1906) has been described as 'the father of modern theatre'. Most of his early plays were traditional historical dramas. After 'Peer Gynt', a fairy-tale fantasy in verse, Ibsen wrote the rest of his plays in prose, and came to be regarded as the great Naturalist dramatist.\nChris Megson is Senior Lecturer in Drama and Theatre at Royal Holloway, University of London. He has taught and published widely in the field of modern drama, and is editor of The Methuen Drama Book of Naturalist Plays. Other works include: Get Real: Documentary Theatre Past and Present (with Alison Forsyth, 2011),and Modern British Playwriting: The 70s: Voices, Documents, New Interpretations (2012).\nMichael Meyer first went to China in 1995 with the Peace Corps. The winner of a Lowell Thomas Award for travel writing, Meyer has also won a Whiting Writers' Award for nonfiction and a Guggenheim Fellowship. His stories have appeared in the New York Times, Time, Smithsonian, Sports Illustrated, Slate, the Financial Times, the Los Angeles Times, and the Chicago Tribune. He is the author of The Last Days of Old Beijing, which became a bestseller in China, and he divides his time between Pittsburgh and Singapore.\nSophie Duncan is a Fellow of Christ Church, University of Oxford. She received her DPhil from Brasenose College, Oxford, where she was Senior Hulme Scholar, in 2013. She then became Stipendiary Lecturer at St Catherine's and Supernumerary Fellow in English at Harris Manchester College, before returning to full-time research at Magdalen. She has been a guest lecturer at King's College London and the Bread Loaf School of English. In 2013, she became Editor of Victorian Network. Her research includes longstanding links with the world of professional theatre, and she works regularly as a historical advisor/dramaturg in theatre, television, radio and film. Her publications include Shakespeare's Women and the Fin de Siècle (Oxford University Press) and she has published on the African American actor Ira Aldridge, the bibliographical history of Oscar Wilde, and Bram Stoker's Dracula (1897).\nJenny Stevens was an Associate Lecturer for the Open University and currently combines educational consultancy work with teaching and writing. She is the co-author with Pamela Bickley of Essential Shakespeare: The Arden Guide to Text and Interpretation (2013) and Shakespeare and Early Modern Drama: Text and Performance (2016).\nIbsen's 1879 play shocked its first audiences with its radical insights into the social roles of husband and wife. His portrayal of the caged 'songbird' in his flawed heroine Nora remains one of the most striking dramatic depictions of the late 19th century woman.\nThis revised edition contains introductory commentary and notes by Sophie Duncan, which offer a contemporary lens on the play's gender politics and consider seminal productions of the play into the 21st century.\nMETHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains:\n· A chronology of the play and the playwright's life and work
· an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created
· a succinct overview of the creation processes followed and subsequent performance history of the piece
· an analysis of, and commentary on, some of the major themes and specific issues addressed by the text
· a bibliography of suggested primary and secondary materials for further study.